Dombey and Son. Чарльз Диккенс
protested that he was perfectly comfortable.
He added in a low voice, ‘With my tiddle tol toor rul’ – when he was providentially stopped by Towlinson, who announced:
‘Miss Tox!’
And enter that fair enslaver, with a blue nose and indescribably frosty face, referable to her being very thinly clad in a maze of fluttering odds and ends, to do honour to the ceremony.
‘How do you do, Miss Tox?’ said Mr Dombey.
Miss Tox, in the midst of her spreading gauzes, went down altogether like an opera-glass shutting-up; she curtseyed so low, in acknowledgment of Mr Dombey’s advancing a step or two to meet her.
‘I can never forget this occasion, Sir,’ said Miss Tox, softly. ‘’Tis impossible. My dear Louisa, I can hardly believe the evidence of my senses.’
If Miss Tox could believe the evidence of one of her senses, it was a very cold day. That was quite clear. She took an early opportunity of promoting the circulation in the tip of her nose by secretly chafing it with her pocket handkerchief, lest, by its very low temperature, it should disagreeably astonish the baby when she came to kiss it.
The baby soon appeared, carried in great glory by Richards; while Florence, in custody of that active young constable, Susan Nipper, brought up the rear. Though the whole nursery party were dressed by this time in lighter mourning than at first, there was enough in the appearance of the bereaved children to make the day no brighter. The baby too – it might have been Miss Tox’s nose – began to cry. Thereby, as it happened, preventing Mr Chick from the awkward fulfilment of a very honest purpose he had; which was, to make much of Florence. For this gentleman, insensible to the superior claims of a perfect Dombey (perhaps on account of having the honour to be united to a Dombey himself, and being familiar with excellence), really liked her, and showed that he liked her, and was about to show it in his own way now, when Paul cried, and his helpmate stopped him short —
‘Now Florence, child!’ said her aunt, briskly, ‘what are you doing, love? Show yourself to him. Engage his attention, my dear!’
The atmosphere became or might have become colder and colder, when Mr Dombey stood frigidly watching his little daughter, who, clapping her hands, and standing on tip-toe before the throne of his son and heir, lured him to bend down from his high estate, and look at her. Some honest act of Richards’s may have aided the effect, but he did look down, and held his peace. As his sister hid behind her nurse, he followed her with his eyes; and when she peeped out with a merry cry to him, he sprang up and crowed lustily – laughing outright when she ran in upon him; and seeming to fondle her curls with his tiny hands, while she smothered him with kisses.
Was Mr Dombey pleased to see this? He testified no pleasure by the relaxation of a nerve; but outward tokens of any kind of feeling were unusual with him. If any sunbeam stole into the room to light the children at their play, it never reached his face. He looked on so fixedly and coldly, that the warm light vanished even from the laughing eyes of little Florence, when, at last, they happened to meet his.
It was a dull, grey, autumn day indeed, and in a minute’s pause and silence that took place, the leaves fell sorrowfully.
‘Mr John,’ said Mr Dombey, referring to his watch, and assuming his hat and gloves. ‘Take my sister, if you please: my arm today is Miss Tox’s. You had better go first with Master Paul, Richards. Be very careful.’
In Mr Dombey’s carriage, Dombey and Son, Miss Tox, Mrs Chick, Richards, and Florence. In a little carriage following it, Susan Nipper and the owner Mr Chick. Susan looking out of window, without intermission, as a relief from the embarrassment of confronting the large face of that gentleman, and thinking whenever anything rattled that he was putting up in paper an appropriate pecuniary compliment for herself.
Once upon the road to church, Mr Dombey clapped his hands for the amusement of his son. At which instance of parental enthusiasm Miss Tox was enchanted. But exclusive of this incident, the chief difference between the christening party and a party in a mourning coach consisted in the colours of the carriage and horses.
Arrived at the church steps, they were received by a portentous beadle. Mr Dombey dismounting first to help the ladies out, and standing near him at the church door, looked like another beadle. A beadle less gorgeous but more dreadful; the beadle of private life; the beadle of our business and our bosoms.
Miss Tox’s hand trembled as she slipped it through Mr Dombey’s arm, and felt herself escorted up the steps, preceded by a cocked hat and a Babylonian collar. It seemed for a moment like that other solemn institution, ‘Wilt thou have this man, Lucretia?’ ‘Yes, I will.’
‘Please to bring the child in quick out of the air there,’ whispered the beadle, holding open the inner door of the church.
Little Paul might have asked with Hamlet ‘into my grave?’ so chill and earthy was the place. The tall, shrouded pulpit and reading desk; the dreary perspective of empty pews stretching away under the galleries, and empty benches mounting to the roof and lost in the shadow of the great grim organ; the dusty matting and cold stone slabs; the grisly free seats in the aisles; and the damp corner by the bell-rope, where the black trestles used for funerals were stowed away, along with some shovels and baskets, and a coil or two of deadly-looking rope; the strange, unusual, uncomfortable smell, and the cadaverous light; were all in unison. It was a cold and dismal scene.
‘There’s a wedding just on, Sir,’ said the beadle, ‘but it’ll be over directly, if you’ll walk into the westry here.’
Before he turned again to lead the way, he gave Mr Dombey a bow and a half smile of recognition, importing that he (the beadle) remembered to have had the pleasure of attending on him when he buried his wife, and hoped he had enjoyed himself since.
The very wedding looked dismal as they passed in front of the altar. The bride was too old and the bridegroom too young, and a superannuated beau with one eye and an eyeglass stuck in its blank companion, was giving away the lady, while the friends were shivering. In the vestry the fire was smoking; and an over-aged and over-worked and under-paid attorney’s clerk, ‘making a search,’ was running his forefinger down the parchment pages of an immense register (one of a long series of similar volumes) gorged with burials. Over the fireplace was a ground-plan of the vaults underneath the church; and Mr Chick, skimming the literary portion of it aloud, by way of enlivening the company, read the reference to Mrs Dombey’s tomb in full, before he could stop himself.
After another cold interval, a wheezy little pew-opener afflicted with an asthma, appropriate to the churchyard, if not to the church, summoned them to the font – a rigid marble basin which seemed to have been playing a churchyard game at cup and ball with its matter of fact pedestal, and to have been just that moment caught on the top of it. Here they waited some little time while the marriage party enrolled themselves; and meanwhile the wheezy little pew-opener – partly in consequence of her infirmity, and partly that the marriage party might not forget her – went about the building coughing like a grampus.
Presently the clerk (the only cheerful-looking object there, and he was an undertaker) came up with a jug of warm water, and said something, as he poured it into the font, about taking the chill off; which millions of gallons boiling hot could not have done for the occasion. Then the clergyman, an amiable and mild-looking young curate, but obviously afraid of the baby, appeared like the principal character in a ghost-story, ‘a tall figure all in white;’ at sight of whom Paul rent the air with his cries, and never left off again till he was taken out black in the face.
Even when that event had happened, to the great relief of everybody, he was heard under the portico, during the rest of the ceremony, now fainter, now louder, now hushed, now bursting forth again with an irrepressible sense of his wrongs. This so distracted the attention of the two ladies, that Mrs Chick was constantly deploying into the centre aisle, to send out messages by the pew-opener, while Miss Tox kept her Prayer-book open at the Gunpowder Plot, and occasionally read responses from that service.
During the whole of these proceedings, Mr Dombey remained as impassive and gentlemanly as ever, and perhaps assisted in making it so cold, that the young curate smoked at the mouth as he read. The only time