Dorothy, and Other Italian Stories. Woolson Constance Fenimore

Dorothy, and Other Italian Stories - Woolson Constance Fenimore


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almost secured for her son an Italian countess of large circumference and ancient name. Julian so far held back; but he would yet go forward.

      "Its most admirable quality, to my mind, is that it's here," Mr. Illingsworth remarked, after Julian's "hauberk." "Generally, when there is a noble view, one has to go noble miles to see it; one has to be out all day, and eat hard-boiled eggs on the grass. You can't think how I loathe hard-boiled eggs! Or else one has to sleep in some impossible place, and be routed out at dawn. Can any one admire anything at dawn?"

      "There isn't much dawn in this," answered Daniel Ashcraft. "Up to noon the view's all mist, and at noon everything looks too near. It doesn't amount to much before four o'clock, and only shows out all its points as the sun goes down."

      "And have you discovered that, Mr. Ashcraft, on your third day in Florence?" demanded Illingsworth, with admiration. "But it's only another instance of the quick intelligence of your wonderful nation. Now I have lived in the town for twenty-five years, and have never noticed that this Carrara view was an afternoon affair. Yet so it is – so it is!"

      Daniel Ashcraft surveyed the Englishman for a moment. "Oh yes – our quick intelligence. It makes us feel as though we were being exhibited. Sixpence a head."

      More visitors appeared; by half-past five there were forty persons in the garden. Mrs. North received them all very graciously without stirring from her belvedere. Dorothy, however, was everywhere, like a sprite; and wherever Dorothy was Owen Charrington soon appeared. As for Wadsworth Brunetti, his method was more direct – he never left her side.

      "They are both her shadows," said Beatrice Sebright, in an undertone, to Rose Hatherbury, as they sat perched side by side on the parapet.

      "She is welcome to them," answered Rose. "A burly creature like Owen; and that Waddy!"

      "Waddy?" repeated Beatrice, inquiringly.

      "A simpleton," pronounced Rose, with decision.

      Honest Beatrice surveyed her companion with wonder, into which crept something almost like envy; if she, Beatrice, could only think that Owen was burly; and if it were but possible, by trying hard, to regard Wadsworth Brunetti as a simpleton, how much easier life would be! As it was, she was convinced that Owen was not burly at all, but only athletic. And as to Waddy Brunetti, he was simply Raphael's young St. John in the Tribune of the Uffizi – the St. John at twenty-two, and in the attire of to-day. Wadsworth Brunetti's American mother had done her best to make an American of her only child; Waddy could speak the language of New York (when he chose); but in all other respects – his ideas, his manner, his intonations, his hair arranged after the fashion of King Humbert's, his shoes, his collar and gloves – he was as much a Florentine as his father. The Misses Sebright were not mistaken in their estimation of his appearance; he was exceedingly handsome. And the adverb is used advisedly, for his beauty exceeded that degree of good looks which is, on the whole, the best for every-day use; one hardly knew what to do with young Brunetti in any company, for he was always so much handsomer than the other guests, whether women or men.

      "Isn't it enough that he allows himself to be called Waddy?" Rose had demanded in the same contemptuous undertone. "Waddy – wadding. What a name!"

      "But Madame Brunetti tells us that Wadsworth is one of the very best of American names?" objected Beatrice, timidly, still clinging to her idol.

      "She's mad; there are no best American names – unless one cares for those attached to the Declaration of Independence. The thing is, the best American men; and do you call Waddy that?"

      Beatrice did. But she dared not confess it.

      "Dorothy, I have forgotten my shawl," said Mrs. North, as Dorothy happened to pass the arbor.

      "I'll go for it," said Charrington.

      "Is it in the drawing-room?" inquired Julian Grimston. "A blue and white, with knotted fringe?"

      Dorothy, meanwhile, was crossing the grass towards the house; Lefevre followed her; Waddy accompanied her.

      "Nobody can get it but Dorothy – thanks; it is in my own room," said Mrs. North.

