The Death Shot: A Story Retold. Reid Mayne
he can bring his gun to bear upon it, the animal is out of sight; having passed behind the thick standing trunks of the cypresses. He restrains his hound, about to spring off on the slot. The stag has not seen him; and, apparently, going unscared, he hopes to stalk, and again get sight of it.
He has not proceeded over twenty paces, when a sound fills his ears, as well as the woods around. It is the report of a gun, fired by one who cannot be far off. And not at the retreating stag, but himself!
He feels that the bullet has hit him. This, from a stinging sensation in his arm, like the touch of red-hot iron, or a drop of scalding water. He might not know it to be a bullet, but for the crack heard simultaneously – this coming from behind.
The wound, fortunately but a slight one, does not disable him; and, like a tiger stung by javelins, he is round in an instant, ready to return the fire.
There is no one in sight!
As there has been no warning – not a word – he can have no doubt of the intent: some one meaning to murder him!
He is sure about its being an attempt to assassinate him, as of the man who has made it. Richard Darke – certain, as if the crack of the gun had been a voice pronouncing the name.
Clancy’s eyes, flashing angrily, interrogate the forest. The trees stand close, the spaces between shadowy and sombre. For, as said, they are cypresses, and the hour twilight.
He can see nothing save the huge trunks, and their lower limbs, garlanded with ghostly tillandsia here and there draping down to the earth. This baffles him, both by its colour and form. The grey gauze-like festoonery, having a resemblance to ascending smoke, hinders him from perceiving that of the discharged gun.
He can see none. It must have whiffed up suddenly, and become commingled with the moss?
It does not matter much. Neither the twilight obscurity, nor that caused by the overshadowing trees, can prevent his canine companion from discovering the whereabouts of the would-be assassin. On hearing the shot the hound has harked back; and, at some twenty paces off, brought up beside a huge trunk, where it stands fiercely baying, as if at a bear. The tree is buttressed, with “knees” several feet in height rising around. In the dim light, these might easily be mistaken for men.
Clancy is soon among them; and sees crouching between two pilasters, the man who meant to murder him – Richard Darke as conjectured.
Darke makes no attempt at explanation. Clancy calls for none. His rifle is already cocked; and, soon as seeing his adversary, he raises it to his shoulder, exclaiming: —
“Scoundrel! you’ve had the first shot. It’s my turn now.”
Darke does not remain inactive, but leaps – forth from his lurking-place, to obtain more freedom for his arms. The buttresses hinder him from having elbow room. He also elevates his gun; but, perceiving it will be too late, instead of taking aim, he lowers the piece again, and dodges behind the tree.
The movement, quick and subtle, as a squirrel’s bound, saves him. Clancy fires without effect. His ball but pierces through the skirt of Darke’s coat, without touching his body.
With a wild shout of triumph, the latter advances upon his adversary, whose gun is now empty. His own, a double-barrel, has a bullet still undischarged. Deliberately bringing the piece to his shoulder, and covering the victim he is now sure of, he says derisively, —
“What a devilish poor shot you’ve made, Mister Charlie Clancy! A sorry marksman – to miss a man scarce six feet from the muzzle of your gun! I shan’t miss you. Turn about’s fair play. I’ve had the first, and I’ll have the last. Dog! take your death shot!”
While delivering the dread speech, his finger presses the trigger; the crack comes, with the flash and fiery jet.
For some seconds Clancy is invisible, the sulphurous smoke forming a nimbus around him. When it ascends, he is seen prostrate upon the earth; the blood gushing from a wound in his breast, and spurting over his waistcoat.
He appears writhing in his death agony.
And evidently thinks so himself, from his words spoken in slow, choking utterance, —
“Richard Darke – you have killed – murdered me!”
“I meant to do it,” is the unpitying response.
“O Heavens! You horrid wretch! Why – why – ”
“Bah! what are you blubbering about? You know why. If not, I shall tell you —Helen Armstrong, After all, it isn’t jealousy that’s made me kill you; only your impudence, to suppose you had a chance with her. You hadn’t; she never cared a straw for you. Perhaps, before dying, it may be some consolation for you to know she didn’t. I’ve got the proof. Since it isn’t likely you’ll ever see herself again, it may give you a pleasure to look at her portrait. Here it is! The sweet girl sent it me this very morning, with her autograph attached, as you see. A capital likeness, isn’t it?”
The inhuman wretch stooping down, holds the photograph before the eyes of the dying man, gradually growing dim.
But only death could hinder them from turning towards that sun-painted picture – the portrait of her who has his heart.
He gazes on it lovingly, but not long. For the script underneath claims his attention. In this he recognises her handwriting, well-known to him. Terrible the despair that sweeps through his soul, as he deciphers it: —
“Helen Armstrong. —For him she loves.”
The picture is in the possession of Richard Darke. To him have the sweet words been vouchsafed!
“A charming creature!” Darke tauntingly continues, kissing the carte, and pouring the venomous speech into his victim’s ear. “It’s the very counterpart of her sweet self. As I said, she sent it me this morning. Come, Clancy! Before giving up the ghost, tell me what you think of it. Isn’t it an excellent likeness?”
To the inhuman interrogatory Clancy makes no response – either by word, look, or gesture. His lips are mute, his eyes without light of life, his limbs and body motionless as the mud on which they lie.
A short, but profane, speech terminates the terrible episode; four words of most heartless signification: —
“Damn him; he’s dead!”
Chapter Six.
A coon-chase interrupted
Notwithstanding the solitude of the place where the strife, apparently fatal, has occurred, and the slight chances of its being seen, its sounds have been heard. The shots, the excited speeches, and angry exclamations, have reached the ears of one who can well interpret them. This is a coon-hunter.
There is no district in the Southern States without its coon-hunter. In most, many of them; but in each, one who is noted. And, notedly, he is a negro. The pastime is too tame, or too humble, to tempt the white man. Sometimes the sons of “poor white trash” take part in it; but it is usually delivered over to the “darkey.”
In the old times of slavery every plantation could boast of one, or more, of these sable Nimrods; and they are not yet extinct. To them coon-catching is a profit, as well as sport; the skins keeping them in tobacco – and whisky, when addicted to drinking it. The flesh, too, though little esteemed by white palates, is a bonne-bouche to the negro, with whom animal food is a scarce commodity. It often furnishes him with the substance for a savoury roast.
The plantation of Ephraim Darke is no exception to the general rule. It, too, has its coon-hunter – a negro named, or nicknamed, “Blue Bill;” the qualifying term bestowed, from a cerulean tinge, that in certain lights appears upon the surface of his sable epidermis. Otherwise he is black as ebony.
Blue Bill is a mighty hunter of his kind, passionately fond of the coon-chase – too much, indeed, for his own personal safety. It carries him abroad, when the discipline of the plantation requires him to be at home; and more than once, for so absenting himself, have his shoulders been scored by the “cowskin.”
Still