Sketches by Boz, Illustrative of Every-Day Life and Every-Day People. Чарльз Диккенс
the gipsy liberally; and the gipsy goes away, perfectly satisfied herself, and leaving those behind her perfectly satisfied also: and the prophecy, like many other prophecies of greater importance, fulfils itself in time.
But it grows dark: the crowd has gradually dispersed, and only a few stragglers are left behind. The light in the direction of the church shows that the fair is illuminated; and the distant noise proves it to be filling fast. The spot, which half an hour ago was ringing with the shouts of boisterous mirth, is as calm and quiet as if nothing could ever disturb its serenity: the fine old trees, the majestic building at their feet, with the noble river beyond, glistening in the moonlight, appear in all their beauty, and under their most favourable aspect; the voices of the boys, singing their evening hymn, are borne gently on the air; and the humblest mechanic who has been lingering on the grass so pleasant to the feet that beat the same dull round from week to week in the paved streets of London, feels proud to think as he surveys the scene before him, that he belongs to the country which has selected such a spot as a retreat for its oldest and best defenders in the decline of their lives.
Five minutes’ walking brings you to the fair; a scene calculated to awaken very different feelings. The entrance is occupied on either side by the vendors of gingerbread and toys: the stalls are gaily lighted up, the most attractive goods profusely disposed, and unbonneted young ladies, in their zeal for the interest of their employers, seize you by the coat, and use all the blandishments of ‘Do, dear’ – ‘There’s a love’ – ‘Don’t be cross, now,’ &c., to induce you to purchase half a pound of the real spice nuts, of which the majority of the regular fair-goers carry a pound or two as a present supply, tied up in a cotton pocket-handkerchief. Occasionally you pass a deal table, on which are exposed pen’orths of pickled salmon (fennel included), in little white saucers: oysters, with shells as large as cheese-plates, and divers specimens of a species of snail (wilks, we think they are called), floating in a somewhat bilious-looking green liquid. Cigars, too, are in great demand; gentlemen must smoke, of course, and here they are, two a penny, in a regular authentic cigar-box, with a lighted tallow candle in the centre.
Imagine yourself in an extremely dense crowd, which swings you to and fro, and in and out, and every way but the right one; add to this the screams of women, the shouts of boys, the clanging of gongs, the firing of pistols, the ringing of bells, the bellowings of speaking-trumpets, the squeaking of penny dittos, the noise of a dozen bands, with three drums in each, all playing different tunes at the same time, the hallooing of showmen, and an occasional roar from the wild-beast shows; and you are in the very centre and heart of the fair.
This immense booth, with the large stage in front, so brightly illuminated with variegated lamps, and pots of burning fat, is ‘Richardson’s,’ where you have a melodrama (with three murders and a ghost), a pantomime, a comic song, an overture, and some incidental music, all done in five-and-twenty minutes.
The company are now promenading outside in all the dignity of wigs, spangles, red-ochre, and whitening. See with what a ferocious air the gentleman who personates the Mexican chief, paces up and down, and with what an eye of calm dignity the principal tragedian gazes on the crowd below, or converses confidentially with the harlequin! The four clowns, who are engaged in a mock broadsword combat, may be all very well for the low-minded holiday-makers; but these are the people for the reflective portion of the community. They look so noble in those Roman dresses, with their yellow legs and arms, long black curly heads, bushy eyebrows, and scowl expressive of assassination, and vengeance, and everything else that is grand and solemn. Then, the ladies – were there ever such innocent and awful-looking beings; as they walk up and down the platform in twos and threes, with their arms round each other’s waists, or leaning for support on one of those majestic men! Their spangled muslin dresses and blue satin shoes and sandals (a leetle the worse for wear) are the admiration of all beholders; and the playful manner in which they check the advances of the clown, is perfectly enchanting.
