The Socialist. Thorne Guy

The Socialist - Thorne Guy


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on a shelf beside it, her foot trod on something which crackled faintly.

      Directly the gas was lit she saw that it was a telegram.

      She opened it. It had been despatched from the Bedford Street office at two o'clock that afternoon – while she had been at the Actors' Association. It was from Seaton, the agent, and contained these words:

      "Gentleman calling personally on you six to-night with important offer."

      In wild excitement Mary looked at the clock. It was ten minutes to six. She lit the fire hurriedly, and urged it into flame with the bellows. Then she lit two candles on the mantlepiece to supplement the single gas jet, and drew the curtain over the window.

      At six o'clock precisely she heard rapid steps, light, springy steps, coming up the stairs. There was a momentary hesitation, and then came two loud, firm knocks at her door. She opened it almost immediately, and then started in uncontrollable surprise.

      The man who stood before her was the tall man with the mustard-coloured beard and the face pale as linen.

      CHAPTER V

      "TO INAUGURATE A REVOLUTION!"

      The strange-looking man bowed.

      "Miss Mary Marriott, I think!" he said.

      "Yes," Mary answered. "Please come in. I have had a telegram from Mr. Seaton, the agent."

      "Yes, he sent me here," said the tall man in a singularly fluid and musical voice.

      "I had better tell you my name." He entered the room, closed the door, opened a silver cigarette case, and took a card from it which he handed to Mary. "There I am," he said with a smile that showed a set of gleaming white teeth and lit up the pallid face into an extraordinary vivacity.

      Mary looked at the card. Then she knew who she was entertaining. On the card were these words: James Fabian Rose. The customary "Mr." was omitted, and there was no address in the corner.

      Mary was a self-possessed girl enough, but she was unused to meeting famous people. She looked at the card, gave a little gasp, half of wonder and half of dismay, and then recollected herself.

      "Please do sit down, Mr. Rose," she said, "and take off your overcoat – oh, and smoke, please, if you want to – I had no idea."

      The tall man smiled. He seemed singularly pleased with the effect he had produced, almost childishly pleased. With a series of agile movements that had no break in them and seemed to be part of the continuous and automatic movement of a machine, he put his soft felt hat on the table, shed, rather than took off his overcoat, produced a box of wooden matches from somewhere, lit a cigarette, and sat down by the fire. He rubbed his hands together and said, "Yes, it is I, what a nice fire you've got" – all in one breath and in his rich, musical voice.

      Mary sat down on the other side of the hearth, feeling rather as if she were in some fantastic dream. She said nothing, but looked at the man opposite, remembering all that she had heard of him.

      About five-and-forty years of age, James Fabian Rose was one of the most noteworthy personalities of the day. He filled an immense place in the public eye, and it was almost impossible to open a newspaper without finding a paragraph or two about him on any given day. He was so well known that his whole name was seldom or never given in headlines. He was simply referred to as "J. F. R." and every one knew at once who was referred to.

      His activities were enormous, and the three chief ones were Socialist leader, dramatist, and novelist. His socialistic lectures were always thronged by all classes of society. His problem plays – in which he always endeavoured to inculcate one or another of his odd but fervent beliefs – were huge successes with cultured people. His novels were only read by literary people, and then merely for their cleverness.

      He was a man whom very few understood. He was, for one reason, far too clever to be credible with the popular mind; for, another, far too aware of his cleverness and far too fond of displaying it at inopportune moments. Fantastic paradox was his chief weapon, and many people did not realise his own point of view, which defined paradox as simply truth standing on its head to attract attention.

      When he referred to his own novels, which he often did, he always rated them high above Balzac, Dickens, Thackeray, and Sir Walter Scott. When he spoke in public of his plays – no infrequent occurrence – it was generally with a word of pity for Shakespeare. He was the head of a large and enthusiastic following of intellectual people, and the anathema of all slow thinkers. Apropos of this last, he would quote Swift's saying that the appearance of a man of genius in the world may always be known by the virulence of dunces.

      Beneath all his extravagances and pose – and their name was legion – his whole life and earnestness were devoted to the cause in which he believed. One of the most unconventional, and, at the same time, one of the most prominent men of his day, he had two real passions.

      One was to shock the obese-brained of this world, the other to do all he could to leave the world better than he found it.

      This was the extraordinary person, genius and buffoon, reformer and wit, who sat laughing on one side of Mary Marriott's little fire.

      "I've surprised you, Miss Marriott!" said Mr. James Fabian Rose.

      "I saw you at the agent's this morning," she answered, and then – "I think I am not mistaken – I saw you at the theatre at Swindon a few weeks ago."

      "Yes, I was there with Peter Conrad, the parson," said Mr. Rose. "I'd been addressing a meeting of the Great Western Railway Company's men in the afternoon – the younger men – trying to teach them that the youth of a nation are the trustees of posterity, and in the evening I came to the theatre. That's why I'm here."

      Mary said nothing. She waited for him to speak again, but her heart began to beat violently.

      "I took away the programme," Rose went on, "and I put a mark against your name. I was quite delighted with your work, really delighted. I was in a fury at the crass stupidity of the play, and as for the rest of the company they bore about the same relation to real artists as the pawnbroker does to the banker. But you, my dear child, were very good indeed. I kept you in mind for a certain project of mine which was then maturing. It is now settled, and this morning I called at one or two agents to find out where you were. You were not on Blackdale's books, but I found you, or, rather, heard of you, at Seaton's, and so here I am."

      "You want me to – "

      "To act, of course. To become a leading lady in a West End theatre, in a new play. That's all!"

      For a moment or two Mary could not speak. "But such a thing never happened before," she answered at length in a faltering voice. "It is – "

      He cut her short. "My experience of the stage is at least twenty times more profound than yours," he said, "and I have known the thing happen six times within my own experience. Who found Dolores Rainforth? I did. Who found Beatrice Whittingham? – little wretch, she's deserted art and is making a squalid fortune in drawing-room comedy – I did! I could give you many more names. However, that's neither here nor there. I want you for a certain purpose. I know that if I searched the provinces all over I should not find any one who so exactly fits the leading part – my own conception of it! – in my new play as you do. Therefore you are coming to me. And the amusing part of it is that I have actually stormed the citadel of rank and fashion itself. I have gained a stronghold in the hostile country of the capitalists – in short, I and my friends have secured a lease of the Park Lane Theatre!"

      Mary leant back in her chair. Her face had suddenly grown white. She was overwhelmed by all this. And, though she forgot this, her lunch had consisted of a cheap and not very succulent luxury known as a "Vienna steak," a not very nutritious mass of compressed mince-meat, but cheap, very cheap. It was now seven o'clock.

      There were those who said that James Fabian Rose was a dreamer. People who knew him intimately were aware that if he was an idealist, he was also practical in the ordinary affairs of life.

      "Now, I sha'n't tell you a word more," he said. "They're all waiting for you, and I promised to bring you for dinner. My wife was most insistent about it, and, besides, there are half a dozen people anxious


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