The Death Shot: A Story Retold. Reid Mayne
what a change there will be in your lives, as your prospects! Poverty, coarse fare, coarse garments to wear, and a log-cabin to live in! Henceforth, this must be your lot. I can hold out hope of no other.”
“What of all that, father? I, for one, care not; and I’m sure sister will feel the same. But is there no way to – ”
“Save me from bankruptcy, you’d say? You need not ask that. I have spent many a sleepless night thinking it there was. But no; there is only one – that one. It I have never contemplated, even for an instant, knowing it would not do. I was sure you did not love Richard Darke, and would not consent to marry him. You could not, my child?”
Helen Armstrong does not make immediate answer, though there is one ready to leap to her lips.
She hesitates giving it, from a thought, that it may add to the weight of unhappiness pressing upon her father’s spirit.
Mistaking her silence, and perhaps with the spectre of poverty staring him in the face – oft inciting to meanness, even the noblest natures – he repeats the test interrogatory: —
“Tell me, daughter! Could you marry him?”
“Speak candidly,” he continues, “and take time to reflect before answering. If you think you could not be contented – happy – with Richard Darke for your husband, better it should never be. Consult your own heart, and do not be swayed by me, or my necessities. Say, is the thing impossible?”
“I have said. It is impossible!”
For a moment both remain silent; the father drooping, spiritless, as if struck by a galvanic shock; the daughter looking sorrowful, as though she had given it.
She soonest recovering, makes an effort to restore him.
“Dear father!” she exclaims, laying her hand upon his shoulder, and gazing tenderly into his eyes; “you speak of a change in our circumstances – of bankruptcy and other ills. Let them come! For myself I care not. Even if the alternative were death, I’ve told you – I tell you again – I would rather that, than be the wife of Richard Darke.”
“Then his wife you’ll never be! Now, let the subject drop, and the ruin fall! We must prepare for poverty, and Texas!”
“Texas, if you will, but not poverty. Nothing of the kind. The wealth of affection will make you feel rich; and in a lowly log-hut, as in this grand house, you’ll still have mine.”
So speaking, the fair girl flings herself upon her father’s breast, her hand laid across his forehead, the white fingers soothingly caressing it.
The door opens. Another enters the room – another girl, almost fair as she, but brighter, and younger. ’Tis Jessie.
“Not only my affection,” Helen adds, at sight of the newcomer, “but hers as well. Won’t he, sister?”
Sister, wondering what it is all about, nevertheless sees something is wanted of her. She has caught the word “affection,” at the same time observing an afflicted cast upon her father’s countenance. This decides her; and, gliding forward, in another instant she is by his side, clinging to the opposite shoulder, with an arm around his neck.
Thus grouped, the three figures compose a family picture expressive of purest love.
A pleasing tableau to one who knew nothing of what has thus drawn them together; or knowing it, could truly appreciate. For in the faces of all beams affection, which bespeaks a happy, if not prosperous, future – without any doubting fear of either poverty, or Texas.
Chapter Five.
A photograph in the forest
On the third day, after that on which Richard Darke abstracted the letter from the magnolia, a man is seen strolling along the edge of the cypress swamp. The hour is nearly the same, but the individual altogether different. Only in age does he bear any similarity to the planter’s son; for he is also a youth of some three or four and twenty. In all else he is unlike Dick Darke, as one man could well be to another.
He is of medium size and height, with a figure pleasingly proportioned. His shoulders squarely set, and chest rounded out, tell of great strength; while limbs tersely knit, and a firm elastic tread betoken toughness and activity. Features of smooth, regular outline – the jaws broad, and well balanced; the chin prominent; the nose nearly Grecian – while eminently handsome, proclaim a noble nature, with courage equal to any demand that may be made upon it. Not less the glance of a blue-grey eye, unquailing as an eagle’s.
A grand shock of hair, slightly curled, and dark brown in colour, gives the finishing touch to his fine countenance, as the feather to a Tyrolese hat.
Dressed in a sort of shooting costume, with jack-boots, and gaiters buttoned above them, he carries a gun; which, as can be seen, is a single-barrelled rifle; while at his heels trots a dog of large size, apparently a cross between stag-hound and mastiff, with a spice of terrier in its composition. Such mongrels are not necessarily curs, but often the best breed for backwoods’ sport; where the keenness of scent required to track a deer, needs supplementing by strength and staunchness, when the game chances, as it often does, to be a bear, a wolf, or a panther.
The master of this trebly crossed canine is the man whose name rose upon the lips of Richard Darke, after reading the purloined epistle – Charles Clancy. To him was it addressed, and for him intended, as also the photograph found inside.
Several days have elapsed since his return from Texas, having come back, as already known, to find himself fatherless. During the interval he has remained much at home – a dutiful son, doing all he can to console a sorrowing mother. Only now and then has he sought relaxation in the chase, of which he is devotedly fond. On this occasion he has come down to the cypress swamp; but, having encountered no game, is going back with an empty bag.
He is not in low spirits at his ill success; for he has something to console him – that which gives gladness to his heart – joy almost reaching delirium. She, who has won it, loves him.
This she is Helen Armstrong. She has not signified as much, in words; but by ways equally expressive, and quite as convincing. They have met clandestinely, and so corresponded; the knot-hole in the magnolia serving them as a post-box. At first, only phrases of friendship in their conversation; the same in the letters thus surreptitiously exchanged. For despite Clancy’s courage among men, he is a coward in the presence of women – in hers more than any.
For all this, at their latest interview, he had thrown aside his shyness, and spoken words of love – fervent love, in its last appeal. He had avowed himself wholly hers, and asked her to be wholly his. She declined giving him an answer viva voce, but promised it in writing. He will receive it in a letter, to be deposited in the place convened.
He feels no offence at her having thus put him off. He believes it to have been but a whim of his sweetheart – the caprice of a woman, who has been so much nattered and admired. He knows, that, like the Anne Hathaway of Shakespeare, Helen Armstrong “hath a way” of her own. For she is a girl of no ordinary character, but one of spirit, free and independent, consonant with the scenes and people that surrounded her youth. So far from being offended at her not giving him an immediate answer, he but admires her the more. Like the proud eagle’s mate, she does not condescend to be wooed as the soft cooing dove, nor yield a too easy acquiescence.
Still daily, hourly, does he expect the promised response. And twice, sometimes thrice, a day pays visit to the forest post-office.
Several days have elapsed since their last interview; and yet he has found no letter lying. Little dreams he, that one has been sent, with a carte de visite enclosed; and less of both being in the possession of his greatest enemy on earth.
He is beginning to grow uneasy at the delay, and shape conjectures as to the cause. All the more from knowing, that a great change is soon to take place in the affairs of the Armstrong family. A knowledge which emboldened him to make the proposal he has made.
And now, his day’s hunting done, he is on his way for the tract of woodland in which stands the sweet trysting tree.
He has no thought of stopping,