The Conflict of Religions in the Early Roman Empire. Glover Terrot Reaveley

The Conflict of Religions in the Early Roman Empire - Glover Terrot Reaveley


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and he wanders pleasantly on. The Lives of Pericles and Themistocles, for instance, are little more than mere collectanea from sources widely discrepant, and often quite worthless. Of the mind of Pericles he had little conception; he gathered up and pleasantly told what he had read in books. He had too little of the critical instinct and took things too easily to weigh what he quoted.

      Above all, despite his "political" energy and enthusiasm, it was impossible, for a Greek of his day to have the political insight that only comes from life in a living state. How could the Telearch of Chæronea under the Roman Empire understand Pericles? Archbishop Trench contrasts his enthusiasm about the gift of liberty to Greece by Flamininus with the reflection of Wordsworth that it is a thing

                      which is not to be given

      By all the blended powers of Earth and Heaven.

      Plutarch really did not know what liberty is; Wordsworth on the other hand had taken part in the French Revolution, and watched with keen and sympathetic eyes the march of events throughout a most living epoch. It is worth noting that indirectly Plutarch contributed to the disasters of that epoch, for his Lycurgus had enormous influence with Rousseau and his followers who took it for history. Here was a man who made laws and constitutions in his own head and imposed them upon his fellow-countrymen. So Plutarch wrote and believed, and so read and believed thinking Frenchmen of the eighteenth century, like himself subjects of a despotism and without political experience.

      Besides Biographies he wrote moral treatises – some based on lectures, others on conversation, others again little better than note-books – pleasant and readable books, if the reader will forgive a certain want of humour, and a tendency to ramble, and will surrender his mind to the long and leisurely sentences, for Plutarch is not to be hurried. Everything he wrote had some moral or religious aim. He was a believer, in days of doubt and perplexity. The Epicurean was heard at Delphi. Even in the second century, when the great, religious revival was in full swing, Lucian wrote and found readers. Men brought their difficulties to Plutarch and he went to meet them – ever glad to do something for the ancestral faith. Nor was he less ready to discuss – or record discussions of – questions much less serious. Was the hen or the egg first? Does a varied diet or a single dish help the digestion more? Why is fresh water better than salt for washing clothes? Which of Aphrodite's hands did Diomed wound?

      It is always the same man, genial, garrulous, moral and sensible. There are no theatricalities in his style – he is not a rhetorician even on paper.[303] He discards the tricks of the school, adoxography, epigram and, as a rule, paradox. His simplicity is his charm. He is really interested in his subject whatever it is; and he believes in its power of interesting other men, too much to think it worth while to trick it out with extraneous prettinesses. Yet after he has discussed his theme, with excursions into its literary antecedents and its moral suggestions, we are not perhaps much nearer an explanation of the fact in question,[304] nor always quite sure that it is a fact. Everything interests him, but he is in no hurry to get at the bottom of anything; just as in the Lives he is occupied with everything except the depths of his hero's personality. It remains that in his various works he has given us an unexampled pageant of antiquity over a wide reach of time and many lands, and always bright with the colour of life – the work of a lover of men. "I can hardly do without Plutarch," wrote Montaigne; "he is so universal and so full, that upon all occasions, and what extravagant subject soever you take in hand, he will still intrude himself into your business, and holds out to you a liberal and not to be exhausted hand of riches and embellishments." What Shakespeare thought of him is written in three great plays.[305]

