The Grass is Singing. Doris Lessing

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      As the railway lines spread and knotted and ramified all over Southern Africa, along them, at short distances of a few miles, sprang up little dorps that to a traveller appear as insignificant clusters of ugly buildings, but which are the centres of farming districts perhaps a couple of hundred miles across. They contain the station building, the post office, sometimes a hotel, but always a store.

      If one was looking for a symbol to express South Africa, the South Africa that was created by financiers and mine magnates, the South Africa which the old missionaries and explorers who charted the Dark Continent would be horrified to see, one would find it in the store. The store is everywhere. Drive ten miles from one and you come on the next; poke your head out of the railway carriage, and there it is; every mine has its store, and many farms.

      It is always a low single-storeyed building divided into segments like a strip of chocolate, with grocery, butchery and bottle-store under one corrugated iron roof. It has a high dark wooden counter, and behind the counter shelves hold anything from distemper mixture to toothbrushes, all mixed together. There are a couple of racks holding cheap cotton dresses in brilliant colours, and perhaps a stack of shoe-boxes, or a glass case for cosmetics or sweets. There is the unmistakable smell, a smell compounded of varnish, dried blood from the killing yards behind, dried hides, dried fruit and strong yellow soap. Behind the counter is a Greek, or a Jew, or an Indian. Sometimes the children of this man, who is invariably hated by the whole district as a profiteer and an alien, are playing among the vegetables because the living quarters are just behind the shop.

      For thousands of people up and down Southern Africa the store is the background to their childhood. So many things centred round it. It brings back, for instance, memories of those nights when the car, after driving endlessly through a chilly, dusty darkness, stopped unexpectedly in front of a square of light where men lounged with glasses in their hands, and one was carried out into the brilliantly-lit bar for a sip of searing liquid ‘to keep the fever away’. Or it might be the place where one drove twice a week to collect mail, and to see all the farmers from miles around buying their groceries, and reading letters from Home with one leg propped on the running-board of the car, momentarily oblivious to the sun, the square of red dust where the dogs lay scattered like flies on meat and the groups of staring natives – momentarily transported back to the country for which they were so bitterly homesick, but where they would not choose to live again: ‘South Africa gets into you,’ these self-exiled people would say, ruefully.

      For Mary, the word ‘Home’ spoken nostalgically, meant England, although both her parents were South Africans and had never been to England. It meant ‘England’ because of those mail-days, when she slipped up to the store to watch the cars come in, and drive away again laden with stores and letters and magazines from overseas.

      For Mary, the store was the real centre of her life, even more important to her than to most children. To begin with, she always lived within sight of it, in one of those little dusty dorps. She was always having to run across to bring a pound of dried peaches or a tin of salmon for her mother, or to find out whether the weekly newspaper had arrived. And she would linger there for hours, staring at the piles of sticky coloured sweets, letting the fine grain stored in the sacks round the walls trickle through her fingers, looking covertly at the little Greek girl whom she was not allowed to play with, because her mother said her parents were dagos. And later, when she grew older, the store came to have another significance: it was the place where her father bought his drink. Sometimes her mother worked herself into a passion of resentment, and walked up to the barman, complaining that she could not make ends meet, while her husband squandered his salary in drink. Mary knew, even as a child, that her mother complained for the sake of making a scene and parading her sorrows: that she really enjoyed the luxury of standing there in the bar while the casual drinkers looked on, sympathetically; she enjoyed complaining in a hard sorrowful voice about her husband. ‘Every night he comes home from here,’ she would say, ‘every night! And I am expected to bring up three children on the money that is left over when he chooses to come home.’ And then she would stand still, waiting for the condolences of the man who pocketed the money which was rightly hers to spend for the children. But he would say at the end, ‘But what can I do? I can’t refuse to sell him drink, now can I?’ And at last, having played out her scene and taken her fill of sympathy, she would walk away across the expanse of red dust to her house, holding Mary by the hand – a tall, scrawny woman with angry, unhealthy brilliant eyes. She made a confidante of Mary early. She used to cry over her sewing while Mary comforted her miserably, longing to get away, but feeling important too, and hating her father.

      This is not to say that he drank himself into a state of brutality. He was seldom drunk as some men were, whom Mary saw outside the bar, frightening her into a real terror of the place. He drank himself every evening into a state of cheerful fuddled good humour, coming home late to a cold dinner, which he ate by himself. His wife treated him with a cold indifference. She reserved her scornful ridicule of him for when her friends came to tea. It was as if she did not wish to give her husband the satisfaction of knowing that she cared anything for him at all, or felt anything for him, even contempt and derision. She behaved as if he were simply not there for her. And for all practical purposes he was not. He brought home the money, and not enough of that. Apart from that he was a cipher in the house, and knew it. He was a little man, with dull ruffled hair, a baked-apple face, and an air of uneasy though aggressive jocularity. He called visiting petty officials ‘sir’; and shouted at the natives under him; he was on the railway, working as a pumpman.

      And then, as well as being the focus of the district, and the source of her father’s drunkenness, the store was the powerful, implacable place that sent in bills at the end of the month. They could never be fully paid: her mother was always appealing to the owner for just another month’s grace. Her father and mother fought over these bills twelve times a year. They never quarrelled over anything but money; sometimes, in fact, her mother remarked drily that she might have done worse: she might, for instance, be like Mrs Newman, who had seven children; she had only three mouths to fill, after all. It was a long time before Mary saw the connection between these phrases, and by then there was only one mouth to feed, her own; for her brother and sister both died of dysentery one very dusty year. Her parents were good friends because of this sorrow for a short while: Mary could remember thinking that it was an ill wind that did no one good; because the two dead children were both so much older than she that they were no good to her as playmates, and the loss was more than compensated by the happiness of living in a house where there were suddenly no quarrels, with a mother who wept, but who had lost that terrible hard indifference. That phase did not last long, however. She looked back on it as the happiest time of her childhood.

      The family moved three times before Mary went to school; but afterwards she could not distinguish between the various stations she had lived in. She remembered an exposed dusty village that was backed by a file of bunchy gum trees, with a square of dust always swirling and settling because of passing ox-waggons; with hot sluggish air that sounded several times a day with the screaming and coughing of trains. Dust and chickens; dust and children