‘Just a-going to begin! Pray come for’erd, come for’erd,’ exclaims the man in the countryman’s dress, for the seventieth time: and people force their way up the steps in crowds. The band suddenly strikes up, the harlequin and columbine set the example, reels are formed in less than no time, the Roman heroes place their arms a-kimbo, and dance with considerable agility; and the leading tragic actress, and the gentleman who enacts the ‘swell’ in the pantomime, foot it to perfection. ‘All in to begin,’ shouts the manager, when no more people can be induced to ‘come for’erd,’ and away rush the leading members of the company to do the dreadful in the first piece.
A change of performance takes place every day during the fair, but the story of the tragedy is always pretty much the same. There is a rightful heir, who loves a young lady, and is beloved by her; and a wrongful heir, who loves her too, and isn’t beloved by her; and the wrongful heir gets hold of the rightful heir, and throws him into a dungeon, just to kill him off when convenient, for which purpose he hires a couple of assassins – a good one and a bad one – who, the moment they are left alone, get up a little murder on their own account, the good one killing the bad one, and the bad one wounding the good one. Then the rightful heir is discovered in prison, carefully holding a long chain in his hands, and seated despondingly in a large arm-chair; and the young lady comes in to two bars of soft music, and embraces the rightful heir; and then the wrongful heir comes in to two bars of quick music (technically called ‘a hurry’), and goes on in the most shocking manner, throwing the young lady about as if she was nobody, and calling the rightful heir ‘Ar-recreant – ar-wretch!’ in a very loud voice, which answers the double purpose of displaying his passion, and preventing the sound being deadened by the sawdust. The interest becomes intense; the wrongful heir draws his sword, and rushes on the rightful heir; a blue smoke is seen, a gong is heard, and a tall white figure (who has been all this time, behind the arm-chair, covered over with a table-cloth), slowly rises to the tune of ‘Oft in the stilly night.’ This is no other than the ghost of the rightful heir’s father, who was killed by the wrongful heir’s father, at sight of which the wrongful heir becomes apoplectic, and is literally ‘struck all of a heap,’ the stage not being large enough to admit of his falling down at full length. Then the good assassin staggers in, and says he was hired in conjunction with the bad assassin, by the wrongful heir, to kill the rightful heir; and he’s killed a good many people in his time, but he’s very sorry for it, and won’t do so any more – a promise which he immediately redeems, by dying off hand without any nonsense about it. Then the rightful heir throws down his chain; and then two men, a sailor, and a young woman (the tenantry of the rightful heir) come in, and the ghost makes dumb motions to them, which they, by supernatural interference, understand – for no one else can; and the ghost (who can’t do anything without blue fire) blesses the rightful heir and the young lady, by half suffocating them with smoke: and then a muffin-bell rings, and the curtain drops.
The exhibitions next in popularity to these itinerant theatres are the travelling menageries, or, to speak more intelligibly, the ‘Wild-beast shows,’ where a military band in beef-eater’s costume, with leopard-skin caps, play incessantly; and where large highly-coloured representations of tigers tearing men’s heads open, and a lion being burnt with red-hot irons to induce him to drop his victim, are hung up outside, by way of attracting visitors.
The principal officer at these places is generally a very tall, hoarse man, in a scarlet coat, with a cane in his hand, with which he occasionally raps the pictures we have just noticed, by way of illustrating his description – something in this way. ‘Here, here, here; the lion, the lion (tap), exactly as he is represented on the canvas outside (three taps): no waiting, remember; no deception. The fe-ro-cious lion (tap, tap) who bit off the gentleman’s head last Cambervel vos a twelvemonth, and has killed on the awerage three keepers a-year ever since he arrived at matoority. No extra charge on this account recollect; the price of admission is only sixpence.’ This address never fails to produce a considerable sensation, and sixpences flow into the treasury with wonderful rapidity.
The dwarfs are also objects of great curiosity, and as a dwarf, a giantess, a living skeleton, a wild Indian, ‘a young lady of singular beauty, with perfectly white hair and pink eyes,’ and two or three other natural curiosities, are usually exhibited together for the small charge of a penny, they attract very numerous audiences. The best thing about a dwarf is, that he has always a little box, about