The Three Cities Trilogy: Rome, Volume 1. Emile Zola
had so often dreamt of and had so keenly desired to see. There was a constant succession of arriving and departing vehicles behind him; the slim Englishmen and the heavy Germans passed away after bestowing on the classic view the five minutes prescribed by their guidebooks; whilst the driver and the horse of Pierre's cab remained waiting complacently, each with his head drooping under the bright sun, which was heating the valise on the seat of the vehicle. And Pierre, in his black cassock, seemed to have grown slimmer and elongated, very slight of build, as he stood there motionless, absorbed in the sublime spectacle. He had lost flesh after his journey to Lourdes, his features too had become less pronounced. Since his mother's part in his nature had regained ascendency, the broad, straight forehead, the intellectual air which he owed to his father seemed to have grown less conspicuous, while his kind and somewhat large mouth, and his delicate chin, bespeaking infinite affection, dominated, revealing his soul, which also glowed in the kindly sparkle of his eyes.
Ah! how tender and glowing were the eyes with which he gazed upon the Rome of his book, the new Rome that he had dreamt of! If, first of all, the /ensemble/ had claimed his attention in the soft and somewhat veiled light of that lovely morning, at present he could distinguish details, and let his glance rest upon particular edifices. And it was with childish delight that he identified them, having long studied them in maps and collections of photographs. Beneath his feet, at the bottom of the Janiculum, stretched the Trastevere district with its chaos of old ruddy houses, whose sunburnt tiles hid the course of the Tiber. He was somewhat surprised by the flattish aspect of everything as seen from the terraced summit. It was as though a bird's-eye view levelled the city, the famous hills merely showing like bosses, swellings scarcely perceptible amidst the spreading sea of house-fronts. Yonder, on the right, distinct against the distant blue of the Alban mountains, was certainly the Aventine with its three churches half-hidden by foliage; there, too, was the discrowned Palatine, edged as with black fringe by a line of cypresses. In the rear, the Coelian hill faded away, showing only the trees of the Villa Mattei paling in the golden sunshine. The slender spire and two little domes of Sta. Maria Maggiore alone indicated the summit of the Esquiline, right in front and far away at the other end of the city; whilst on the heights of the neighbouring Viminal, Pierre only perceived a confused mass of whitish blocks, steeped in light and streaked with fine brown lines – recent erections, no doubt, which at that distance suggested an abandoned stone quarry. He long sought the Capitol without being able to discover it; he had to take his bearings, and ended by convincing himself that the square tower, modestly lost among surrounding house-roofs, which he saw in front of Sta. Maria Maggiore was its campanile. Next, on the left, came the Quirinal, recognisable by the long facade of the royal palace, a barrack or hospital-like facade, flat, crudely yellow in hue, and pierced by an infinite number of regularly disposed windows. However, as Pierre was completing the circuit, a sudden vision made him stop short. Without the city, above the trees of the Botanical Garden, the dome of St. Peter's appeared to him. It seemed to be poised upon the greenery, and rose up into the pure blue sky, sky-blue itself and so ethereal that it mingled with the azure of the infinite. The stone lantern which surmounts it, white and dazzling, looked as though it were suspended on high.
Pierre did not weary, and his glances incessantly travelled from one end of the horizon to the other. They lingered on the noble outlines, the proud gracefulness of the town-sprinkled Sabine and Alban mountains, whose girdle limited the expanse. The Roman Campagna spread out in far stretches, bare and majestic, like a desert of death, with the glaucous green of a stagnant sea; and he ended by distinguishing "the stern round tower" of the tomb of Cecilia Metella, behind which a thin pale line indicated the ancient Appian Way. Remnants of aqueducts strewed the short herbage amidst the dust of the fallen worlds. And, bringing his glance nearer in, the city again appeared with its jumble of edifices, on which his eyes lighted at random. Close at hand, by its loggia turned towards the river, he recognised the huge tawny cube of the Palazzo Farnese. The low cupola, farther away and scarcely visible, was probably that of the Pantheon. Then by sudden leaps came the freshly whitened walls of San Paolo-fuori-le-Mura,6 similar to those of some huge barn, and the statues crowning San Giovanni in Laterano, delicate, scarcely as big as insects. Next the swarming of domes, that of the Gesu, that of San Carlo, that of St'. Andrea della Valle, that of San Giovanni dei Fiorentini; then a number of other sites and edifices, all quivering with memories, the castle of St'. Angelo with its glittering statue of the Destroying Angel, the Villa Medici dominating the entire city, the terrace of the Pincio with its marbles showing whitely among its scanty verdure; and the thick-foliaged trees of the Villa Borghese, whose green crests bounded the horizon. Vainly however did Pierre seek the Colosseum.
