Essays in English Literature, 1780-1860. Saintsbury George

Essays in English Literature, 1780-1860 - Saintsbury George


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in all such Lives and by no means always or often furnished) a complete list of his contributions to the Edinburgh Review, and his works contain most of them. To these have to be added the pamphlets, of which the chief and incomparably the best are, at intervals of thirty years, Peter Plymley and the Letters to Archdeacon Singleton, together with sermons, speeches, and other miscellaneous matter. The whole, except the things which he did not himself care to reprint, can be obtained now in one volume; but the print is not to be recommended to aged or weakly sight.

      Sydney Smith had no false modesty, and in not a few letters to Jeffrey he speaks of his own contributions to the Edinburgh with the greatest freedom, combating and quite refusing to accept his editor's suggestion as to their flippancy and fantasticality, professing with much frankness that this is the way he can write and no other, and more than once telling Jeffrey that whatever they may think in solemn Scotland, his, Sydney's, articles are a great deal more read in England and elsewhere than any others. Although there are maxims to the contrary effect, the judgment of a clever man, not very young and tolerably familiar with the world, on his own work, is very seldom far wrong. I should say myself that, putting aside the historic estimate, Sydney Smith's articles are by far the most interesting nowadays of those contributed by any one before the days of Macaulay, who began just as Sydney ceased to write anonymously in 1827, on his Bristol appointment. They are also by far the most distinct and original. Jeffrey, Brougham, and the rest wrote, for the most part, very much after the fashion of the ancients: if a very few changes were made for date, passages of Jeffrey's criticism might almost be passages of Dryden, certainly passages of the better critics of the eighteenth century, as far as manner goes. There is nobody at all like Sydney Smith before him in England, for Swift's style is wholly different. To begin with, Sydney had a strong prejudice in favour of writing very short articles, and a horror of reading long ones – the latter being perhaps less peculiar to himself than the former. Then he never made the slightest pretence at systematic or dogmatic criticism of anything whatever. In literature proper he seems indeed to have had no particular principles, and I cannot say that he had very good taste. He commits the almost unpardonable sin of not merely blaspheming Madame de Sévigné, but preferring to her that second-rate leader-writer in petticoats, Madame de Staël. On the other hand, if he had no literary principles, he had (except in rare cases where politics came in, and not often then) few literary prejudices, and his happily incorrigible good sense and good humour were proof against the frequent bias of his associates. Though he could not have been very sensible, from what he himself says, of their highest qualities, he championed Scott's novels incessantly against the Whigs and prigs of Holland House. He gives a most well-timed warning to Jeffrey that the constant running-down of Wordsworth had very much the look of persecution, though with his usual frankness he avows that he has not read the particular article in question, because the subject is "quite uninteresting to him." I think he would, if driven hard, have admitted with equal frankness that poetry, merely as poetry, was generally uninteresting. Still he had so many interests of various kinds, that few books failed to appeal to one or the other, and he, in his turn, has seldom failed to give a lively if not a very exact or critical account of his subject. But it is in his way of giving this account that the peculiarity, glanced at above as making a parallel between him and Voltaire, appears. It is, I have said, almost original, and what is more, endless as has been the periodical writing of the last eighty years, and sedulously as later writers have imitated earlier, I do not know that it has ever been successfully copied. It consists in giving rapid and apparently business-like summaries, packed, with apparent negligence and real art, full of the flashes of wit so often noticed and to be noticed. Such are, in the article on "The Island of Ceylon," the honey-bird "into whose body the soul of a common informer seems to have migrated," and "the chaplain of the garrison, all in black, the Rev. Mr. Somebody or other whose name we have forgotten," the discovery of whose body in a serpent his ruthless clerical brother pronounces to be "the best history of the kind he remembers." Very likely there may be people who can read this, even the "all in black," without laughing, and among them I should suppose must be the somebody or other, whose name we too have forgotten, who is said to have imagined that he had more than parried Sydney's unforgiven jest about the joke and the surgical operation, by retorting, "Yes! an English joke." I have always wept to think that Sydney did not live to hear this retort. The classical places for this kind of summary work are the article just named on Ceylon, and that on Waterton. But the most inimitable single example, if it is not too shocking to this very proper age, is the argument of Mat Lewis's tragedy: "Ottilia becomes quite furious from the conviction that Cæsario has been sleeping with a second lady called Estella; whereas he has really been sleeping with a third lady called Amelrosa."

