The Shadow of the Cathedral. Blasco Ibáñez Vicente
the Tarasca, a frightful monster of cardboard, which terrified Gabriel when it opened its jaws, while on its wrinkled back sat smiling, idiotically, a dishevelled and indecent doll, whom the religious feeling of former ages had baptised with the name of Anne Boleyn.
When Gabriel went to school all were astonished at his progress. The youngsters of the upper cloister who were such a trial to "Silver Stick," the priest charged with maintaining good order among the tribe established in the roofs of the Cathedral, looked upon the little Gabriel as a prodigy. When he could scarcely walk he could read easily, and at seven he began to recite his Latin, mastering it quickly, as though he had never spoken anything else in his life, and at ten he could argue with the clergy who frequented the gardens, and who delighted in putting before him questions and difficulties.
The Señor Esteban, growing daily more bent and feeble, smiled delightedly before his last work; he was going to be the glory of his house! His name was Luna, and therefore he could aspire to anything without fear, because even Popes had come from that family.
The canons would take the boy into the sacristy after choir, and question him as to his studies. One of the clergy belonging to the archbishop's household presented him to the cardinal, who, after hearing him, gave him a handful of sugared almonds and the promise of a scholarship, so that he could continue his studies at the seminary gratuitously.
The Lunas and all their relations more or less distant, who were really nearly the whole population of the upper cloister, were rejoiced at this promise; what else could Gabriel be but a priest? For these people, attached to the church from the day of their birth, like excrescences of its stones, who considered the archbishops of Toledo as the most powerful beings in the world after the Pope, the only profession worthy of a man of talent was the Church.
Gabriel went to the Seminary, and to all the family the Claverias seemed quite deserted. The long, pleasant evenings in the house of the Lunas came to an end, at which the bell-ringer, the vergers, the sacristans and other church servants had been used to assemble, and listen to the clear and well modulated voice of Gabriel, who read like an angel—sometimes the lives of the saints, at other times Catholic newspapers that came from Madrid, or chapters from a Don Quixote with pages of vellum and antiquated writing—a venerable copy which had been handed down in the family for generations.
Gabriel's life in the Seminary was the ordinary and monotonous life of a hard-working student: triumphs in theological controversies, prizes in heaps, and the satisfaction of being held up to his companions as a model.
Sometimes one of the canons who lectured in the seminary would come into the garden:—
"The lad is getting on very well, Esteban; he is first in everything, and besides, is as steady and pious as a saint. He will be the comfort of your old age."
The gardener, always growing older and thinner, shook his head. He should only be able to see the end of his son's career from the heavens, should it please God to call him there. He would die before his son's triumph; but this did not sadden him, for the family would remain to enjoy the victory and to give thanks to God for His goodness.
Humanities, theology, canons, everything, the young man mastered with an ease which surprised his masters, and they compared him to the Fathers of the Church, who had attracted attention by their precocity. He would very soon finish his studies, and they all predicted that his Eminence would give him a professorship in the seminary, even before he sang his first mass. His thirst for learning was insatiable, and it seemed as though the library really belonged to him. Some evenings he would go into the Cathedral to pursue his musical studies, and talk with the Chapel-master and the organist, and at other times in the hall of sacred oratory he would astound the professors and the Alumni by the fervour and conviction with which he delivered his sermons.
"He is called to the pulpit," they said in the Cathedral garden. "He has all the fire of the apostles; he will become a Saint Bernard or a Bossuet. Who can tell how far this youth will go, or where he will end?"
One of the studies which most delighted Gabriel was that of the history of the Cathedral, and of the ecclesiastical princes who had ruled it. All the inherent love of the Lunas for the giantess who was their eternal mother surged up in him, but he did not love it blindly as all his belongings did. He wished to know the why and the wherefore of things, comparing in his books the vague old stories that he had heard from his father, that seemed more akin to legends than to historical facts.
The first thing that claimed his attention was the chronology of the archbishops of Toledo—a long line of famous men, saints, warriors, writers, princes, each with his number after his name, like the kings of the different dynasties. At certain times they had been the real kings of Spain. The Gothic kings in their courts were little more than decorative figureheads that were raised or deposed according to the exigencies of the moment. The nation was a theocratic republic, and its true head was the Archbishop of Toledo.
Gabriel grouped the long line of famous prelates by characters. First of all the saints, the apostles in the heroic age of Christianity, bishops as poor as their own people, barefooted, fugitives from the Roman persecution, and bowing their heads at last to the executioner, firm in the hope of gaining fresh strength to the doctrine for which they sacrificed their lives—Saint Eugenio, Melancio, Pelagio, Patruno and other names that shone in the past scarcely breaking through the mists of legend. Then came the archbishops of the Gothic era; those kingly prelates who exercised that superiority over the conquering kings by which the spiritual power succeeded in dominating the barbarian conquerors. Miracles accompanied them to confound the Arians, and celestial prodigies were at their orders to terrify and crush those rude men of war. The Archbishop Montano, who lived with his wife, and was indignant at the consequent murmurs, placed red-hot coals in his sacred vestments the while he said mass, and did not burn, demonstrating by this miracle the purity of his life. Saint Ildefonso, not content with only writing books against heretics, induced Santa Leocadia to appear to him, leaving in his hands a piece of her mantle, and he enjoyed the further honour of this same Virgin descending from heaven to present him with a chasuble embroidered by her own hands. Sigiberto, many years after, had the audacity to vest himself in this chasuble, and was in consequence deposed, excommunicated and exiled for his temerity.
The only books that were produced in those times were written by the prelates of Toledo. They compiled the laws, they anointed the heads of the monarchs with the holy oil, they set up Wamba as king, they conspired against the life of Egica, and the councils assembled in the basilica of Santa Leocadia were political assemblies in which the mitre was on the throne and the crown of the king at the feet of the prelate.
At the coming of the Saracen invasion the series of persecuted prelates begins again. They did not now fear for their lives as during the time of Roman intolerance; for Mussulmen as a rule do not martyr, and furthermore, they respect the beliefs of the conquered.
All the churches in Toledo remained in the hands of the Christian Muzarabés13 with the exception of the Cathedral, which was converted into the principal mosque.
The Catholic bishops were respected by the Moors, as were also the Hebrew rabbis; but the Church was poor, and the continual wars between the Saracens and the Christians, together with the reprisals which set a seal on the barbarities of the reconquest, made the continuance and life of worship extremely difficult.
Having arrived at this point Gabriel read the obscure names of Cixila, Elipando and Wistremiro. Saint Eulogio termed this last "the torch of the Holy Spirit, and the light of Spain"; but history is silent as to his deeds, and Saint Eulogio was martyred and killed by the Moors in Cordova on account of his excessive religious zeal. Benito, a Frenchman who succeeded to the chair, not to be behind his predecessors, made the Virgin send him down another chasuble to a church in his own country before he came to Toledo.
After these, came the interesting chronology of the warrior archbishops, warriors of coat-of-mail and two-edged sword, the conquerors who, leaving the choir to the meek and humble, mounted their war-horses and thought they were not serving God unless during the year they added sundry towns and pasture lands to the goods of the Church. They arrived in the eleventh century, with Alfonso VI., to the conquest of Toledo. The first were French monks from the famous Abbey of Cluny, sent by the Abbot Hugo to the convent of
: Muzarabés—Christians living among the Moors and mixing with them; also an ancient form of service still continued in one chapel in Toledo and in one at Salamanca.