The Tatler, Volume 3. Джозеф Аддисон
to this volume.
74
Edward Russell, Earl of Oxford. See No. .
75
Thomas, Earl of Wharton, the Lord-Lieutenant of Ireland.
76
See Nos. , 51. Estcourt was apprenticed to an apothecary, and is said to have tried that business before going on the stage.
77
Eclog. iv. 29.
78
See No. 138.
79
A fashionable eating-house in Abchurch Lane, kept by one Pontack, who was son of the President of Bordeaux, then owner, as Evelyn tells us, of the excellent vineyards of Pontaq and Haut Brion.
80
Paths.
81
The Trumpet stood about half-way up Shire Lane, between Temple Bar and Carey Street, at the widest and best part of the lane, and remained almost entirely in its original state until demolished to make way for the new Law Courts. It had the old sign of the Trumpet to the last, as it is figured in Limbard's "Mirror," in a picture where it is placed side by side with a view of the house in Fulwood's Rents where papers for the
82
July 2, 1644.
83
In July 1647 the London apprentices presented a petition, and forced their way into the House of Commons.
84
This retort, in almost identical words, occurs in Swift's "Genteel Conversation" (1739), and in Defoe's "Life of Duncan Campbell" (1720).
85
Jack Ogle, said to have been descended from a decent family in Devonshire, was a man of some genius and great extravagance, but rather artful than witty. Ogle had an only sister, more beautiful, it is said, than was necessary to arrive, as she did, at the honour of being a mistress to the Duke of York. This sister Ogle laid under very frequent contributions to supply his wants and support his extravagance. It is said that, by the interest of her royal keeper, Ogle was placed, as a private gentleman, in the first troop of foot guards, at that time under the command of the Duke of Monmouth. To this era of Ogle's life the story of the red petticoat refers. He had pawned his trooper's cloak, and to save appearances at a review, had borrowed his landlady's red petticoat, which he carried rolled up
86
87
Cf. No. 130, Advertisements. The dangers of the streets at the beginning of the eighteenth century are described in Gay's "Trivia," iii. 335
88
"Iliad," i. 249.
89
Milton says of Belial ("Paradise Lost," ii. 112):
90
"Iliad," iii. 3.
91
"Odyssey," xi. 563.
92
"Æneid," vi. 46.
93
Sichæus.
94
Jaffier. See Otway's "Venice Preserved," act v. sc. 3.
95
In the preface to his "Institutes of the Laws of England; or, a Commentary upon Littleton," Coke says, "Certain it is, that there is never a period, nor (for the most part) a word, nor an &c., but affordeth excellent matter of learning."
96
See No. 112.
97
See the date of this number.
98
Sticks used in the game of tip-cat and trap-ball.
99
Cf. the
100
Disingenuousness.
101
See Nos. , .
102
"Cock-fighting is diverting enough, the anger and eagerness of these little creatures, and the triumphant crowing of a cock when he strutts haughtily on the body of his enemy, has something in't singular and pleasant. What renders these shows less agreeable is the great number of wagerers, who appear as angry as the cocks themselves, and make such a noise that one would believe every minute they were going to fight; but combats among the men are another kind of diversion, where the spectators are more peaceable" ("Letters describing the Character and Customs of the English and French Nations; by Mr. Muralt, a Gentleman of Switzerland. 2nd ed.; translated from the French." London, 1726, p. 41). In Hogarth's picture of a cock-fight a Frenchman is depicted turning away in disgust (see Lecky's "History of England in the Eighteenth Century," 1878, i. 552). "There will be a cock-match fought at Leeds in Yorkshire, the 19th of March next; and another at Wakefield the 23rd of April next. At each meeting 40 Cocks on each side will be shewn. These are fought betwixt the people of the West and North Riding of Yorkshire; And every Battel 5
103
Addison, also referring to Rapin, writes to the same effect in the
104
Samuel Sandford seems to have left the stage about 1700. He had a low and crooked person, and Cibber describes him as "an excellent actor in disagreeable parts." Charles II. called him the best villain in the world. There is a story of a new play being damned because Sandford played the part of an honest statesman, and the pit was therefore disappointed at not seeing the usual Iago-like or Machiavelian character.
105
In speaking of Collins' "Discourse of Free-Thinking" (1713) in the
106
See the motto at the head of this paper.
107
"Tusc. Disp." i. 17. Cicero calls those who differ from Plato and Socrates "plebii omnes philosophi" (