      Charrington and Julian paused; Lefevre came back. Mrs. North said to Lefevre, "Praise my prudence in sending for a shawl." Then she added, laughing, "You dare not; prudence is so elderly!"

      She could afford to make a joke of age; tall, thin, with abundant drab-colored hair and a smooth complexion, she did not look more than thirty-five, though she was in reality ten years older. She was a widow; her husband, Richard North, had been an officer in the American navy, and Dorothy was her step-daughter.

      Dorothy and Waddy had gone on, and were now entering the north hall. This vacant stone-floored apartment, as large as a ball-room, with a vaulted ceiling twenty-four feet high, was the home of an energetic echo; spoken words were repeated with unexpected force, in accents musical but mocking. It was one thing for Waddy to murmur, "Give me but a grain of hope, only a grain," in pleading tones, and another to have the murmur come back like an opera chorus. Dorothy paused demurely, as if waiting for the conclusion of the sentence. But her picturesque suitor, still hearing his own roaring "grrrrain," bit his lips and tried to hasten their steps towards the other door.

      "Oh, I thought you had something to say!" remarked Dorothy, innocently, when they reached the arcade within. "But you never have, have you."

      And with this she crossed the quadrangle to welcome four new guests who were about to ascend the stairway in answer to Giuseppe's "The salon! Signora Tracy!" Waddy went up the stairs also. But he could not hope to follow to the remote region of Mrs. North's chamber, so he accompanied the new guests through the anterooms to the drawing-room at the end of the suite, where Mrs. Tracy, the second hostess, received them all with cordial greetings. Mrs. Tracy's years were fifty. She hoped that she was fine-looking, that epithet being sometimes applied to tall persons who hold up their heads, even if they are stout; even, too, if their noses are not long enough for classical requirements. She certainly held up her head. And she was always very well dressed; so well that it was too well. After saying a few words to Waddy, she passed him on to Miss Philipps, who stood near her. Felicia Philipps despised the beautiful youth. But she was willing to look at him for a few minutes as one looks at – a statue? Oh no, that would never have been Felicia's word; at wax-works, that was more like it; Felicia had a sharp tongue. She now chaffed the wax-works a little, pretending to compliment its voice; for Waddy could sing.

      "As I sing too, Mr. Brunetti, we're companions in soul," she said. "But, unfortunately, when I sing, my soul does not come to my eyes, as yours does."

      "The comfort of Waddy is that you can make mince-meat of him to his face, when you feel savage, and he never knows it," she had once remarked.

      There was, however, another side to this: Waddy did not know, very possibly, but the reason was that he never paid sufficient heed to Miss Felicia Philipps to comprehend what she might be saying, good or bad; to his mind, Felicia was only "that old maid." Mrs. Tracy, for the moment not called upon to extend her tightly gloved hand to either arriving or departing guests, expanded her fingers furtively, in order to rest them, and glanced about her. Her rooms were full; there was a steady murmur of conversation; the air was filled with the perfume of flowers and the aroma of tea, and there were suggestions also of the petits fours, the bouchées aux confitures, and the delicate Italian sandwiches which Raffaello was carrying about with the air of an affectionate younger brother. Waddy, who cherished a vision of Dorothy coming to get a cup of tea for her mother (Waddy had noticed upon other Saturdays that "my shawl" meant tea), detached himself as soon as he could from Felicia, and made his way towards the tea-table in the opposite corner. Here Nora Sebright was standing behind a resplendent samovar. Mrs. Tracy had purchased this decorative steam-engine in Russia; but she had not dared to use it until Nora, seeing it at the villa one day, had offered to teach her its mysteries. Mrs. Tracy never learned them; but Nora came up every Saturday, and made the tea in her neat, exact way. She was number one of the Misses Sebright. Six sisters followed her. But this need not have meant that Nora was very mature, because hardly more than a year separated the majority of the Sebright girls (one could say the majority of them or the minority, there were so many). As it happened, however, Nora was twenty-nine, although Peggy, the next one, was barely twenty-five;


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