3-Book Victorian Crime Collection: Death at Dawn, Death of a Dancer, A Corpse in Shining Armour. Caro Peacock
I could. The green cotton dress I’d bought in London would have to do, along with my lace-trimmed fichu pelerine for a modest touch of style, and the stockings and black shoes. There was no looking glass in the room, so I couldn’t judge the effect, but it was good to feel clean again.
I went down to find the children changed into their best clothes – boys in breeches, waistcoats and short blue jackets with brass buttons, Henrietta in white-and-pink striped silk with frills and a ribbon in her ringlets. She’d reclaimed her chair and was whispering in her doll’s ear, the boys looking at a book. Betty Sims was on the window-seat, eyes on the little bell on its spring over the door. She seemed nervous.
‘They usually ring about now if we’re wanted.’
‘Do the children always have to dress up, even if they’re not wanted downstairs?’
‘Oh yes.’
‘So if they’re not, they just have to get undressed again?’
‘They’re wanted more often than not.’
‘When did the last governess leave?’
‘Three weeks ago. I’ve been trying to teach them a bit on my own since then, but I can’t keep all the tables in my head, and if I make a mistake Master James goes running to Mrs Beedle.’
‘Mrs Beedle seems a holy terror,’ I said.
I’d overstepped the mark, I could see that in her face.
‘Mrs Beedle might have her funny ways, but she takes more notice of the children than anybody else does. Several times a week, she’ll be up here hearing them recite their lessons.’
‘They have regular times for their lessons, I suppose?’
‘Yes. I get them up in the morning and washed at half past six, and they have a glass of milk, then an hour with their governess for prayers and reading. Then, if it’s fine, we usually take them out for a walk in the flower garden or the orchard. Breakfast is sent up for all of us at nine o’clock, then it’s studying from ten o’clock till two. Their dinner’s at half past two, then Master Charles usually has his pony brought round. Master James hasn’t cared for riding since his pony bit him, so he and Miss Henrietta play or work in their gardens. They’re supposed to be in bed by half past eight, but it’s not easy these light evenings.’
‘And then we have the rest of the day to ourselves?’
I was secretly appalled at the amount of work demanded.
‘I usually mend their stockings and things of an evening. Lady Mandeville sometimes calls the governess down to play cards if they need an extra hand. But she – There you are.’
The bell over the door had started ringing, bouncing up and down on its spring. Betty Sim’s expression was precisely that of a nervous actor about to make an entrance, and perhaps mine was as well. The children stood up obediently at the sound of the bell, but I couldn’t help thinking they didn’t look overjoyed at the prospect of seeing their mother and father. No backstage this time. The Mandeville children belonged – for these occasions, at any rate – in the other world on the public’s side of the backdrop. So the five of us went quickly along the corridor, through a proper varnished wood door instead of green baize, down a flight of carpeted stairs. We paused on the first-floor landing outside another grander door, painted white with gilt mouldings, while Betty checked the boys’ neckcloths and re-tied Henrietta’s ribbon. When she was satisfied, she tapped quickly and nervously on the door and it opened inwards, apparently of its own accord.
It seemed at first like magic, but there was a footman on the other side of it – a different one, the fourth I’d seen so far – who must have been standing there waiting for the signal. Betty gave Charles a nudge on the shoulder and he walked through it, with his brother and sister following him, then Betty, then me. I was reciting in my mind, A man’s a man for a’ that, to remind myself that I was my father’s daughter. In spite of that, I was dazzled and breathless. We were standing at the top of a double staircase, level with a chandelier that sparkled rainbows in the sunlight coming through a glass cupola several storeys above our heads. The staircase curved down in a horseshoe, left and right, to a circular hallway. The floor was white and blue mosaic, the family coat of arms with its three perched birds by the far door. A carved stone fountain played in the centre of the floor, surrounded by real hart’s tongue ferns. Orange and lemon trees alternated in bays round the walls, their scent rising round us as we went down the left staircase, treading an aisle of soft carpet between expanses of white marble. We crossed the hall. James wanted to linger to watch the fountain splashing into its bowl, but Betty urged him on.
On the far side was another white-and-gilt door, with yet another footman waiting to open it to us. It led into what they called the small drawing room, as I found out later, the one the family used when there were few or no guests in residence. Still, it was at least twice as large as any room I was accustomed to, at the front of the house overlooking the terrace and parkland. Plaster oak leaves and acorns flourished across the ceiling and grew down in gilded swags to frame the many mirrors round the walls, so that everything in the room was enclosed and reflected in a kind of frozen glade, beautiful in its way. The furniture looked mostly French of the previous century, not a straight line anywhere, all curves and gilding and ornate gold hinges.
Lady Mandeville was sitting on a sofa by the window, with her mother Mrs Beedle sewing on an upright chair beside her. Lady Mandeville smiled when she saw the children. James went running to her and buried his face in her chest. Charles followed at a slow march over the blue-and-red Turkey carpet. Henrietta stood just inside the doorway, very much aware of her own reflection in the mirrors.
‘Good evening, Papa.’
She dropped a grand curtsey. Sir Herbert Mandeville had been standing by the fireplace, talking to a grey-haired man I hadn’t seen before. He broke off what he was saying when he heard Henrietta’s voice, smiled and kissed his fingers at her. I had to fight the impulse to go straight over to ask him if he knew he’d nearly killed me that afternoon and whether he made a habit of killing.
‘Say good evening to your father, James,’ Lady Mandeville said, gently pushing the boy upright. He glanced towards his father and mumbled, ‘Good evening, sir.’ Sir Herbert nodded but hardly looked at him.
‘What about you, Charles?’ he said. ‘Cat got your tongue?’
‘Good evening, sir.’
Charles stood stiff and straight, as if for inspection. His father looked him over and gave a more approving nod, as if he’d passed muster this time, and turned back to his conversation with the grey-haired man. I saw Lady Mandeville blow out her cheeks in a look of relief. There was only one other person in the room. She wore a pink and grey satin dress and was standing close to Mrs Beedle’s chair but with her back to the company, looking out over the terrace, and hadn’t turned when the children came in. Her red-gold hair was swept up and held with a pearl-studded comb. Would Celia recognise me from the hotel at Calais? Possibly not. Servants are invisible. Lady Mandeville was looking in my direction, signalling with a lift of the chin that I should come over and speak to her.
‘Good evening, ma’am,’ I said. ‘Good evening Mrs Beedle.’
I could see Lady Mandeville struggling to remember my name.
‘Good evening Miss … Lock. I hope you had a pleasant journey.’
‘Yes, thank you.’
I was tempted to add that it had been well enough until I encountered her husband. From the way Mrs Beedle was looking at me, I guessed she’d heard the story of the phaeton, but perhaps she hadn’t told her daughter. I was trying to look over her shoulder at Celia Mandeville. She still had her back turned, but she seemed tense, as if it took an effort of will not to turn round. Then, while I was looking at her, she did turn and our eyes met. There wasn’t a shade of doubt about it. She’d recognised me, possibly had known from the time I opened my mouth. Mrs Beedle turned.
‘Celia, this is Miss Lock, the new governess. Miss Lock, my grand-daughter,