The Three Cities Trilogy: Paris, Complete. Emile Zola
grandeur under that pale sky over which twilight was slowly stealing, and which seemed to broaden the thoroughfares, throw back the edifices, and lend them the quivering, soaring aspect of the palaces of dreamland. No other capital in the world could boast a scene of such aerial pomp, such grandiose magnificence, at that hour of vagueness, when falling night imparts to cities a dreamy semblance, the infinite of human immensity.
Motionless and hesitating in presence of the opening expanse, Pierre distressfully pondered as to whither he should go now that all which he had so passionately sought to achieve since the morning had suddenly crumbled away. Was he still bound for the Duvillard mansion in the Rue Godot-de-Mauroy? He no longer knew. Then the exasperating remembrance, with its cruel irony, returned to him. Since Laveuve was dead, of what use was it for him to kill time and perambulate the pavements pending the arrival of six o’clock? The idea that he had a home, and that the most simple course would be to return to it, did not even occur to him. He felt as if there were something of importance left for him to do, though he could not possibly tell what it might be. It seemed to him to be everywhere and yet very far away, to be so vague and so difficult of accomplishment that he would certainly never be in time or have sufficient power to do it. However, with heavy feet and tumultuous brain he descended the steps and, yielding to some obstinate impulse, began to walk through the flower-market, a late winter market where the first azaleas were opening with a little shiver. Some women were purchasing Nice roses and violets; and Pierre looked at them as if he were interested in all that soft, delicate, perfumed luxury. But suddenly he felt a horror of it and went off, starting along the Boulevards.
He walked straight before him without knowing why or whither. The falling darkness surprised him as if it were an unexpected phenomenon. Raising his eyes to the sky he felt astonished at seeing its azure gently pale between the slender black streaks of the chimney funnels. And the huge golden letters by which names or trades were advertised on every balcony also seemed to him singular in the last gleams of the daylight. Never before had he paid attention to the motley tints seen on the house-fronts, the painted mirrors, the blinds, the coats of arms, the posters of violent hues, the magnificent shops, like drawing-rooms and boudoirs open to the full light. And then, both in the roadway and along the foot-pavements, between the blue, red or yellow columns and kiosks, what mighty traffic there was, what an extraordinary crowd! The vehicles rolled along in a thundering stream: on all sides billows of cabs were parted by the ponderous tacking of huge omnibuses, which suggested lofty, bright-hued battle-ships. And on either hand, and farther and farther, and even among the wheels, the flood of passengers rushed on incessantly, with the conquering haste of ants in a state of revolution. Whence came all those people, and whither were all those vehicles going? How stupefying and torturing it all was.
Pierre was still walking straight ahead, mechanically, carried on by his gloomy reverie. Night was coming, the first gas-burners were being lighted; it was the dusk of Paris, the hour when real darkness has not yet come, when the electric lights flame in the dying day. Lamps shone forth on all sides, the shop-fronts were being illumined. Soon, moreover, right along the Boulevards the vehicles would carry their vivid starry lights, like a milky way on the march betwixt the foot-pavements all glowing with lanterns and cordons and girandoles, a dazzling profusion of radiance akin to sunlight. And the shouts of the drivers and the jostling of the foot passengers re-echoed the parting haste of the Paris which is all business or passion, which is absorbed in the merciless struggle for love and for money. The hard day was over, and now the Paris of Pleasure was lighting up for its night of fete. The cafes, the wine shops, the restaurants, flared and displayed their bright metal bars, and their little white tables behind their clear and lofty windows, whilst near their doors, by way of temptation, were oysters and choice fruits. And the Paris which was thus awaking with the first flashes of the gas was already full of the gaiety of enjoyment, already yielding to an unbridled appetite for whatsoever may be purchased.