      His wife and children

      But so far nothing has been said of Plutarch's own home. The lot of the wife of a great preacher or moralist is not commonly envied; and the tracts which Plutarch wrote upon historic women and their virtues, and on the duties of married life, on diet and on the education of the young, suggest that Timoxena must have lived in an atmosphere of high moral elevation, with a wise saw and an ancient instance for every occurrence of the day. But it is clear that he loved her, and his affection for their four little boys must have been as plain to her as to his readers – and his joy when, after long waiting, at last a little girl was born. "You had longed for a daughter after four sons," he writes to her, "and I was glad when she came and I could give her your name." The little Timoxena lived for two years, and the letter of consolation which Plutarch wrote her mother tells the story of her short life. "She had by nature wonderful good temper and gentleness. So responsive to affection, so generous was she that it was a pleasure to see her tenderness. For she used to bid her nurse give the breast to other children and not to them only, but even to toys and other things in which she took delight. She was so loving that she wished everything that gave her pleasure to share in the best of what she had. I do not see, my dear wife, why things such as these, which gave us so much happiness while she lived, should give us pain and trouble now when we think of them."[306] He reminds her of the mysteries of Dionysus of which they were both initiates. In language that recalls Wordsworth's great Ode on the Intimations of Immortality, he suggests that old age dulls our impressions of the soul's former life, and that their little one is gone from them, before she had time to fall in love with life on earth. "And the truth about this is to be seen in the ancient use and wont of our fathers," who did not observe the ordinary sad rites of burial for little children, "as if they felt it not right in the case of those who have passed to a better and diviner lot and place… And since to disbelieve them is harder than to believe, let us comply with the laws in outward things, and let what is within be yet more stainless, pure and holy."[307]

      Two of the sons had previously died – the eldest Soclaros, and the fourth, "our beautiful Chæron" – the name is that of the traditional founder of Chæronea. The other two, Autobulus and Plutarch grew up. Some of these names appear in the Table Talk, while others of his works were written at the suggestion of his sons.

      His slaves

      From the family we pass to the slaves, and here, as we should expect, Plutarch is an advocate of gentleness. In the tract On Restraining Anger a high and humane character is drawn in Fundanus, who had successfully mastered a naturally passionate temper. It has been thought that Plutarch was drawing his own portrait over his friend's name. A naïve tendency to idealise his own virtues he certainly shares with other moralists. Fundanus urges that, while all the passions need care and practice if they are to be overcome, anger is the failure to which we are most liable in the case of our slaves. Our authority over them sets us in a slippery place; temper here has nothing to check it, for here we are irresponsible and that is a position of danger. A man's wife and his friends are too apt to call gentleness to the slaves mere easy-going slackness (atonían kaì rhathumían). "I used to be provoked by such criticism myself against my slaves. I was told they were going to pieces for want of correction. Later on I realized that, first of all, it is better to let them grow worse through my forbearance than by bitterness and anger to pervert oneself for the reformation of others. And, further, I saw that many of them, through not being punished, began to be ashamed of being bad, and that forgiveness was more apt than punishment to be the beginning of a change in them – and indeed that they would serve some men more readily for a silent nod than they would others for blows and brandings. So I persuaded myself that reasoning does better than temper."[308] It will be remarked that Fundanus, or his recording friend, does not here take the Stoic position that the slave is as much a son of God as the master,[309] nor does he spare the slave for the slave's sake but to overcome his own temper. So much for theory; but men's conduct does not always square with their theories, and in life we see men guilty of kind-heartedness and large-mindedness not at all to be reconciled with the theories which they profess, when they remember them.

      It is curious that one of the few stories of Plutarch that come from outside sources should concern this very tract and the punishment of a slave. Gellius heard it from the philosopher Taurus after one of his classes. Plutarch,


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<p>303</p>

de tranqu. animi, i, 464 F, ouk akroáseôs héneka therôménês kalligraphían– a profession often made, but in Plutarch's case true enough as a rule.

<p>304</p>

See, e. g., variety of possible explanations of the E at Delphi, in tract upon it.

<p>305</p>

Stapfer, Shakespeare and Classical Antiquity (tr.), p. 299. "It may be safely said he followed Plutarch far more closely than he did even the old English chroniclers."

<p>306</p>

Cons. ad Ux. 2-3, 608 C, D.

<p>307</p>

Cons. ad Ux. 11, 612 A, B. Cf. non suaviter, 26, 1104 C, on the loss of a child or a parent.

<p>308</p>

de coh. ira. 11, 459 C; cf. Progress in Virtue, 80 B, 81 C, on epieíkeia and praotês as signs of moral progress.

<p>309</p>

Cf. Sen. Ep. 47; Clem. Alex. Pæd. iii, 92.