The Socialist. Thorne Guy
the wire again, John," said Lord Hayle.
The duke did so; it was quite clear:
"'Large portion front west wing Paddington House destroyed by explosion an hour ago. Bomb filled with picric acid discovered intact near gateway. The smaller Gainsborough and the Florence vase destroyed. Please come up town immediately.
"The smaller Gainsborough – that's the famous portrait of Lady Honoria FitzTracy," said Lord Hayle suddenly. "Why, it's the finest example of Gainsborough in existence!"
He grew pale with sympathy as he looked at his friend.
"It isn't in existence any more, apparently," said the duke. "I wish the Florence vase had been saved. My father gave ten thousand pounds for it – not that the money matters – but, you see, it was the only one in the world, except the smaller example in the Vatican."
The bishop broke in with a slight trace of impatience in his voice. "My dear young men," he said, "surely the great question is: Who has perpetrated this abominable outrage? What does it all mean? What steps are being – "
He stopped short. Gardener had entered with another telegram.
"Man arrested on suspicion, known to belong to advanced socialist or anarchist group. Can you catch the fast train up? There is one at six. I will meet you with car.
"Well, here is a sort of answer," said the duke, handing the telegram to the bishop. "It appears that the thing is another of those kindly and amiable protests which the lower classes make against their betters from time to time."
"Just what I was saying," young Lord Hayle broke in eagerly, "just what I was saying a few minutes ago. It's all the result of educating the lower classes sufficiently to make them discontented and to put these scoundrelly socialists and blackguards into Parliament. They'll be trying Buckingham Palace or Marlborough House next! Probably this is the work of those unemployed gentry whom I heard Constance defending just now."
"It's a bad business," said Lord Camborne gravely; "a very black, bad business indeed. Paddington, you have my sincerest sympathy. I am afraid that in the shock of the news we may have been a little remiss in expressing our grief, but you know, my dear boy, how we all feel for you."
He went up to the duke as he spoke, a grand and stately old man, and shook him warmly by the hand.
"Yes, John," said Lord Hayle, "we really are awfully sorry, old chap."
Lady Constance said nothing, but she looked at her host, and it was enough. He forgot the news, he forgot everything save only the friendship and kindliness in her eyes.
"I suppose you will go up to town by the six o'clock train?" Lord Hayle said.
"I suppose I must, Gerald," the duke replied. "I must go and get leave from the dean later on. I expect I shall have to stay the night. It's not an inviting day for London, is it?"
"Do you know, duke, that I think you are taking it remarkably well," Lady Constance said with a sudden dazzling smile. "I should have been terribly frightened, and then cried my eyes out about the vase and the picture. And as for Hayle – well, I think I can imagine the way Hayle would have behaved."
"Well, of course, I'm horribly angry," the duke said, "and such a thing means a great deal more to society in general than its mere personal aspect to me. But I can't somehow feel it very nearly; it seems remote. I should realize it far more if any one were to steal or break anything in these rooms here – things I constantly touch and see, things I live with. I have so many houses and pictures and things that I never see; they don't seem part of one."
"I can quite understand that," said the bishop; "but that will all be changed some day, please God, before very long. You are only on the threshold of life as yet, you know."
He smiled paternally at the young man, and there was a good deal of meaning in his smile. The duke, not ordinarily sensitive about such things, blushed a little now. He was quite aware to what Lord Camborne referred.
The bishop, astute courtier and diplomatist that he was, marked the blush, pretended not to notice it, and was secretly well pleased. He himself was earl as well as bishop, he was wealthy, he was certain of the Primacy. His daughter, whom he loved and admired more than any other living thing, was a match for any one with her rank and wealth and loveliness. He longed to see her happily married also. At the same time, good man as he was, he was by his very nature and training a worldly man.
If, therefore, the two young people fell in love with each other – well, it would be a very charming arrangement, to say the least of it, Lord Camborne thought. For, far and away above all other fortunate young noblemen, the duke was the greatest parti of the day; he stood alone.
"I've got three hours or more before the train goes," said the duke, "and I can dine on board; there's a car, I know. Now, do let's forget this troublesome business. I'm so sorry, Lady Constance, that it should have happened while you were here. Let's shut out this horrid afternoon."
He spoke with light-hearted emphasis, with gaiety even. Despite what had happened he felt thoroughly happy, his blood ran swiftly in his veins, his pulses throbbed to exhilarating measures. Oh, how beautiful she was! How gracious and lovely!
He went to the windows and pulled the heavy crimson curtains over them, shutting out the wan, grey light of the November afternoon.
He made Gardener bring candles – innumerable candles – to supplement the glow of the electric lights. More logs were cast upon the fire – logs of sawn cedar wood which gave flames of rose-pink and amethyst. The noble room was illuminated as if for a feast.
Lord Hayle entered into the spirit of the thing, con amore. His spirits rose with those of his friend, and his sister also caught the note, while Lord Camborne, smoking a cigar by the fire, watched the three young people with a benevolent smile.
Lady Constance had been sitting by the piano. "Do you play, Lady Constance?" the duke asked.
"She's one of the best amateur pianists I've ever heard," said Lord Hayle.
"Do play something, Lady Constance. What will you give us?"
"It depends on the sort of music you like. Do you like Chopin?"
"I am very fond of Chopin indeed."
"I'll tell you what to play, Connie," said Lord Hayle eagerly. "Play that wonderful nocturne, I forget the number, where the bell comes in. The one with the story about it."
"A story?" said the duke.
"Yes; don't you know it, John? Chopin had just come back from his villa at Majorca – come back to Paris at a time when Georges Sand would have nothing more to do with him. He was living close to Notre Dame. He had a supper by appointment, but began to write his nocturne and forgot all about the time. He was nearing the end when the big bell of the cathedral began to toll midnight. He realised how late it was, and forced himself to finish the thing in a hurry. He wove the twelve great 'clangs' into the theme. It's marvellously romantic and Gothic. One seems to see Victor Hugo's dwarf, Quasimodo, upon the tower, drinking in the midnight air."
Lady Constance sat down at the piano and began the nocturne. The beautiful hands flashed over the keys, whiter than the ivory on which they pressed, her face was grave with the joy of what she was doing.
And as the duke listened the time and place faded utterly away.
The passionate and yet fantastic music pealed out into the room and destroyed its material appeal to the senses. His brain seemed suddenly aware of a larger and more fully-coloured life than he had ever known before, ever thought possible before. He stood upon the threshold of it; it held strange secrets, wonderful chances; there were passionate moments for young blood awaiting!
Here was the agony that lurked in pleasure, the immedicable pain which allured – lights gleamed behind swaying veils.
Clang!
The deep resonance of the iron bell tolled into the dream.
Clang!
The twin towers of Notre Dame were stark and black up in the sky.
Clang!
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