The Essence of Christianity. Feuerbach Ludwig
and passions; the eye of man alone keeps theoretic festivals. The eye which looks into the starry heavens, which gazes at that light, alike useless and harmless, having nothing in common with the earth and its necessities – this eye sees in that light its own nature, its own origin. The eye is heavenly in its nature. Hence man elevates himself above the earth only with the eye; hence theory begins with the contemplation of the heavens. The first philosophers were astronomers. It is the heavens that admonish man of his destination, and remind him that he is destined not merely to action, but also to contemplation.
The absolute to man is his own nature. The power of the object over him is therefore the power of his own nature. Thus the power of the object of feeling is the power of feeling itself; the power of the object of the intellect is the power of the intellect itself; the power of the object of the will is the power of the will itself. The man who is affected by musical sounds is governed by feeling; by the feeling, that is, which finds its corresponding element in musical sounds. But it is not melody as such, it is only melody pregnant with meaning and emotion, which has power over feeling. Feeling is only acted on by that which conveys feeling, i. e., by itself, its own nature. Thus also the will; thus, and infinitely more, the intellect. Whatever kind of object, therefore, we are at any time conscious of, we are always at the same time conscious of our own nature; we can affirm nothing without affirming ourselves. And since to will, to feel, to think, are perfections, essences, realities, it is impossible that intellect, feeling, and will should feel or perceive themselves as limited, finite powers, i. e., as worthless, as nothing. For finiteness and nothingness are identical; finiteness is only a euphemism for nothingness. Finiteness is the metaphysical, the theoretical – nothingness the pathological, practical expression. What is finite to the understanding is nothing to the heart. But it is impossible that we should be conscious of will, feeling, and intellect, as finite powers, because every perfect existence, every original power and essence, is the immediate verification and affirmation of itself. It is impossible to love, will, or think, without perceiving these activities to be perfections – impossible to feel that one is a loving, willing, thinking being, without experiencing an infinite joy therein. Consciousness consists in a being becoming objective to itself; hence it is nothing apart, nothing distinct from the being which is conscious of itself. How could it otherwise become conscious of itself? It is therefore impossible to be conscious of a perfection as an imperfection, impossible to feel feeling limited, to think thought limited.
Consciousness is self-verification, self-affirmation, self-love, joy in one’s own perfection. Consciousness is the characteristic mark of a perfect nature; it exists only in a self-sufficing, complete being. Even human vanity attests this truth. A man looks in the glass; he has complacency in his appearance. This complacency is a necessary, involuntary consequence of the completeness, the beauty of his form. A beautiful form is satisfied in itself; it has necessarily joy in itself – in self-contemplation. This complacency becomes vanity only when a man piques himself on his form as being his individual form, not when he admires it as a specimen of human beauty in general. It is fitting that he should admire it thus: he can conceive no form more beautiful, more sublime than the human.6 Assuredly every being loves itself, its existence – and fitly so. To exist is a good. Quidquid essentia dignum est, scientia dignum est. Everything that exists has value, is a being of distinction – at least this is true of the species: hence it asserts, maintains itself. But the highest form of self-assertion, the form which is itself a superiority, a perfection, a bliss, a good, is consciousness.
Every limitation of the reason, or in general of the nature of man, rests on a delusion, an error. It is true that the human being, as an individual, can and must – herein consists his distinction from the brute – feel and recognise himself to be limited; but he can become conscious of his limits, his finiteness, only because the perfection, the infinitude of his species, is perceived by him, whether as an object of feeling, of conscience, or of the thinking consciousness. If he makes his own limitations the limitations of the species, this arises from the mistake that he identifies himself immediately with the species – a mistake which is intimately connected with the individual’s love of ease, sloth, vanity, and egoism. For a limitation which I know to be merely mine humiliates, shames, and perturbs me. Hence to free myself from this feeling of shame, from this state of dissatisfaction, I convert the limits of my individuality into the limits of human nature in general. What is incomprehensible to me is incomprehensible to others; why should I trouble myself further? It is no fault of mine; my understanding is not to blame, but the understanding of the race. But it is a ludicrous and even culpable error to define as finite and limited what constitutes the essence of man, the nature of the species, which is the absolute nature of the individual. Every being is sufficient to itself. No being can deny itself, i. e., its own nature; no being is a limited one to itself. Rather, every being is in and by itself infinite – has its God, its highest conceivable being, in itself. Every limit of a being is cognisable only by another being out of and above him. The life of the ephemera is extraordinarily short in comparison with that of longer-lived creatures; but nevertheless, for the ephemera this short life is as long as a life of years to others. The leaf on which the caterpillar lives is for it a world, an infinite space.
