Musical Myths and Facts, Volume 2 (of 2). Engel Carl
however, a very evil-disposed spirit resorts to these arts for the purpose of accomplishing some wicked design. A few stories from different countries which illustrate the superstitious notions on the subject will be given here. Although the stories are still in the mouth of the people, it can hardly be said that they are still really believed, at least not in European countries. But there are always ignorant persons who half believe whatever appeals forcibly to their imagination.
THE AWFUL DECEPTION
At Arfeld, a small village in Germany, a number of young lads and lasses were assembled one winter evening in a warm and comfortable room, the girls spinning and singing, as they usually do on these occasions.
One of the lads, in silly playfulness, said to the girls he should like them to try whether they could hang him on a single thread of their spinning. The novel idea found ready approval. They made him stand on a chair, and bound a thin thread around his neck, fastening it on a nail under the ceiling.
At this moment all were greatly surprised by hearing strains of exquisitely fine music penetrating into the house. They directly hastened outside the door to ascertain whence it came; but there they neither heard nor saw anything.
On returning to the room, they found, to their great astonishment and dismay, that the chair had been drawn from under the lad, and that the poor fellow was hanging on the thread and was dead.20
THE INDEFATIGABLE FIDDLER
The following strange event happened in the parish of Börne, two miles south of Ripen, in Denmark, and is still known to the people in all its details.
One Sunday evening, a company of young men and girls of the village had assembled in a farm-house, and were indulging in all kinds of frolic and flirting. After they had enjoyed their nonsense for some time they thought they should like to have a little dancing. In the midst of much noisy and useless debating how to procure a musician to play to them, one of the youths – the wildest of the party – cut the matter short by saying boastingly: "Now, my lads, leave that to me! I will bring you a musician, even if it should be the devil himself!" With these words the wicked youth placed his cap knowingly on one side of his head, and marched out of the room.
He had not advanced many steps along the road when he met with an old beggarly-looking man, who carried a fiddle under his arm. The lad lost no time in striking a bargain with the man, and triumphantly introduced him into the house. In a few minutes all the young folks were wildly dancing up and down the room to the old crowder's fascinating music; and soon the perspiration actually streamed down their faces. They now desired to stop for a moment to rest themselves a little. But this they found impossible so long as the old crowder continued playing; and they could not induce him to leave off, however earnestly they implored him. It was really an awful affair!
Soon they would have been all dead from sheer exhaustion, had it not so happened, fortunately for them, that there resided in the lower part of the house an old deaf woman, the housekeeper of the farmer, who accidentally becoming aware of the desperate condition of the dancers, ran as fast as she could to fetch the parish priest. The holy man was already in bed, and it took some time to arouse him; and then he had to dress himself. But at last he was quite prepared; and when he arrived at the farm-house and saw the fearful scene, he at once took out of his pocket a little book, from which he read something in Latin or Hebrew. Scarcely had he read a verse, when the indefatigable fiddler let his arm sink, and drawing himself gradually up until he stood merely on the tips of his toes, he suddenly vanished through the ceiling, leaving no traces behind. Some people say, however, that there was a sulphurous odour about the house shortly after this miraculous event.
THE EFFECTUAL EXPEDIENT
The next story, told by the Manx people, is almost literally transcribed from Waldron's 'History and Description of the Isle of Man,' London, 1744.
"A fiddler having agreed with a person, who was a stranger, for so much money, to play to some company he should bring him to, all the twelve days of Christmas, and having received an earnest for it, saw his new master vanish into the earth the moment he had made the bargain. Nothing could exceed the terror of the poor fiddler. He found he had engaged himself in the devil's service, and he looked on himself as already doomed; but, having recourse to a clergyman he received some hope. The clergyman desired him, as he had taken an earnest, to go when he should be summoned; but, whatever tunes should be called for, to play none but psalm-tunes.
"On the day appointed the same person appeared, with whom he went, but with what inward reluctance it is easy to guess. He punctually obeying the minister's directions, the company to whom he played were so angry that they all vanished at once, leaving him at the top of a high hill, and so bruised and hurt, though he was not sensible when or from what hand he received the blows, that it was with the utmost difficulty he got home."
THE OLD CHORALE
The following is recorded from Oldenburg, North Germany.
The sexton at Esenshammer, one day on entering the church alone, heard the organ playing most charmingly. He looked up and saw to his great surprise that there was no player; it played by itself. He lost no time in running to the Pastor, to tell him what was going on in the church.
The Pastor quickly put on his gown and hastened with his sexton to witness the phenomenon. Sure enough; the organ was playing wonderfully all kinds of profane airs; they both heard it distinctly. But, look where they would, they could not see any performer.
After having recovered a little from his astonishment, the Pastor in a solemn tone of voice called out towards the organ: —
"If thou up there canst play everything, just play to me our old Chorale Wer nur den lieben Gott lässt walten."
In a moment the organ was silent.
THE HAUNTED MANSION
Diabolic musical performances have often been heard at midnight in a certain mansion in Schleswig-Holstein. Years ago, the young and gay daughter of the then lord of the manor, at a family festivity and grand ball, proved herself so insatiable in dancing, that, after having danced all the evening, she flippantly exclaimed: "And if the devil himself appeared and invited me to dance, I should not decline!"
Scarcely had she said these words, when the door of the ball-room flew open, and an unknown cavalier entered, went up to her, and led her to dance. Round and round they whirled, unceasingly, incessantly faster and faster, until – O, horror! suddenly she fell down dead.
A long time has elapsed since this occurred; but the lady still haunts the mansion. Every year on the day when the frightful event took place, precisely at midnight, the mansion resounds with the most diabolic music. The lady arises from her grave and repairs to the ball-room, where she anxiously waits for a partner; for, if any good Christian should come and dance with her, she afterwards will have rest. Hitherto no one has had the courage to stay in the house during the awful hour. A daring young adventurer once had nearly succeeded. In that case, the mansion would have come into his possession, according to an old deed found in the house. But as soon as the diabolic music began, his courage forsook him, and he made off as fast as he could. It terrified him so much, that even now when he hears violins he trembles all over, and imagines the diabolic noise is recommencing.
THE MODE ASBEIN
A modern writer on Arabic music, as it is practised in Algiers and Tunis, mentions among the various Modes used at the present day a peculiarly impressive one, called Asbein, which the Mohammedans believe to have been especially appropriated by Satan for the purpose of tempting man. They have a long story respecting its origin and demoniac effects. The writer alluded to, a Frenchman, had the gratification of hearing a piece or two played in this Mode by a musician, who had the reputation of being one of the best performers in Tunis, and who used to entertain the frequenters of a certain coffee-house in a suburb. To this place the Frenchman repaired, and induced the musician to play in the Mode Asbein. To surmise from his description of the performance, there must have been something really frightful in the degree of ecstacy which the player exhibited. But there is something funny in the Frenchman's mode of reasoning, which
'Sagen, Gebräuche, und Märchen aus Westfahlen, gesammelt von A. Kuhn. Leipzig, 1859.' Vol. I., p. 175.