However, Pierre had a narrow escape from being knocked down. A flock of newspaper hawkers came out of a side street, and darted through the crowd shouting the titles of the evening journals. A fresh edition of the “Voix du Peuple” gave rise, in particular, to a deafening clamour, which rose above all the rumbling of wheels. At regular intervals hoarse voices raised and repeated the cry: “Ask for the ‘Voix du Peuple’ – the new scandal of the African Railway Lines, the repulse of the ministry, the thirty-two bribe-takers of the Chamber and the Senate!” And these announcements, set in huge type, could be read on the copies of the paper, which the hawkers flourished like banners. Accustomed as it was to such filth, saturated with infamy, the crowd continued on its way without paying much attention. Still a few men paused and bought the paper, while painted women, who had come down to the Boulevards in search of a dinner, trailed their skirts and waited for some chance lover, glancing interrogatively at the outside customers of the cafes. And meantime the dishonouring shout of the newspaper hawkers, that cry in which there was both smirch and buffet, seemed like the last knell of the day, ringing the nation’s funeral at the outset of the night of pleasure which was beginning.
Then Pierre once more remembered his morning and that frightful house in the Rue des Saules, where so much want and suffering were heaped up. He again saw the yard filthy like a quagmire, the evil-smelling staircases, the sordid, bare, icy rooms, the families fighting for messes which even stray dogs would not have eaten; the mothers, with exhausted breasts, carrying screaming children to and fro; the old men who fell in corners like brute beasts, and died of hunger amidst filth. And then came his other hours with the magnificence or the quietude or the gaiety of the salons through which he had passed, the whole insolent display of financial Paris, and political Paris, and society Paris. And at last he came to the dusk, and to that Paris-Sodom and Paris-Gomorrah before him, which was lighting itself up for the night, for the abominations of that accomplice night which, like fine dust, was little by little submerging the expanse of roofs. And the hateful monstrosity of it all howled aloud under the pale sky where the first pure, twinkling stars were gleaming.
A great shudder came upon Pierre as he thought of all that mass of iniquity and suffering, of all that went on below amid want and crime, and all that went on above amid wealth and vice. The bourgeoisie, wielding power, would relinquish naught of the sovereignty which it had conquered, wholly stolen, while the people, the eternal dupe, silent so long, clenched its fists and growled, claiming its legitimate share. And it was that frightful injustice which filled the growing gloom with anger. From what dark-breasted cloud would the thunderbolt fall? For years he had been waiting for that thunderbolt which low rumbles announced on all points of the horizon. And if he had written a book full of candour and hope, if he had gone in all innocence to Rome, it was to avert that thunderbolt and its frightful consequences. But all hope of the kind was dead within him; he felt that the thunderbolt was inevitable, that nothing henceforth could stay the catastrophe. And never before had he felt it to be so near, amidst the happy impudence of some, and the exasperated distress of others. And it was gathering, and it would surely fall over that Paris, all lust and bravado, which, when evening came, thus stirred up its furnace.
Tired out and distracted, Pierre raised his eyes as he reached the Place de l’Opera. Where was he then? The heart of the great city seemed to beat on this spot, in that vast expanse where met so many thoroughfares, as if from every point the blood of distant districts flowed thither along triumphal avenues. Right away to the horizon stretched the great gaps of the Avenue de l’Opera, the Rue du Quatre-Septembre, and the Rue de la Paix, still showing clearly in a final glimpse of daylight, but already starred with swarming sparks. The torrent of the Boulevard traffic poured across the Place, where clashed, too, all that from the neighbouring streets, with a constant turning and eddying which made the spot the most dangerous of whirlpools. In vain did the police seek to impose some little prudence, the stream of pedestrians still overflowed, wheels became entangled and horses reared amidst all the uproar of the human tide, which was as loud, as incessant, as the tempest voice of an ocean. Then there was the detached mass of the opera-house, slowly steeped in gloom, and rising huge and mysterious like a symbol, its lyre-bearing figure of Apollo, right aloft, showing a last reflection of daylight amidst the livid sky. And all the windows of the house-fronts began to shine, gaiety sprang from those thousands of lamps which coruscated one by one, a universal longing for ease and free gratification of each desire spread with the increasing darkness; whilst, at long intervals, the large globes of the electric lights shone as brightly as