The Sentimental Adventures of Jimmy Bulstrode. Van Vorst Marie
worn ways and find their own old footprints there, … and after a few moments Miss Desprey was like to be farther away from his meditations than Centreville is from Paris, and the personality of the dream-woman was another. Once Miss Desprey's voice startled him out of such a reverie by bidding him, "Please take the pose, Mr. Bulstrode!" As he laughed and apologized he caught her eyes fixed on him with, as he thought, a curious expression of affection and sympathy – indeed, tears sprang to them. She reddened and went furiously back to work. She was more personal that day than she had yet been. She seemed, after having surprised his absent-mindedness, to feel that she had a right to him – quite ordered him about, and was almost petulant in her exactions of his positions.
Her work evidently advanced to her satisfaction.
As she stood elated before her easel, her hair in sunny disorder, her eyes like stars, Bulstrode was conscious there was a change in her – she was excited and tremulous. In her frayed dress, sagging at the edges, her paint-smeared apron, her slender thumb through the hole in the palette, she came over to him at the close of the sitting, started to speak, faltered, and said:
"You don't know what it means to me – all you have done. And I can't ever tell you."
"Oh, don't," he pleaded, "pray don't speak of it!"
Miss Desprey, half radiant and half troubled, turned away as if she were afraid of his eyes.
"No, I won't try to tell you. I couldn't, I don't dare," she whispered, and impulsively caught his hand and kissed it.
When he had left the studio finally it was with a bewildering sense of having kissed her hand – no, both of her hands! but one held her palette and he couldn't have kissed that one without having got paint on his nose – perhaps he had! He was not at peace.
That same night a telegram brought him news to the effect that Miss Desprey was ill and would not expect him to pose the following day; and relieved that it was not required of him to resume immediately the over-charged relations, he went back to his old habit, rudely broken into by his artistic escapade, and walked far into the Bois.
He thought with alarming persistency of Miss Desprey. He was chivalrous with women, old-fashioned and clean-minded and straight-lived. In the greatest, in the only passion of his life, he had been a Chevalier Bayard, and he could look back upon no incidents in which he had played the part which men of the world pride themselves on playing well. Women were mysterious and wonderful to him. Because of one he approached them all with a feeling not far from worship; and he had no intention of doing a dishonorable thing. Puzzled, self-accusing – although he did not quite know of what he was guilty – he sat down as he had done several weeks before on the bench in the Avenue des Acacias. With extraordinary promptness, as if arranged by a scene-setter, a girl's figure came quickly out of a side alley. She was young – her figure betrayed it. She went quickly over to a seat and sat down. She was weeping and covered her face with her hands. Bulstrode, this time without hesitation, went directly over to her:
"My dear Miss Desprey – "
She sprang up and displayed a face disfigured with weeping.
"You!" she exclaimed with something like terror. "Oh, Mr. Bulstrode!"
Her words shuddered in sobs.
"Don't stay here! Why did you come? Please go – please."
Bulstrode sat down beside her and took her hands.
"I'm not going away – not until I know what your trouble is. You were in distress when I first saw you here and you wouldn't let me help you then. Now you can't refuse me. What is it?"
He found she was clinging to his hands as she found voice enough to say:
"No, I can't tell you. I couldn't ever tell you. It's not the same trouble, it's a new one and worse. I guess it's the worst thing in the world."
Bulstrode was pitiless:
"One that has come lately to you?"
"Oh, yes!"
She was weeping more quietly now.
"Please leave me: please go, Mr. Bulstrode."
"A trouble with which I have had anything to do?"
She waited a long time, then faintly breathed:
"Yes."
The hand he firmly held was gloveless and cold – before he could say anything further she drew it away from him and cried:
"Oh, I ought never to have let you guess! You were so good and kind, you meant to help me so, but it's been the worst help of all, only you couldn't know that," she pleaded for him. "Please forgive me if I seem ungrateful, but if I had known that I was going to suffer like this I would have wished never to see you in the world."
Bulstrode was trying to speak, but she wouldn't let him:
"I never can see you again. Never! You mustn't come any more."
But here she half caught her breath and sobbed with what seemed naïve and adorable daring:
"Unless you can help me through, Mr. Bulstrode – it is your fault, after all."
If this were a virtual throwing of herself into his arms, they were all but open to her and the generous heart was all but ready "to see her through." Bulstrode was about to do, and say, the one rash and irrevocable perfect thing when at this minute fate again at the ring of the curtain opportuned. The tap, tapping, of a pony's feet was heard and a gay little cart came brightly along. Bulstrode saw it. He sprang to his feet. It was close upon them.
"You will let me come to-morrow?" he asked eagerly,
"Oh, yes," she whispered; "yes, I shall count on you. I beg you will come."
"Jimmy," said the lady severely as he accepted her invitation to get into the cart, "this is the second wicked rendezvous I have interrupted. I didn't know you were anything like this, and I've seen that girl before, but I can't remember where."
"Don't try," said Bulstrode.
"And she was crying. Of course you made her cry."
"Well," said Bulstrode desperately, "if I did, it's the first woman that has ever cried for me."
As the reason why Bulstrode had never married was again in Paris, he went up in the late afternoon to see her.
The train of visitors who showed their appreciation of her by thronging her doors had been turned away, but Bulstrode was admitted. The man told him, "Mrs. Falconer will see you, sir," by which he had the agreeably flattered feeling that she would see nobody else.
When he was opposite her the room at once dwindled, contracted, as invariably did every place in which they found themselves together, into one small circle containing himself and one woman. Mrs. Falconer said at once to Bulstrode:
"Jimmy, you're in trouble – in one of your quandaries. What useless good have you been doing, and who has been sharper than a serpent's tooth to you?"
Bulstrode's late companionship with youth had imparted to him a boyish look. His friend narrowly observed him, and her charming face clouded with one of those almost imperceptible nuances that the faces of those women wear who feel everything and by habit reveal nothing.
"I'm not a victim." Bulstrode's tone was regretful. "One might say, on the contrary, this time that I was possibly overpaid."
"Yes?"
"I haven't," he explained and regretted, "seen you for a long time."
"I've been automobiling in Touraine." Mrs. Falconer gave him no opportunity to be delinquent.
"And I," he confessed, "have been posing for my portrait. Don't," he pleaded, "laugh at me – it isn't for a miniature or a locket; it's life-size, horribly life-size. I've had to stand, off and on with the rests, three hours a day, and I've done so every day for three weeks."
Mrs. Falconer regarded him with indulgent amusement.
"It's your fault – you took me to see those awful school-girl paintings and pointed out that poor young creature to me." And he was interrupted by her exclamation:
"Oh,