That which makes a being what it is, is its talent, its power, its wealth, its adornment. How can it possibly hold its existence non-existence, its wealth poverty, its talent incapacity? If the plants had eyes, taste, and judgment, each plant would declare its own flower the most beautiful; for its comprehension, its taste, would reach no farther than its natural power of production. What the productive power of its nature has brought forth as the highest, that must also its taste, its judgment, recognise and affirm as the highest. What the nature affirms, the understanding, the taste, the judgment, cannot deny; otherwise the understanding, the judgment, would no longer be the understanding and judgment of this particular being, but of some other. The measure of the nature is also the measure of the understanding. If the nature is limited, so also is the feeling, so also is the understanding. But to a limited being its limited understanding is not felt to be a limitation; on the contrary, it is perfectly happy and contented with this understanding; it regards it, praises and values it, as a glorious, divine power; and the limited understanding, on its part, values the limited nature whose understanding it is. Each is exactly adapted to the other; how should they be at issue with each other? A being’s understanding is its sphere of vision. As far as thou seest, so far extends thy nature; and conversely. The eye of the brute reaches no farther than its needs, and its nature no farther than its needs. And so far as thy nature reaches, so far reaches thy unlimited self-consciousness, so far art thou God. The discrepancy between the understanding and the nature, between the power of conception and the power of production in the human consciousness, on the one hand, is merely of individual significance and has not a universal application; and, on the other hand, it is only apparent. He who, having written a bad poem, knows it to be bad, is in his intelligence, and therefore in his nature, not so limited as he who, having written a bad poem, admires it and thinks it good.
It follows that if thou thinkest the infinite, thou perceivest and affirmest the infinitude of the power of thought; if thou feelest the infinite, thou feelest and affirmest the infinitude of the power of feeling. The object of the intellect is intellect objective to itself; the object of feeling is feeling objective to itself. If thou hast no sensibility, no feeling for music, thou perceivest in the finest music nothing more than in the wind that whistles by thy ear, or than in the brook which rushes past thy feet. What, then, is it which acts on thee when thou art affected by melody? What dost thou perceive in it? What else than the voice of thy own heart? Feeling speaks only to feeling; feeling is comprehensible only by feeling, that is, by itself – for this reason, that the object of feeling is nothing else than feeling. Music is a monologue of emotion. But the dialogue of philosophy also is in truth only a monologue of the intellect; thought speaks only to thought. The splendours of the crystal charm the sense, but the intellect is interested only in the laws of crystallisation. The intellectual only is the object of the intellect.7
All therefore which, in the point of view of metaphysical, transcendental speculation and religion, has the significance only of the secondary, the subjective, the medium, the organ – has in truth the significance of the primary, of the essence, of the object itself. If, for example, feeling is the essential
Homini homine nihil pulchrius. (Cic. de Nat. D. l. i.) And this is no sign of limitation, for he regards other beings as beautiful besides himself; he delights in the beautiful forms of animals, in the beautiful forms of plants, in the beauty of nature in general. But only the absolute, the perfect form, can delight without envy in the forms of other beings.
“The understanding is percipient only of understanding, and what proceeds thence.” – Reimarus (Wahrh. der Natürl. Religion, iv. Abth. § 8).