An American Girl in London. Duncan Sara Jeannette
to think of, so I didn't.
Then there is the well-settled, well-founded look of everything, as if it had all come ages ago, and meant to stay for ever, and just go on the way it had before. We like that – the security and the permanence of it, which seems to be in some way connected with the big policemen, and the orderly crowd, and 'Keep to the Left' on the signboards, and the British coat of arms over so many of the shops. I thought that morning that those shops were probably the property of the Crown, but I was very soon corrected about that. At home I am afraid we fluctuate considerably, especially in connection with cyclones and railway interests – we are here to-day, and there is no telling where we shall be to-morrow. So the abiding kind of city gives us a comfortable feeling of confidence. It was not very long before even I, on the top of the Hammersmith 'bus, felt that I was riding an Institution, and no matter to what extent it wobbled it might be relied upon not to come down.
I don't know whether you will like our admiring you on account of your griminess, but we do. At home we are so monotonously clean, architecturally, that we can't make any aesthetic pretensions whatever. There is nothing artistic about white brick. It is clean and neat and sanitary, but you get tired of looking at it, especially when it is made up in patterns with red brick mixed in. And since you must be dirty, it may gratify you to know that you are very soothing to Transatlantic nerves suffering from patterns like that. But you are also misleading. 'I suppose,' I said to a workman in front of me as we entered Fleet Street, 'that is some old palace? Do you know the date of it?'
'No, miss,' he answered, 'that ain't no palace. Them's the new Law Courts, only built the last ten year!'
'The new Law Courts!' 'The Strand!' 'Fleet Street!' 'Ludgate Hill!' 'Cheapside!' and I was actually in those famous places, riding through them on a 'bus, part of their multitude. The very names on the street corners held fascination enough, and each of them gave me the separate little thrill of the altogether unexpected. I had unconsciously believed that all these names were part of the vanished past I had connected them with, forgetting that in London names endure. But I began to feel that I ought to be arriving. 'Conductor,' I said, as he passed, 'stop the 'bus, and let me get down at Half-Moon Street, Piccadilly.'
'We're goin' strait awai from it, miss; you get that red 'bus standin' over there – that'll taike you!'
So I went all the way back again, and on to my relation's, on the top of the red 'bus, not at all regretting my mistake. But it made it almost twelve o'clock when I rang the bell – Mrs. Portheris's bell – at the door of her house in Half-Moon Street, Piccadilly.
IV
FROM the outside I didn't think much of Mrs. Portheris's house. It was very tall, and very plain, and very narrow, and quite expressionless, except that it wore a sort of dirty brown frown. Like its neighbours, it had a well in front of it, and steps leading down into the well, and an iron fence round the steps, and a brass bell-handle lettered 'Tradesmen.' Like its neighbours, too, it wore boxes of spotty black greenery on the window-sills – in fact, it was very like its neighbours, except that it had one or two solemn little black balconies that looked as if nobody ever sat in them running across the face of it, and a tall, shallow porch, with two or three extremely white stone steps before the front door. Half-Moon Street, to me, looked like a family of houses – a family differing in heights and complexions and the colour of its hair, but sharing all the characteristics of a family – of an old family. A person draws a great many conclusions from the outside of a house, and my conclusion from the outside of my relation's house was that she couldn't be very well off to be obliged to live in such a plain and gloomy locality, with 'Tradesmen' on the ground-floor; and I hoped they were not any noisy kind of tradesmen, such as shoemakers or carpenters, who would disturb her early in the morning. The clean-scrubbed stone steps reflected very favourably, I thought, upon Mrs. Portheris, and gave the house, in spite of its grimy, old-fashioned, cramped appearance, a look of respectability which redeemed it. But I did not see at any window, behind the spotty evergreens, the sweet, sad face of my relation, though there were a hand-organ and a monkey and a German band all operating within twenty yards of the house.
I rang the bell. The door opened a great deal more quickly than you might imagine from the time I am taking to tell about it, and I was confronted by my first surprise in London. It was a man – a neat, smooth, pale, round-faced man in livery, rather fat and very sad. It was also Mrs. Portheris's interior. This was very dark and very quiet, but what light there was fell richly, through a square, stained-glass window at the end of the hall, upon the red and blue of some old china above a door, and a collection of Indian spears, and a twisting old oak staircase that glowed with colour. Mrs. Portheris's exterior had prepared me for something different. I did not know then that in London everything is a matter of the inside – I had not seen a Duchess living crowded up to her ears with other people's windows. With us the outside counts so tremendously. An American duchess, if you can imagine such a person, would consider it only due to the fitness of things that she should have an imposing front yard, and at least room enough at the back for the clothes-lines. But this has nothing to do with Half-Moon Street.
'Does Mrs. Portheris live here?' I asked, thinking it was just possible she might have moved.
'Yes, miss,' said the footman, with a subdued note of interrogation.
I felt relieved. 'Is she – is she well?' I inquired.
'Quite well, miss,' he replied, with the note of interrogation a little more obvious.
'I should like to see her. Is she in?'
'I'll h'inquire, miss, 'n 'Oo shall I sai, miss?'
I thought I would prepare my relation gradually. 'A lady from Chicago,' said I.
'Very well, miss. Will you walk upstairs, miss?'
In America drawing-rooms are on the ground-floor. I thought he wanted to usher me into Mrs. Portheris's bedroom.
'No, sir,' I said; 'I'll wait here.' Then I thought of Mr. Mafferton, and of what he had said about saying 'sir' to people, and my sensations were awful. I have never done it once since.
The footman reappeared in a few minutes with a troubled and apologetic countenance. 'Mrs. Portheris says as she doesn't want anythink, miss! I told her as I didn't understand you were disposin' of anythink; but that was 'er message, miss.'
I couldn't help laughing – it was so very funny to think of my being taken for a lady-pedlar in the house of my relation. 'I'm very glad she's in,' I said. 'That is quite a mistake! Tell her it's Miss Mamie Wick, daughter of Colonel Joshua R. Wick, of Chicago; but if she's lying down, or anything, I can drop in again.'
He was away so long that I began to wonder if my relation suspected me of dynamite in any form, and he came back looking more anxious than ever. 'Mrs. Portheris says she's very sorry, miss, and will you please to walk up?' 'Certainly,' I said, 'but I hope I won't be disturbing her!'
And I walked up.
It was a big square room, with a big square piano in it, and long lace curtains, and two or three gilt-framed mirrors, and a great many old-fashioned ornaments under glass cases, and a tinkling glass chandelier in the middle. There were several oil-paintings on the walls – low-necked portraits and landscapes, principally dark-green and black and yellow, with cows, and quantities of lovely china. The furniture was red brocade, with spindly legs, and there was a tall palm in a pot, which had nothing to do with the rest of the room, by itself in a corner. I remembered these things afterwards.
At the time I noticed chiefly two young persons with the pinkest cheeks I ever saw, out of a picture-book, sitting near a window. They were dressed exactly alike, and their hair hung down their backs to their waists, although they must have been seventeen; and they sat up very nicely indeed on two of the red chairs, one occupied with worsted work, and the other apparently reading aloud to her, though she stopped when I came in. I have seen something since at Madame Tussaud's – but I daresay you have often noticed it yourself. And standing in the middle of the room, with her hand on a centre-table, was Mrs. Portheris.
My first impression was that she had been standing there for the last hour in that immovable way, with exactly that remarkable expression; and it struck me that she could go on standing for the next without altering it, quite comfortably