Autobiographic Sketches. Томас Де Квинси
to keep up the vertigo at full stretch, without which, to a certainty, gravitation would prove too much for him, needed to be whipped incessantly. But that was precisely what a gentleman ought not to tolerate: to be scourged unintermittingly on the legs by any grub of a gardener, unless it were father Adam himself, was a thing that he could not bring his mind to face. However, as some compensation, he proposed to improve the art of flying, which was, as every body must acknowledge, in a condition disgraceful to civilized society. As he had made many a fire balloon, and had succeeded in some attempts at bringing down cats by parachutes, it was not very difficult to fly downwards from moderate elevations. But, as he was reproached by my sister for never flying back again,—which, however, was a far different thing, and not even attempted by the philosopher in "Rasselas,"—(for
"Revocare gradum, et superas evadere ad auras
Hic labor, hoc opus est,")
he refused, under such poor encouragement, to try his winged parachutes any more, either "aloft or alow," till he had thoroughly studied Bishop Wilkins 26 on the art of translating right reverend gentlemen to the moon; and, in the mean time, he resumed his general lectures on physics. From these, however, he was speedily driven, or one might say shelled out, by a concerted assault of my sister Mary's. He had been in the habit of lowering the pitch of his lectures with ostentatious condescension to the presumed level of our poor understandings. This superciliousness annoyed my sister; and accordingly, with the help of two young female visitors, and my next younger brother,—in subsequent times a little middy on board many a ship of H. M., and the most predestined rebel upon earth against all assumptions, small or great, of superiority,—she arranged a mutiny, that had the unexpected effect of suddenly extinguishing the lectures forever. He had happened to say, what was no unusual thing with him, that he flattered himself he had made the point under discussion tolerably clear; "clear," he added, bowing round the half circle of us, the audience, "to the meanest of capacities;" and then he repeated, sonorously, "clear to the most excruciatingly mean of capacities." Upon which, a voice, a female voice,—but whose voice, in the tumult that followed, I did not distinguish,—retorted, "No, you haven't; it's as dark as sin; "and then, without a moment's interval, a second voice exclaimed, "Dark as night;" then came my young brother's insurrectionary yell, "Dark as midnight;" then another female voice chimed in melodiously, "Dark as pitch;" and so the peal continued to come round like a catch, the whole being so well concerted, and the rolling fire so well sustained, that it was impossible to make head against it; whilst the abruptness of the interruption gave to it the protecting character of an oral "round robin," it being impossible to challenge any one in particular as the ringleader. Burke's phrase of "the swinish multitude," applied to mobs, was then in every body's mouth; and, accordingly, after my brother had recovered from his first astonishment at this audacious mutiny, he made us several sweeping bows that looked very much like tentative rehearsals of a sweeping fusillade, and then addressed us in a very brief speech, of which we could distinguish the words pearls and swinish multitude, but uttered in a very low key, perhaps out of some lurking consideration for the two young strangers. We all laughed in chorus at this parting salute; my brother himself condescended at last to join us; but there ended the course of lectures on natural philosophy.
