Autobiographic Sketches. Томас Де Квинси
which, in this world, I was to drink no more.
Now began to unfold themselves the consolations of solitude, those consolations which only I was destined to taste; now, therefore, began to open upon me those fascinations of solitude, which, when acting as a co-agency with unresisted grief, end in the paradoxical result of making out of grief itself a luxury; such a luxury as finally becomes a snare, overhanging life itself, and the energies of life, with growing menaces. All deep feelings of a chronic class agree in this, that they seek for solitude, and are fed by solitude. Deep grief, deep love, how naturally do these ally themselves with religious feeling! and all three—love, grief, religion—are haunters of solitary places. Love, grief, and the mystery of devotion,—what were these without solitude? All day long, when it was not impossible for me to do so, I sought the most silent and sequestered nooks in the grounds about the house or in the neighboring fields. The awful stillness oftentimes of summer noons, when no winds were abroad, the appealing silence of gray or misty afternoons,—these were fascinations as of witchcraft. Into the woods, into the desert air, I gazed, as if some comfort lay hid in them. I wearied the heavens with my inquest of beseeching looks. Obstinately I tormented the blue depths with my scrutiny, sweeping them forever with my eyes, and searching them for one angelic face that might, perhaps, have permission to reveal itself for a moment.
At this time, and under this impulse of rapacious grief, that grasped at what it could not obtain, the faculty of shaping images in the distance out of slight elements, and grouping them after the yearnings of the heart, grew upon me in morbid excess. And I recall at the present moment one instance of that sort, which may show how merely shadows, or a gleam of brightness, or nothing at all, could furnish a sufficient basis for this creative faculty.
On Sunday mornings I went with the rest of my family to church: it was a church on the ancient model of England, having aisles, galleries, 17 organ, all things ancient and venerable, and the proportions majestic. Here, whilst the congregation knelt through the long litany, as often as we came to that passage, so beautiful amongst many that are so, where God is supplicated on behalf of "all sick persons and young children," and that he would "show his pity upon all prisoners and captives," I wept in secret; and raising my streaming eyes to the upper windows of the galleries, saw, on days when the sun was shining, a spectacle as affecting as ever prophet can have beheld. The sides of the windows were rich with storied glass; through the deep purples and crimsons streamed the golden light; emblazonries of heavenly illumination (from the sun) mingling with the earthly emblazonries (from art and its gorgeous coloring) of what is grandest in man. There were the apostles that had trampled upon earth, and the glories of earth, out of celestial love to man. There were the martyrs that had borne witness to the truth through flames, through torments, and through armies of fierce, insulting faces. There were the saints who, under intolerable pangs, had glorified God by meek submission to his will. And all the time, whilst this tumult of sublime memorials held on as the deep chords from some accompaniment in the bass, I saw through the wide central field of the window, where the glass was uncolored, white, fleecy clouds sailing over the azure depths of the sky: were it but a fragment or a hint of such a cloud, immediately under the flash of my sorrow-haunted eye, it grew and shaped itself into visions of beds with white lawny curtains; and in the beds lay sick children, dying children, that were tossing in anguish, and weeping clamorously for death. God, for some mysterious reason, could not suddenly release them from their pain; but he suffered the beds, as it seemed, to rise slowly through the clouds; slowly the beds ascended into the chambers of the air; slowly, also, his arms descended from the heavens, that he and his young children, whom in Palestine, once and forever, he had blessed, though they must pass slowly through the dreadful chasm of separation, might yet meet the sooner. These visions were self-sustained. These visions needed not that any sound should speak to me, or music mould my feelings. The hint from the litany, the fragment from the clouds,—those and the storied windows were sufficient. But not the less the blare of the tumultuous organ wrought its own separate creations. And oftentimes in anthems, when the mighty instrument threw its vast columns of sound, fierce yet melodious, over the voices of the choir,—high in arches, when it seemed to rise, surmounting and overriding the strife of the vocal parts, and gathering by strong coercion the total storm into unity,—sometimes I seemed to rise and walk triumphantly upon those clouds which, but a moment before, I had looked up to as mementoes of prostrate sorrow; yes, sometimes under the transfigurations of music, felt of grief itself as of a fiery chariot for mounting victoriously above the causes of grief.
God speaks to children, also, in dreams and by the oracles that lurk in darkness. But in solitude, above all things, when made vocal to the meditative heart by the truths and services of a national church, God holds with children "communion undisturbed." Solitude, though it may be silent as light, is, like light, the mightiest of agencies; for solitude is essential to man. All men come into this world alone; all leave it alone. Even a little child has a dread, whispering consciousness, that, if he should be summoned to travel into God's presence, no gentle nurse will be allowed to lead him by the hand, nor mother to carry him in her arms, nor little sister to share his trepidations. King and priest, warrior and maiden, philosopher and child, all must walk those mighty galleries alone. The solitude, therefore, which in this world appalls or fascinates a child's heart, is but the echo of a far deeper solitude, through which already he has passed, and of another solitude, deeper still, through which he has to pass: reflex of one solitude—prefiguration of another.
O burden of solitude, that cleavest to man through every stage of his being! in his birth, which has been—in his life, which is—in his death, which shall be—mighty and essential solitude! that wast, and art, and art to be; thou broodest, like the Spirit of God moving upon the surface of the deeps, over every heart that sleeps in the nurseries of Christendom. Like the vast laboratory of the air, which, seeming to be nothing, or less than the shadow of a shade, hides within itself the principles of all things, solitude for the meditating child is the Agrippa's mirror of the unseen universe. Deep is the solitude of millions who, with hearts welling forth love, have none to love them. Deep is the solitude of those who, under secret griefs, have none to pity them. Deep is the solitude of those who, fighting with doubts or darkness, have none to counsel them. But deeper than the deepest of these solitudes is that which broods over childhood under the passion of sorrow—bringing before it, at intervals, the final solitude which watches for it, and is waiting for it within the gates of death. O mighty and essential solitude, that wast, and art, and art to be, thy kingdom is made perfect in the grave; but even over those that keep watch outside the grave, like myself, an infant of six years old, thou stretchest out a sceptre of fascination.
[Notice to the reader.—The sun, in rising or setting, would produce little effect if he were defrauded of his rays and their infinite reverberations. "Seen through a fog," says Sara Coleridge, the noble daughter of Samuel Taylor Coleridge, "the golden, beaming sun looks like a dull orange, or a red billiard ball."—Introd. to Biog. Lit., p. clxii. And, upon this same analogy, psychological experiences of deep suffering or joy first attain their entire fulness of expression when they are reverberated from dreams. The reader must, therefore, suppose me at Oxford; more than twelve years are gone by; I am in the glory of youth: but I have now first tampered with opium; and now first the agitations of my childhood reopened in strength; now first they swept in upon the brain with power, and the grandeur of recovered life.]
Once again, after twelve years' interval, the nursery of my childhood expanded before me: my sister was moaning in bed; and I was beginning to be restless with fears not intelligible to myself. Once again the elder nurse, but now dilated to colossal proportions, stood as upon some Grecian stage with her uplifted hand, and, like the superb Medea towering amongst her children in the nursery at Corinth, 18 smote me senseless to the ground. Again I am in the chamber with my sister's corpse, again the pomps of life rise up in silence, the glory of summer, the Syrian sunlights, the frost of death. Dream forms itself mysteriously within dream; within these Oxford dreams remoulds itself continually the trance in my sister's chamber—the blue heavens, the everlasting vault, the soaring billows, the throne steeped in the thought (but not the sight) of "Who might sit thereon;" the flight,
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Euripides.