Dorothy, and Other Italian Stories. Woolson Constance Fenimore
Tracy to Miss Jane Wood: "How do you do, Miss Wood?"
To Miss Maria: "How do you do?"
Behind the Misses Wood came Rose Hatherbury and three of the Misses Sebright, who were tired of sitting on the wall. Felicia, very busy, sent tea to them all, Mackenzie carrying the cups. Raffaello presented himself at the table to assist. Felicia did not know much Italian, but she did know her own mind, and she wished for no second assistant; she therefore said to Raffaello, in an undertone, but with decision, "Andate via!" Raffaello, astounded by this unexpected "Clear out!" gazed at her for a moment with wild eyes, and then escaped from the room.
The tea was not good – so the Misses Wood thought as they tried to sip it; Nora Sebright, who was now walking with quick steps through the Via Romana on her way home, would have been distressed to see how bad it was.
"I wonder if there is any one in the garden now?" said Dorothy.
"There are fifty-seven persons," answered Rose, who had seated herself on a sofa near. "I know, because I counted them."
"Then I must go down," said Dorothy, rising.
She nodded to Rose and to the others and left the room, Waddy following as usual. Two minutes later, Charrington, Julian Grimston, and Stephen Lefevre had also disappeared.
Miss Jane Wood (having given up the tea) now began, graciously, "Did you get your ride this morning, Mr. Charrington?"
"Aunt Jane, Mr. Charrington is not here now," said Rose, in her distinct tones.
"Oh," said Miss Jane, bewildered, and fumbling quickly for her eye-glasses, which she had removed when she took her teacup. "He was here a moment ago; I saw him."
"What wonderful elocutionary powers Miss Hatherbury has!" said Felicia, in an aside, to Mackenzie. "I really think she could be heard in the largest hall."
"Upon my word, now that you mention it, I believe she could," answered Mackenzie, admiringly.
Rose divined that she was the subject of Felicia's aside. She said to her aunt, in an interested tone, "How well one sees the Belmonte tower from here!"
Miss Jane came to look, and then (in order that she should see to advantage) her niece pulled the cord and rolled the window-shade up to the top, letting in a broad shaft of sunset light, which fell directly across the tea-table and the persons in attendance there. Rose took this moment to carry her aunt's cup back to the table; and, having put it down, she remained standing by Felicia's side while she began, composedly, a conversation with Alan Mackenzie. Mackenzie responded: his head immediately assumed the little bend which with him signified devoted listening; he stood, meanwhile, exactly where Rose had intended that he should stand – namely, in front of the two ladies, facing them. Felicia, even in her youth, had had no beauty; now all the faults of her sharp features were pitilessly magnified by the same clear light which brought out the fine-grained purity of Rose's complexion and turned her golden hair into glittering glory. Felicia was too intelligent to cherish illusions about her appearance; she quivered under the radiance in which the golden motes danced; she too had color now, but it was an ugly vermilion in spots and streaks. She glanced at Mackenzie; he was listening to Rose; now he was offering one of his civil little questions – those attentive, never-failing small interrogatories for which he was celebrated.
"I should like to strangle him!" thought the older woman, bitterly. "I believe he would keep up those everlasting little questions on his death-bed. In reality, he doesn't care the turn of his finger for that screaming popinjay. Yet he stands there and listens to her, and will do it unflinchingly as long as she talks, if it's all night."
The popinjay at this moment turned, and fired back at Felicia her own gun. "You are tired, Miss Philipps. Doesn't she look tired, Mr. Mackenzie?"
Mackenzie turned obediently; he inspected Felicia's flushed face. "Yes – ah, really, I am afraid you are tired," he said, kindly.
Felicia, unable to bear his gaze, seized her gloves and fled.
But the popinjay could not sing, and had no invitation to stay. Alan Mackenzie loved music. As he never spoke of the love, but few persons had discovered it; Felicia was one of the few.
It was nearly eleven o'clock before the song began. They had gone out, after dinner, to the small stone terrace that opened from the drawing-room, in order to look at the valley by the light of the moon. "For we really like our view when we don't have to talk about it," Mrs. Tracy explained. After a while, "Come, Felicia," she said.
Felicia went within and opened the piano; Mrs. Tracy, following, sank into the easiest chair; Mrs. North placed herself in the doorway, with her face towards the moonlight. Dorothy remained outside, using the hammock as a swing, pushing herself to and fro slowly by a touch on the parapet now and then. On the other side of the terrace, in a garden-chair, sat the second guest.
Felicia's voice was a contralto which had not a range of many notes, but each one of the notes was perfect. Her singing was for a room only; it was intimate, personal; perhaps too personal sometimes. The words were, for her, a part of it as much as the melody.
"Through the long days and years
What will my loved one be,
Parted from me.
Through the long days and years?"
The music upon which these words were borne was indescribably sweet. Dorothy had stopped swinging. But it was the melody that held her vaguely given attention; she paid no heed to the spoken syllables.
"Never on earth again
Shall I before her stand,
Touch lip or hand,
Never on earth again,"
sang the voice, the strains floating out to the moonlight in a passion of sorrow. Dorothy was now looking at the tower of Belmonte, near by. "I wish our villa had a tower," was the thought in her mind. As her gaze turned, she saw that Mackenzie's eyes were resting upon her, and she smiled back at him, making a mute little gesture of applause.
"But while my darling lives,
Peaceful I journey on,
Not quite alone,
Not while my darling lives."
And now the music rose to that last courage, that acceptance of grief as the daily portion of one's life, which is the highest pathos. Then there was a silence.
Dorothy made her little motion of applause again, save that this time the applause was audible; the words on her lips, ready to utter, were, "How pretty that is!" Perhaps Mackenzie divined what these words would be, for, with a quick movement, he rose and went to the end of the terrace, where he stood with his back towards her, looking down the valley. But Dorothy had accomplished her duty; she was perfectly willing to be silent; she sank lazily back in the hammock again, and resumed her swinging.
"Mr. Mackenzie, wasn't that exquisite?" said Mrs. Tracy's voice within.
Mackenzie, thus summoned, crossed the terrace and re-entered the drawing-room. Felicia kept her seat at the piano; as Mrs. Tracy was standing behind her, and as Mrs. North's head was turned away, she was freed for the moment from feminine observation, and she therefore gave herself the luxury of letting all the pathos and passion with which she had sung remain unsubdued in her eyes, which, met his as he came up.
"Lovely, wasn't it? But so sad," continued Mrs. Tracy.
"Yes," Mackenzie answered; "it is rather sad." Then, "What song is it, Miss Philipps?" he inquired. "I do not remember having heard it before."
"'Through the long days,'" answered Felicia, who was now looking at the piano keys.
"Ah! And the composer?"
"Francis Boott."
"Ah! Francis Boott, yes. And the words?" His head had now its attentive little bend.
"They are by John Hay." To herself she added: "You shall stop your little questions; you shall say something different!" And again she looked up at him, her eyes strangely lustrous.
And