As it was impossible, however, that he should remain quiet, he announced to us, that for the rest of his life he meant to dedicate himself to the intense cultivation of the tragic drama. He got to work instantly; and very soon he had composed the first act of his "Sultan Selim;" but, in defiance of the metre, he soon changed the title to "Sultan Amurath," considering that a much fiercer name, more bewhiskered and beturbaned. It was no part of his intention that we should sit lolling on chairs like ladies and gentleman that had paid opera prices for private boxes. He expected every one of us, he said, to pull an oar. We were to act the tragedy. But, in fact, we had many oars to pull. There were so many characters, that each of us took four at the least, and the future middy had six. He, this wicked little middy, 27 caused the greatest affliction to Sultan Amurath, forcing him to order the amputation of his head six several times (that is, once in every one of his six parts) during the first act. In reality, the sultan, though otherwise a decent man, was too bloody. What by the bowstring, and what by the cimeter, he had so thinned the population with which he commenced business, that scarcely any of the characters remained alive at the end of act the first. Sultan Amurath found himself in an awkward situation. Large arrears of work remained, and hardly any body to do it but the sultan himself. In composing act the second, the author had to proceed like Deucalion and Pyrrha, and to create an entirely new generation. Apparently this young generation, that ought to have been so good, took no warning by what had happened to their ancestors in act the first: one must conclude that they were quite as wicked, since the poor sultan had found himself reduced to order them all for execution in the course of this act the second. To the brazen age had succeeded an iron age; and the prospects were becoming sadder and sadder as the tragedy advanced. But here the author began to hesitate. He felt it hard to resist the instinct of carnage. And was it right to do so? Which of the felons whom he had cut of prematurely could pretend that a court of appeal would have reversed his sentence? But the consequences were distressing. A new set of characters in every act brought with it the necessity of a new plot; for people could not succeed to the arrears of old actions, or inherit ancient motives, like a landed estate. Five crops, in fact, must be taken off the ground in each separate tragedy, amounting, in short, to five tragedies involved in one.
Such, according to the rapid sketch which at this moment my memory furnishes, was the brother who now first laid open to me the gates of war. The occasion was this. He had resented, with a shower of stones, an affront offered to us by an individual boy, belonging to a cotton factory: for more than two years afterwards this became the teterrima causa of a skirmish or a battle as often as we passed the factory; and, unfortunately, that was twice a day on every day except Sunday. Our situation in respect to the enemy was as follows: Greenhay, a country house newly built by my father, at that time was a clear mile from the outskirts of Manchester; but in after years Manchester, throwing out the tentacula of its vast expansions, absolutely enveloped Greenhay; and, for any thing I know, the grounds and gardens which then insulated the house may have long disappeared. Being a modest mansion, which (including hot walls, offices, and gardener's house) had cost only six thousand pounds, I do not know how it should have risen to the distinction of giving name to a region of that great town; however, it has done so; 28 and at this time, therefore, after changes so great, it will be difficult for the habitué of that region to understand how my brother and myself could have a solitary road to traverse between Greenhay and Princess Street, then the termination, on that side, of Manchester. But so it was. Oxford Street, like its namesake in London, was then called the Oxford Road; and during the currency of our acquaintance with it, arose the first three houses in its neighborhood; of which the third was built for the Rev. S. H., one of our guardians, for whom his friends had also built the Church of St. Peter's—not a bowshot from the house. At present, however, he resided in Salford, nearly two miles from Greenhay; and to him we went over daily, for the benefit of his classical instructions. One sole cotton factory had then risen along the line of Oxford Street; and this was close to a bridge, which also was a new creation; for previously all passengers to Manchester went round by Garrat. This factory became to us the officina gentium, from which swarmed forth those Goths and Vandals that continually threatened our steps; and this bridge became the eternal arena of combat, we taking good care to be on the right side of the bridge for retreat, i.e., on the town side, or the country side, accordingly as we were going out in the morning, or returning in the afternoon. Stones were the implements of warfare; and by continual practice both parties became expert in throwing them.
The origin of the feud it is scarcely requisite to rehearse, since the particular accident which began it was not the true efficient cause of our long warfare, but simply the casual occasion. The cause lay in our aristocratic dress. As children of an opulent family, where all provisions were liberal, and all appointments elegant, we were uniformly well dressed; and, in particular, we wore troussers, (at that time unheard of, except among sailors,) and we also wore Hessian boots—a crime that could not be forgiven in the Lancashire of that day, because
Charles II., notoriously wrote a book on the possibility of a voyage to the moon, which, in a bishop, would be called a translation to the moon, and perhaps it was
"
"Green_heys_," with slight variation in the spelling, is the name given to that district of which Greenhay formed the original nucleus. Probably it was the solitary situation of the house which (failing any other grounds of denomination) raised it to this privilege.