      Among the most important of these essays are the two famous ones on Methodism and on Indian missions, which gave far more offence to the religious public of evangelical persuasion than all Sydney's jokes on bishops, or his arguments for Catholic emancipation, and which (owing to the strong influence which then, as now, Nonconformists possessed in the counsels of the Liberal party) probably had as much to do as anything else with the reluctance of the Whig leaders, when they came into power, to give their friend the highest ecclesiastical preferment. These subjects are rather difficult to treat in a general literary essay, and it may perhaps be admitted that here, as in dealing with poetry and other subjects of the more transcendental kind, Sydney showed a touch of Philistinism, and a distinct inability to comprehend exaltation of sentiment and thought. But the general sense is admirably sound and perfectly orthodox; and the way in which so apparently light and careless a writer has laboriously supported every one of his charges, and almost every one of his flings, with chapter and verse from the writings of the incriminated societies, is very remarkable. Nor can it, I think, be doubted that the publication, in so widely read a periodical, of the nauseous follies of speech in which well-meaning persons indulged, had something to do with the gradual disuse of a style than which nothing could be more prejudicial to religion, for the simple reason that nothing else could make religion ridiculous. The medicine did not of course operate at once, and silly people still write silly things. But I hardly think that the Wesleyan body or the Church Missionary Society would now officially publish such stuff as the passage about Brother Carey, who, while in the actual paroxysm of sea-sickness, was "wonderfully comforted by the contemplation of the goodness of God," or that about Brother Ward "in design clasping to his bosom" the magnanimous Captain Wickes, who subsequently "seemed very low," when a French privateer was in sight. Jeffrey was, it seems, a little afraid of these well-deserved exposures, which, from the necessity of abundant quotation, are an exception to the general shortness of Sydney's articles. Sydney's interest in certain subjects led him constantly to take up fresh books on them; and thus a series of series might be made out of his papers, with some advantage to the reader perhaps, if a new edition of his works were undertaken. The chief of such subjects is America, in dealing with which he pleased the Americans by descanting on their gradual emancipation from English prejudices and abuses, but infuriated them by constant denunciations of slavery, and by laughing at their lack of literature and cultivation. With India he also dealt often, his brothers' connection with it giving him an interest therein. Prisons were another favourite subject, though, in his zeal for making them uncomfortable, he committed himself to one really atrocious suggestion – that of dark cells for long periods of time. It is odd that the same person should make such a truly diabolical proposal, and yet be in a perpetual state of humanitarian rage about man-traps and spring-guns, which were certainly milder engines of torture. It is odd, too, that Sydney, who was never tired of arguing that prisons ought to be made uncomfortable, because nobody need go there unless he chose, should have been furiously wroth with poor Mr. Justice Best for suggesting much the same thing of spring-guns. The greatest political triumph of his manner is to be found no doubt in the article "Bentham on Fallacies," in which the unreadable diatribes of the apostle of utilitarianism are somehow spirited and crisped up into a series of brilliant arguments, and the whole is crowned by the famous "Noodle's Oration," the summary and storehouse of all that ever has been or can be said on the Liberal side in the lighter manner. It has not lost its point even from the fact that Noodle has now for a long time changed his party, and has elaborated for himself, after his manner, a similar stock of platitudes and absurdities in favour of the very things for which Sydney was fighting.

      The qualities of these articles appear equally in the miscellaneous essays, in the speeches, and even in the sermons, though Sydney Smith, unlike Sterne, never condescended


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