The north wind, which was blowing very mildly, had now begun to dissipate the morning haze. Whole districts vigorously disentangled themselves, and showed against the vaporous distance like promontories in a sunlit sea. Here and there, in the indistinct swarming of houses, a strip of white wall glittered, a row of window panes flared, or a garden supplied a black splotch, of wondrous intensity of hue. And all the rest, the medley of streets and squares, the endless blocks of buildings, scattered about on either hand, mingled and grew indistinct in the living glory of the sun, whilst long coils of white smoke, which had ascended from the roofs, slowly traversed the pure sky.
Guided by a secret influence, however, Pierre soon ceased to take interest in all but three points of the mighty panorama. That line of slender cypresses which set a black fringe on the height of the Palatine yonder filled him with emotion: beyond it he saw only a void: the palaces of the Caesars had disappeared, had fallen, had been razed by time; and he evoked their memory, he fancied he could see them rise like vague, trembling phantoms of gold amidst the purple of that splendid morning. Then his glances reverted to St. Peter's, and there the dome yet soared aloft, screening the Vatican which he knew was beside the colossus, clinging to its flanks. And that dome, of the same colour as the heavens, appeared so triumphant, so full of strength, so vast, that it seemed to him like a giant king, dominating the whole city and seen from every spot throughout eternity. Then he fixed his eyes on the height in front of him, on the Quirinal, and there the King's palace no longer appeared aught but a flat low barracks bedaubed with yellow paint.
And for him all the secular history of Rome, with its constant convulsions and successive resurrections, found embodiment in that symbolical triangle, in those three summits gazing at one another across the Tiber. Ancient Rome blossoming forth in a piling up of palaces and temples, the monstrous florescence of imperial power and splendour; Papal Rome, victorious in the middle ages, mistress of the world, bringing that colossal church, symbolical of beauty regained, to weigh upon all Christendom; and the Rome of to-day, which he knew nothing of, which he had neglected, and whose royal palace, so bare and so cold, brought him disparaging ideas – the idea of some out-of-place, bureaucratic effort, some sacrilegious attempt at modernity in an exceptional city which should have been left entirely to the dreams of the future. However, he shook off the almost painful feelings which the importunate present brought to him, and would not let his eyes rest on a pale new district, quite a little town, in course of erection, no doubt, which he could distinctly see near St. Peter's on the margin of the river. He had dreamt of his own new Rome, and still dreamt of it, even in front of the Palatine whose edifices had crumbled in the dust of centuries, of the dome of St. Peter's whose huge shadow lulled the Vatican to sleep, of the Palace of the Quirinal repaired and repainted, reigning in homely fashion over the new districts which swarmed on every side, while with its ruddy roofs the olden city, ripped up by improvements, coruscated beneath the bright morning sun.
Again did the title of his book, "NEW ROME," flare before Pierre's eyes, and another reverie carried him off; he lived his book afresh even as he had just lived his life. He had written it amid a flow of enthusiasm, utilising the /data/ which he had accumulated at random; and its division into three parts, past, present, and future, had at once forced itself upon him.
The PAST was the extraordinary story of primitive Christianity, of the slow evolution which had turned this Christianity into present-day Catholicism. He showed that an economical question is invariably hidden beneath each religious evolution, and that, upon the whole, the everlasting evil, the everlasting struggle, has never been aught but one between the rich and the poor. Among the Jews, when their nomadic life was over, and they had conquered the land of Canaan, and ownership and property came into being, a class warfare at once broke out. There were rich, and
St. Paul-beyond-the-walls.