Philippa. Molesworth Mrs.

Philippa - Molesworth Mrs.


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      Philippa

      Chapter One

      Good-Byes

      Autumn – scarcely late autumn yet – and the day had been mild. But as the afternoon wore on towards evening, there came the chilliness and early gloom inevitable at the fall of the year – accompanied, to those who are sensitive to such things, by the indescribable touch of melancholy never present in the same way at other seasons.

      Philippa Raynsworth shivered slightly, though half-unconscious that she did so, and turned towards the shelter of the friendly porch just at her side. As she moved, a hand was laid on her shoulder.

      “Come in, you silly girl,” said its owner. “Do you want to catch cold?”

      Philippa had been watching the gradual disappearance of a carriage down the long drive, till a turn in the road suddenly hid it altogether. Others had been watching it too, but she was standing somewhat aloof – she had no special interest in the departing guests; she had never seen them till to-day, and might very probably never see them again. But something nevertheless had impressed her – the kind of day, the approach of the gloaming, the evening scents from the garden, the little shy breeze that murmured and grew silent again – there was a plaintive harmony in it all, and even the prosaic, measured sound of the horses’ feet, growing fainter and fainter, and the carriage receding from sight while the “good-byes” still seemed hovering about, all fitted in. She did not seek to define what it reminded her of, or what feelings it awakened in her. It was just a scene – a passing impression, or possibly a lasting one. There is never any accounting for the permanence of certain spots in our experience – why some entirely trivial incident or sensation should remain indented on our memory for ever; while others which we would fain recall, some which it seems extraordinary that we should ever be able to forget, fade as if they had never been – who can say?

      “I was just coming in,” Philippa replied, with a slight sense of feeling ashamed of herself. She hated any approach to what she called “affectation,” and she glanced quickly to where the little group had stood but a moment before. It had dispersed. There was no one to be seen but her cousin Maida and herself, and with a sense of relief Philippa stopped again.

      “Wait a moment, Maida,” she said. “There is really no danger of catching cold, and it is nice out here. It will feel hot and indoors in the drawing-room, with the tea still about and the talking. Let us stay here just for a moment and watch the evening creeping in. You understand the feeling I mean, I’m sure?”

      Miss Lermont did not at once reply. She was older than Philippa – a great deal older she would have said herself, and in some ways it would have been true, though not in all. She had suffered much in her life, which, after all, had not been a very long one, for she was barely thirty; she had suffered more, probably, than any one realised, and – even a harder trial – she knew that she would have to suffer a great deal more still, if she lived. All this, the remembrance of suffering past, and to some extent still present, and the anticipation, in itself an additional present suffering, of what was yet to come, had made her old before her time. Yet it had kept her young, too, by its intensification of her power of sympathy. It is not all sufferers who acquire this peculiar sympathy, nor is it the only good gift to be gained by passing through the fire. But Maida Lermont’s sympathy was remarkable. It was not solely or even principally for physical suffering, though to all but the few who knew her well, physical suffering only had been her fire.

      “She has a happy nature,” most people would say of her, “though, of course, she has had a great deal to bear. I really don’t think any one so constitutionally cheerful is as much to be pitied as nervous patients or very sensitive people. There are, no doubt, some who feel pain much more than others. And then the Lermonts are rich. She has everything she wants.”

      How little they knew! Maida was not “constitutionally cheerful” – the worst side, by far the worst, of her suffering had been to her, her vivid consciousness of the wreck it might make of her altogether – mind, heart, and soul.

      But she had conquered, and more than conquered. She had emerged from her trial not only chastened, but marvellously lifted and widened. Intellect and spirit had risen to a higher place, and the rare and delightful power of her sympathy knew no limits. It unlocked doors to her as if she were the possessor of a magic key. Philippa was right when she turned to her cousin with the words “you understand.”

      “Yes,” she said, after her momentary delay – a delay spent in gazing before her with her young cousin’s words in her ears. “Yes – it is fascinating to get inside nature, as it were, sometimes – to feel it all. I love to watch the evening coming, as you say, and I love to watch the dawn creeping up – even more, I think. That has fallen to my lot oftener than to yours, I hope, Philippa.” She smiled as she spoke, so her cousin was not afraid to laugh softly.

      “I am generally fast asleep at that time, I must confess. But even if I were awake, I should not care for it as much as for evening. And to-day it all seemed of a piece. You know it is my last evening here – and I heard you all saying good-bye to those people who have just gone, and Lady Mary’s voice sounded so silvery when she called back ‘good-night’ for the last time. Don’t you think, Maida, that there is always something pathetic, if we stopped to think about it, in farewells, even if we expect to meet again quite soon? One never can be sure that a good-bye may not be a real good-bye.”

      “Yes, I have often felt that. And the real good-byes, as you call them, are so seldom known to be such. Last times are not often thought to be last times – strangely seldom, indeed.”

      “And yet there must be a last time to everything,” said Philippa, “even to the most commonplace little details of life.”

      They were silent for a moment or two.

      Then said Miss Lermont:

      “I hope you will come back to us soon again, dear; I should like you to see more of the neighbourhood and the neighbours.”

      “I like what I have seen of both,” said Philippa. “Lady Mary is a dear little thing.”

      “All the Bertrands are pleasant, kindly people,” Maida replied. “They are happy people, and allow that they are so. It is refreshing nowadays when so many are either peculiarly unhappy, or determined to think themselves so. By-the-by, what a very silent man that friend of Captain Bertrand’s is. Mr Gresham, I mean.”

      “I scarcely spoke to him,” said Philippa, adding, with a laugh, “but he certainly scarcely spoke to me, so I have no reason for disagreeing with you.”

      “Very silent people are almost worse than very talkative ones,” said Maida. “I suppose you are a very lively party at home, now, with Evelyn and the children.”

      “Fairly so. Evey fusses a little, but she is always sweet, and we love having them. We shall miss them terribly when Duke comes home and they go to him, though I suppose it would be selfish not to be glad when he does. I shall miss them almost the most of all.”

      “They keep you pretty busy, I daresay.”

      “Ye-es, but not too busy. I am so thankful not to be one of those poor girls who can’t find anything to do. There is no doubt about what I have to do. But things are much clearer than they were, now that papa is better. And when Charlie is at home for good, they will be easier still.”

      “We shall have you crying for work to do then,” said Maida, smiling.

      But Philippa shook her head.

      “I don’t think so,” she said.

      Miss Lermont turned to go in.

      “Come, Philippa; we really shall catch, cold if we stay out here longer,” and Philippa followed her into the house.

      “How few people understand each other!” thought the elder woman, as she went across the hall and down the wide passage to the drawing-room. “Nobody, to see her as she commonly is, would think that Philippa had those undertones in her character – that tenderness and sensitiveness that come out now and then. She seems just a very charming girl – bright and energetic, and full of humour.”

      And two minutes later, when Maida was resting on her sofa again, and heard Philippa’s


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