"Unto Caesar". Emma Orczy


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a far higher sum than the girl could possibly fetch in the open market. He had fixed her price as fifty aurei, and Menecreta had saved just one half that amount when fate and the vengeance of the populace overtook the extortioner. All his slaves—save the most valuable—were thrown on the market, and the patient, hard-working mother saw the fulfilment of her hopes well within sight.

      It was but a question of gaining Hun Rhavas' ear and of tempting his greed. The girl, publicly offered under unfavourable conditions, and unbacked by the auctioneer's laudatory harangues, could easily be knocked down for twenty aurei or even less.

      But Menecreta's heart was torn with anxiety the while she watched the progress of the sale. Every one of these indifferent spectators might become an enemy through taking a passing fancy to her child. These young patricians, these stern matrons, they had neither remorse nor pity where the gratification of a whim was at stake.

      And was not the timid, fair-haired girl more beautiful in the mother's eyes than any other woman put up on the platform for the purpose of rousing a momentary caprice.

      She gazed with jealous eyes on the young idlers and the high-born ladies, the possible foes who yet might part her from the child. And there was the praefect too, all-powerful in the matter.

      If he saw through the machinations of Hun Rhavas nothing would save the girl from being put up like all the others as the law directed, with the proper tablet attached to her neck, describing her many charms. Taurus Antinor was not cruel but he was pitiless. The slaves of his household knew that, as did the criminals brought to his tribunal. He never inflicted unnecessary punishment but when it was deserved he was relentless in its execution.

      What hope could a poor mother have against the weight of his authority.

      Fortunately the morning was rapidly wearing on. The hour for the midday rest was close at hand. Menecreta could watch, with a glad thrill in her heart, one likely purchaser after another being borne in gorgeously draped litter away from this scene of a mother's cruel anxiety. Already the ladies had withdrawn. Now there was only a group of men left around the rostrum; Hortensius Martius still lounging aimlessly, young Escanes who had not yet found the paragon amongst cooks, and a few others who eyed the final proceedings with the fashionable expression of boredom.

      "I wonder we have not seen Dea Flavia this day," remarked Escanes to the praefect. "Dost think she'll come, Taurus Antinor?"

      "Nay, I know not," he replied; "truly she cannot be in need of slaves. She has more than she can know what to do with."

      "Oh!" rejoined the other, "of a truth she has slaves enough. But 'tis this new craze of hers! She seems to be in need of innumerable models for the works of art she hath on hand."

      "Nay, 'tis no new craze," interposed Hortensius Martius, whose fresh young face had flushed very suddenly as if in anger. "Dea Flavia, as thou knowest full well, Escanes, hath fashioned exquisite figures both in marble and in clay even whilst thou didst waste thy boyhood in drunken revelries. She–"

      "A truce on thine ill-temper," broke in Escanes with a good-humoured laugh. "I had no thought of disparagement for Dea Flavia's genius. The gods forbid!" he added with mock fervour.

      "Then dost deserve that I force thee down to thy knees," retorted Hortensius, not yet mollified, "to make public acknowledgment of Dea Flavia's beauty, her talents and her virtues, and public confession of thine own unworthiness in allowing her hallowed name to pass thy wine-sodden lips."

      Escanes uttered a cry of rage; in a moment these two—friends and boon companions—appeared as bitter enemies. Hortensius Martius, the perfumed exquisite, was now like an angry cockbird on the defence, whilst Escanes, taller and stronger than he, was clenching his fists, trying to keep up that outward semblance of patrician decorum which the dignity of his caste demanded in the presence of the plebs.

      Who knows how long this same semblance would have been kept up on this occasion? for Hortensius Martius, obviously a slave to Dea Flavia's beauty, was ready to do battle for the glorification of his idol, whilst Escanes, smarting under the clumsy insult, had much ado to keep his rage within bounds.

      "If you cut one another's throats now," interposed the praefect curtly, "'twill be in the presence of Dea Flavia herself."

      Even whilst he spoke a litter gorgeously carved and gilded, draped in rose pink and gold, was seen slowly winding its way from the rear of the basilica and along the Vicus Tuscus, towards the Forum. In a moment all eyes were turned in its direction; the two young men either forgot their quarrel or were ashamed to prolong it in the presence of its cause.

      Now the litter turned into the open. It was borne by eight gigantic Ethiopians whose mighty shoulders were bare to the sun, and all round and behind it a crowd of slaves, of clients, of sycophants followed in its trail, men running beside the litter, women shouting, children waving sprays of flowers and fans of feathers and palm leaves, whilst the air was filled with cries from innumerable throats:

      "Augusta! Augusta! Room for Dea Flavia Augusta."

      The retinue of Dea Flavia of the imperial house of the Cæsars was the most numerous in Rome.

      At word of command no doubt the bearers put the litter down quite close to the rostrum even whilst four young girls stepped forward and drew the silken curtains aside.

      Dea Flavia was resting against the cushions; her tiny feet in shoes of gilded leather were stretched out on a coverlet of purple silk richly wrought with gold and silver threads. Her elbow was buried in the fleecy down of the cushions; her head rested against her hand.

      Dea Flavia, imperial daughter of Rome, what tongue of poet could describe thy beauty? what hand of artist paint its elusiveness?

      Have not the writers of the time told us all there was to tell? and exhausted language in their panegyrics: the fair hair like rippling gold, the eyes now blue, now green, always grey and mysterious, the delicate hands, the voluptuous throat, those tiny ears ever filled with flattery?

      But methinks that the carping critic was right when he deemed that the beauty of her face was marred by the scornful glance of the eyes and the ever rigid lines of the mouth. There was those who had dared aver that Dea Flavia's snow-white neck had been more beautiful if it had known how to bend, and that the glory of her eyes would be enhanced a thousandfold when once they learned how to weep.

      This, however, was only the opinion of very few, of those in fact who never had received the slightest favour from Dea Flavia; those on whom she smiled—with that proud, cold smile of hers—fell an over-ready victim to her charm. And she had smiled more than once on Hortensius Martius, and he, poor fool! had quickly lost his head.

      Now that she was present he soon forgot his quarrel; neither Escanes nor the rest of the world existed since Dea Flavia was nigh. He pushed his way through her crowd of courtiers and was the first to reach her litter even as she put her dainty feet to the ground.

      Escanes too and Caius Nepos, and Philippus Decius and the other young men there, forgot the excitement of the aborted quarrel and pressed forward to pay their respects to Dea Flavia.

      The aspect of her court was changed in a moment. Her lictors chased the importunate crowd away, making room for the masters of Rome who desired speech with their mistress. The rough and sombre garments of the slaves showed in the background now, and all round the litter tunics and mantles of fleecy wool gorgeously embroidered in crimson and gold, or stripes of purple, crowded in eager medley.

      All at once too the immediate neighbourhood of the rostrum was deserted, the human chattels forgotten in the anxious desire to catch sight of the great lady whom the Cæsar himself had styled Augusta—thus exalting her above all women in Rome. Her boundless wealth and lavish expenditure, as well as her beauty and acknowledged virtue, had been the talk of the city ever since the death of her father, Octavius Claudius of the House of Augusta Cæsar, had placed her under the immediate tutelage of the Cæsar and left her—young and beautiful as she was—in possession of one of the largest fortunes in the Empire. No wonder then that whenever her rose-draped litter was perceived in the streets of Rome a crowd of idlers and of sycophants pressed around it, curious to see the queen of society and anxious to catch her ear.

      This same instant of momentary excitement


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