Sir Gibbie. George MacDonald
to the daisies four hundred years before Burns.—God only knows what gospellers they have been on his middle-earth. All its days his daisies have been coming and going, and they are not old yet, nor have worn out yet their lovely garments, though they patch and darn just as little as they toil and spin.
"Can ye read, cratur?" asked Donal.
Gibbie shook his head.
"Canna ye speyk, man?"
Again Gibbie shook his head.
"Can ye hear?"
Gibbie burst out laughing. He knew that he heard better than other people.
"Hearken till this than," said Donal.
He took his book from the grass, and read, in a chant, or rather in a lilt, the Danish ballad of Chyld Dyring, as translated by Sir Walter Scott. Gibbie's eyes grew wider and wider as he listened; their pupils dilated, and his lips parted: it seemed as if his soul were looking out of door and windows at once—but a puzzled soul that understood nothing of what it saw. Yet plainly, either the sounds, or the thought-matter vaguely operative beyond the line where intelligence begins, or, it may be, the sparkle of individual word or phrase islanded in a chaos of rhythmic motion, wrought somehow upon him, for his attention was fixed as by a spell. When Donal ceased, he remained open-mouthed and motionless for a time; then, drawing himself slidingly over the grass to Donal's feet, he raised his head and peeped above his knees at the book. A moment only he gazed, and drew back with a hungry sigh: he had seen nothing in the book like what Donal had been drawing from it—as if one should look into the well of which he had just drunk, and see there nothing but dry pebbles and sand! The wind blew gentle, the sun shone bright, all nature closed softly round the two, and the soul whose children they were was nearer than the one to the other, nearer than sun or wind or daisy or Chyld Dyring. To his amazement, Donal saw the tears gathering in Gibbie's eyes. He was as one who gazes into the abyss of God's will—sees only the abyss, cannot see the will, and weeps. The child in whom neither cold nor hunger nor nakedness nor loneliness could move a throb of self-pity, was moved to tears that a loveliness, to him strange and unintelligible, had passed away, and he had no power to call it back.
"Wad ye like to hear't again?" asked Donal, more than half understanding him instinctively.
Gibbie's face answered with a flash, and Donal read the poem again, and Gibbie's delight returned greater than before, for now something like a dawn began to appear among the cloudy words. Donal read it a third time, and closed the book, for it was almost the hour for driving the cattle home. He had never yet seen, and perhaps never again did see, such a look of thankful devotion on human countenance as met his lifted eyes.
How much Gibbie even then understood of the lovely eerie old ballad, it is impossible for me to say. Had he a glimmer of the return of the buried mother? Did he think of his own? I doubt if he had ever thought that he had a mother; but he may have associated the tale with his father, and the boots he was always making for him. Certainly it was the beginning of much. But the waking up of a human soul to know itself in the mirror of its thoughts and feelings, its loves and delights, oppresses me with so heavy a sense of marvel and inexplicable mystery, that when I imagine myself such as Gibbie then was, I cannot imagine myself coming awake. I can hardly believe that, from being such as Gibbie was the hour before he heard the ballad, I should ever have come awake. Yet here I am, capable of pleasure unspeakable from that and many another ballad, old and new! somehow, at one time or another, or at many times in one, I have at last come awake! When, by slow filmy unveilings, life grew clearer to Gibbie, and he not only knew, but knew that he knew, his thoughts always went back to that day in the meadow with Donal Grant as the beginning of his knowledge of beautiful things in the world of man. Then first he saw nature reflected, Narcissus-like, in the mirror of her humanity, her highest self. But when or how the change in him began, the turn of the balance, the first push towards life of the evermore invisible germ—of that he remained, much as he wondered, often as he searched his consciousness, as ignorant to the last as I am now. Sometimes he was inclined to think the glory of the new experience must have struck him dazed, and that was why he could not recall what went on in him at the time.
Donal rose and went driving the cattle home, and Gibbie lay where he had again thrown himself upon the grass. When he lifted his head, Donal and the cows had vanished.
Donal had looked all round as he left the meadow, and seeing the boy nowhere, had concluded he had gone to his people. The impression he had made upon him faded a little during the evening. For when he reached home, and had watered them, he had to tie up the animals, each in its stall, and make it comfortable for the night; next, eat his own supper; then learn a proposition of Euclid, and go to bed.
CHAPTER XV.
DONAL GRANT
Hungering minds come of peasant people as often as of any, and have appeared in Scotland as often, I fancy, as in any nation; not every Scotsman, therefore, who may not himself have known one like Donal, will refuse to believe in such a herd-laddie. Besides, there are still those in Scotland, as well as in other nations, to whom the simple and noble, not the commonplace and selfish, is the true type of humanity. Of such as Donal, whether English or Scotch, is the class coming up to preserve the honour and truth of our Britain, to be the oil of the lamp of her life, when those who place her glory in knowledge, or in riches, shall have passed from her history as the smoke from her chimneys.
Cheap as education then was in Scotland, the parents of Donal Grant had never dreamed of sending a son to college. It was difficult for them to save even the few quarterly shillings that paid the fees of the parish schoolmaster: for Donal, indeed, they would have failed even in this, but for the help his brothers and sisters afforded. After he left school, however, and got a place as herd, he fared better than any of the rest, for at the Mains he found a friend and helper in Fergus Duff, his master's second son, who was then at home from college, which he had now attended two winters. Partly that he was delicate in health, partly that he was something of a fine gentleman, he took no share with his father and elder brother in the work of the farm, although he was at the Mains from the beginning of April to the end of October. He was a human kind of soul notwithstanding, and would have been much more of a man if he had thought less of being a gentleman. He had taken a liking to Donal, and having found in him a strong desire after every kind of knowledge of which he himself had any share, had sought to enliven the tedium of an existence rendered not a little flabby from want of sufficient work, by imparting to him of the treasures he had gathered. They were not great, and he could never have carried him far, for he was himself only a respectable student, not a little lacking in perseverance, and given to dreaming dreams of which he was himself the hero. Happily, however, Donal was of another sort, and from the first needed but to have the outermost shell of a thing broken for him, and that Fergus could do: by and by Donal would break a shell for himself.
But perhaps the best thing Fergus did for him was the lending him books. Donal had an altogether unappeasable hunger after every form of literature with which he had as yet made acquaintance, and this hunger Fergus fed with the books of the house, and many besides of such as he purchased or borrowed for his own reading—these last chiefly poetry. But Fergus Duff, while he revelled in the writings of certain of the poets of the age, was incapable of finding poetry for himself in the things around him: Donal Grant, on the other hand, while he seized on the poems Fergus lent him, with an avidity even greater than his, received from the nature around him influences similar to those which exhaled from the words of the poet. In some sense, then, Donal was original; that is, he received at first hand what Fergus required to have "put on" him, to quote Celia, in As you like it, "as pigeons feed their young." Therefore, fiercely as it would have harrowed the pride of Fergus to be informed of the fact, he was in the kingdom of art only as one who ate of what fell from the table, while his father's herd-boy was one of the family. This was as far from Donal's thought, however, as from that of Fergus; the condescension, therefore, of the latter did not impair the gratitude for which the former had such large reason; and Donal looked up to Fergus as to one of the lords of the world.
To find himself now in the reversed relation of superior and teacher to the little outcast, whose whole worldly having might be summed in the statement that he was not absolutely naked, woke in Donal an altogether new and strange feeling; yet gratitude to his master had but turned itself round,