Agnes of Sorrento. Stowe Harriet Beecher
attached herself to her uncle with all the energy of a sympathetic nature, and his yearly visits had been looked forward to on her part with intense expectation. To him she could say a thousand things which she instinctively concealed from her grandmother; and Elsie was well pleased with the confidence, because it relieved her a little from the vigilant guardianship that she otherwise held over the girl. When Father Antonio was near, she had leisure now and then for a little private gossip of her own, without the constant care of supervising Agnes.
"Dear uncle, how glad I am to see you once more!" was the eager salutation with which the young girl received the monk, as he gained the little garden. "And you have brought your pictures; oh, I know you have so many pretty things to show me!"
"Well, well, child," said Elsie, "don't begin upon that now. A little talk of bread and cheese will be more in point. Come in, brother, and wash your feet, and let me beat the dust out of your cloak, and give you something to stay Nature; for you must be fasting."
"Thank you, sister," said the monk; "and as for you, pretty one, never mind what she says. Uncle Antonio will show his little Agnes everything by-and-by. A good little thing it is, sister."
"Yes, yes, – good enough, – and too good," said Elsie, bustling about; "roses can't help having thorns, I suppose."
"Only our ever-blessed Rose of Sharon, the dear mystical Rose of Paradise, can boast of having no thorns," said the monk, bowing and crossing himself devoutly.
Agnes clasped her hands on her bosom and bowed also, while Elsie stopped with her knife in the middle of a loaf of black bread, and crossed herself with somewhat of impatience, – like a worldly-minded person of our day, who is interrupted in the midst of an observation by a grace.
After the rites of hospitality had been duly observed, the old dame seated herself contentedly in her door with her distaff, resigned Agnes to the safe guardianship of her uncle, and had a feeling of security in seeing them sitting together on the parapet of the garden, with the portfolio spread out between them, – the warm twilight glow of the evening sky lighting up their figures as they bent in ardent interest over its contents. The portfolio showed a fluttering collection of sketches, – fruits, flowers, animals, insects, faces, figures, shrines, buildings, trees, – all, in short, that might strike the mind of a man to whose eye nothing on the face of the earth is without beauty and significance.
"Oh, how beautiful!" said the girl, taking up one sketch, in which a bunch of rosy cyclamen was painted rising out of a bed of moss.
"Ah, that indeed, my dear!" said the artist. "Would you had seen the place where I painted it! I stopped there to recite my prayers one morning; 'twas by the side of a beautiful cascade, and all the ground was covered with these lovely cyclamens, and the air was musky with their fragrance. Ah, the bright rose-colored leaves! I can get no color like them, unless some angel would bring me some from those sunset clouds yonder."
"And oh, dear uncle, what lovely primroses!" pursued Agnes, taking up another paper.
"Yes, child; but you should have seen them when I was coming down the south side of the Apennines; these were everywhere so pale and sweet, they seemed like the humility of our Most Blessed Mother in her lowly mortal state. I am minded to make a border of primroses to the leaf in the Breviary where is the 'Hail, Mary!' – for it seems as if that flower doth ever say, 'Behold the handmaid of the Lord!'"
"And what will you do with the cyclamen, uncle? does not that mean something?"
"Yes, daughter," replied the monk, readily entering into that symbolical strain which permeated all the heart and mind of the religious of his day, "I can see a meaning in it. For you see that the cyclamen puts forth its leaves in early spring deeply engraven with mystical characters, and loves cool shadows, and moist, dark places, but comes at length to wear a royal crown of crimson; and it seems to me like the saints who dwell in convents and other prayerful places, and have the word of God graven in their hearts in youth, till these blossom into fervent love, and they are crowned with royal graces."
"Ah!" sighed Agnes, "how beautiful and how blessed to be among such!"
"Thou sayest well, dear child. Blessed are the flowers of God that grow in cool solitudes, and have never been profaned by the hot sun and dust of this world!"
"I should like to be such a one," said Agnes. "I often think, when I visit the sisters at the Convent, that I long to be one of them."
"A pretty story!" said Dame Elsie, who had heard the last words, "go into a convent and leave your poor grandmother all alone, when she has toiled night and day for so many years to get a dowry for you and find you a worthy husband!"
"I don't want any husband in this world, grandmamma," said Agnes.
"What talk is this? Not want a good husband to take care of you when your poor old grandmother is gone? Who will provide for you?"
"He who took care of the blessed Saint Agnes, grandmamma."
"Saint Agnes, to be sure! That was a great many years ago, and times have altered since then; in these days girls must have husbands. Isn't it so, Brother Antonio?"
"But if the darling hath a vocation?" said the artist, mildly.
"Vocation! I'll see to that! She sha'n't have a vocation! Suppose I'm going to delve, and toil, and spin, and wear myself to the bone, and have her slip through my fingers at last with a vocation? No, indeed!"
"Indeed, dear grandmother, don't be angry!" said Agnes. "I will do just as you say, – only I don't want a husband."
"Well, well, my little heart, – one thing at a time; you shan't have him till you say yes willingly," said Elsie, in a mollified tone.
Agnes turned again to the portfolio and busied herself with it, her eyes dilating as she ran over the sketches.
"Ah! what pretty, pretty bird is this?" she asked.
"Knowest thou not that bird, with his little red beak?" said the artist. "When our dear Lord hung bleeding, and no man pitied him, this bird, filled with tender love, tried to draw out the nails with his poor little beak, – so much better were the birds than we hard-hearted sinners! – hence he hath honor in many pictures. See here, – I shall put him into the office of the Sacred Heart, in a little nest curiously built in a running vine of passion-flower. See here, daughter, – I have a great commission to execute a Breviary for our house, and our holy Father was pleased to say that the spirit of the blessed Angelico had in some little humble measure descended on me, and now I am busy day and night; for not a twig rustles, not a bird flies, nor a flower blossoms, but I begin to see therein some hint of holy adornment to my blessed work."
"Oh, Uncle Antonio, how happy you must be!" said Agnes, her large eyes filling with tears.
"Happy! – child, am I not?" said the monk, looking up and crossing himself. "Holy Mother, am I not? Do I not walk the earth in a dream of bliss, and see the footsteps of my Most Blessed Lord and his dear Mother on every rock and hill? I see the flowers rise up in clouds to adore them. What am I, unworthy sinner, that such grace is granted me? Often I fall on my face before the humblest flower where my dear Lord hath written his name, and confess I am unworthy the honor of copying his sweet handiwork."
The artist spoke these words with his hands clasped and his fervid eyes upraised, like a man in an ecstasy; nor can our more prosaic English give an idea of the fluent naturalness and grace with which such images melt into that lovely tongue which seems made to be the natural language of poetry and enthusiasm.
Agnes looked up to him with humble awe, as to some celestial being; but there was a sympathetic glow in her face, and she put her hands on her bosom, as her manner often was when much moved, and, drawing a deep sigh, said, —
"Would that such gifts were mine!"
"They are thine, sweet one," said the monk. "In Christ's dear kingdom is no mine or thine, but all that each hath is the property of others. I never rejoice so much in my art as when I think of the communion of saints, and that all that our Blessed Lord will work through me is the property of the humblest soul in his kingdom. When I see one flower rarer than another, or a bird singing on a twig, I take note of the same, and say, 'This lovely work of God shall