A Small Boy and Others. Генри Джеймс
York and under that convenient roof, was proudly and pressingly "taken upstairs" to admire and give his blessing to the lately-born babe who was to become the second American William James. The blessing was to be renewed, I may mention, in the sense that among the impressions of the next early years I easily distinguish that of the great and urbane Emerson's occasional presence in Fourteenth Street, a centre of many images, where the parental tent was before long to pitch itself and rest awhile. I am interested for the moment, however, in identifying the scene of our very first perceptions—of my very own at least, which I can here best speak for.
One of these, and probably the promptest in order, was that of my brother's occupying a place in the world to which I couldn't at all aspire—to any approach to which in truth I seem to myself ever conscious of having signally forfeited a title. It glimmers back to me that I quite definitely and resignedly thought of him as in the most exemplary manner already beforehand with me, already seated at his task when the attempt to drag me crying and kicking to the first hour of my education failed on the threshold of the Dutch House in Albany after the fashion I have glanced at in a collection of other pages than these (just as I remember to have once borrowed a hint from our grandmother's "interior" in a work of imagination). That failure of my powers or that indifference to them, my retreat shrieking from the Dutch House, was to leave him once for all already there an embodied demonstration of the possible—already wherever it might be that there was a question of my arriving, when arriving at all, belatedly and ruefully; as if he had gained such an advance of me in his sixteen months' experience of the world before mine began that I never for all the time of childhood and youth in the least caught up with him or overtook him. He was always round the corner and out of sight, coming back into view but at his hours of extremest ease. We were never in the same schoolroom, in the same game, scarce even in step together or in the same phase at the same time; when our phases overlapped, that is, it was only for a moment—he was clean out before I had got well in. How far he had really at any moment dashed forward it is not for me now to attempt to say; what comes to me is that I at least hung inveterately and woefully back, and that this relation alike to our interests and to each other seemed proper and preappointed. I lose myself in wonder at the loose ways, the strange process of waste, through which nature and fortune may deal on occasion with those whose faculty for application is all and only in their imagination and their sensibility. There may be during those bewildered and brooding years so little for them to "show" that I liken the individual dunce—as he so often must appear—to some commercial traveller who has lost the key to his packed case of samples and can but pass for a fool while other exhibitions go forward.
I achieve withal a dim remembrance of my final submission, though it is the faintest ghost of an impression and consists but of the bright blur of a dame's schoolroom, a mere medium for small piping shuffling sound and suffered heat, as well as for the wistfulness produced by "glimmering squares" that were fitfully screened, though not to any revival of cheer, by a huge swaying, yet dominant object. This dominant object, the shepherdess of the flock, was Miss Bayou or Bayhoo—I recover but the alien sound of her name, which memory caresses only because she may have been of like race with her temple of learning, which faced my grandmother's house in North Pearl Street and really justified its exotic claim by its yellow archaic gable-end: I think of the same as of brick baked in the land of dykes and making a series of small steps from the base of the gable to the point. These images are subject, I confess, to a soft confusion—which is somehow consecrated, none the less, and out of which, with its shade of contributory truth, some sort of scene insists on glancing. The very flush of the uneven bricks of the pavement lives in it, the very smell of the street cobbles, the imputed grace of the arching umbrage—I see it all as from under trees; the form of Steuben Street, which crossed our view, as steep even to the very essence of adventure, with a summit, and still more with a nethermost and riskiest incline, very far away. There lives in it the aspect of the other house—the other and much smaller than my grandmother's, conveniently near it and within sight; which was pinkish-red picked out with white, whereas my grandmother's was greyish-brown and very grave, and which must have stood back a little from the street, as I seem even now to swing, or at least to perch, on a relaxed gate of approach that was conceived to work by an iron chain weighted with a big ball; all under a spreading tree again and with the high, oh so high white stone steps (mustn't they have been marble?) and fan-lighted door of the pinkish-red front behind me. I lose myself in ravishment before the marble and the pink. There were other houses too—one of them the occasion of the first "paid" visit that struggles with my twilight of social consciousness; a call with my father, conveying me presumably for fond exhibition (since if my powers were not exhibitional my appearance and my long fair curls, of which I distinctly remember the lachrymose sacrifice, suppositiously were), on one of our aunts, the youngest of his three sisters, lately married and who, predestined to an early death, hovers there for me, softly spectral, in long light "front" ringlets, the fashion of the time and the capital sign of all our paternal aunts seemingly; with the remembered enhancement of her living in Elk Street, the name itself vaguely portentous, as through beasts of the forest not yet wholly exorcised, and more or less under the high brow of that Capitol which, as aloft somewhere and beneath the thickest shades of all, loomed, familiar yet impressive, at the end of almost any Albany vista of reference. I have seen other capitols since, but the whole majesty of the matter must have been then distilled into my mind—even though the connection was indirect and the concrete image, that of the primitive structure, long since pretentiously and insecurely superseded—so that, later on, the impression was to find itself, as the phrase is, discounted. Had it not moreover been reinforced at the time, for that particular Capitoline hour, by the fact that our uncle, our aunt's husband, was a son of Mr. Martin Van Buren, and that he was the President? This at least led the imagination on—or leads in any case my present imagination of that one; ministering to what I have called the soft confusion.
The confusion clears, however, though the softness remains, when, ceasing to press too far backward, I meet the ampler light of conscious and educated little returns to the place; for the education of New York, enjoyed up to my twelfth year, failed to blight its romantic appeal. The images I really distinguish flush through the maturer medium, but with the sense of them only the more wondrous. The other house, the house of my parents' limited early sojourn, becomes that of those of our cousins, numerous at that time, who pre-eminently figured for us; the various brood presided over by my father's second sister, Catherine James, who had married at a very early age Captain Robert Temple, U.S.A. Both these parents were to die young, and their children, six in number, the two eldest boys, were very markedly to people our preliminary scene; this being true in particular of three of them, the sharply differing brothers and the second sister, Mary Temple, radiant and rare, extinguished in her first youth, but after having made an impression on many persons, and on ourselves not least, which was to become in the harmonious circle, for all time, matter of sacred legend and reference, of associated piety. Those and others with them were the numerous dawnings on which in many cases the deepening and final darknesses were so soon to follow: our father's family was to offer such a chronicle of early deaths, arrested careers, broken promises, orphaned children. It sounds cold-blooded, but part of the charm of our grandmother's house for us—or I should perhaps but speak for myself—was in its being so much and so sociably a nurseried and playroomed orphanage. The children of her lost daughters and daughters-in-law overflowed there, mainly as girls; on whom the surviving sons-in-law and sons occasionally and most trustingly looked in. Parentally bereft cousins were somehow more thrilling than parentally provided ones; and most thrilling when, in the odd fashion of that time, they were sent to school in New York as a preliminary to their being sent to school in Europe. They spent scraps of holidays with us in Fourteenth Street, and I think my first childish conception of the enviable lot, formed amid these associations, was to be so little fathered or mothered, so little sunk in the short range, that the romance of life seemed to lie in some constant improvisation, by vague overhovering authorities, of new situations and horizons. We were intensely domesticated, yet for the very reason perhaps that we felt our young bonds easy; and they were so easy compared to other small plights of which we had stray glimpses that my first assured conception of true richness was that we should be sent separately off among cold or even cruel aliens in order to be there thrillingly homesick. Homesickness was a luxury I remember craving from the tenderest age—a luxury of which I was unnaturally, or at least prosaically, deprived. Our motherless cousin Augustus Barker