3-Book Victorian Crime Collection: Death at Dawn, Death of a Dancer, A Corpse in Shining Armour. Caro Peacock

3-Book Victorian Crime Collection: Death at Dawn, Death of a Dancer, A Corpse in Shining Armour - Caro  Peacock


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first puzzlement, then the dawning of a question. She opened her mouth to say something else, closed it again. If she had thought of saying, in front of the family, But I met you at Calais, the thought died in that second. Henrietta came bouncing across to her mother.

      ‘Mama, may I have a pearl comb like Celia’s?’

      ‘When you’re older, darling.’ Her mother ruffled her ringlets with a hand that trembled slightly. ‘Have you been a good girl today?’

      For the next few minutes the children clustered round their mother’s sofa, more relaxed now that their father’s attention was not on them. Betty and I stood out of the way near the door. Mrs Beedle went on sewing something white and ruffled and Celia stood staring down at a book on a small pie-crust table, not turning the pages. Sir Herbert finished his conversation and announced that it was high time to go into dinner. Lady Mandeville gently put the children aside and stood up.

      ‘You must go, darlings. Sleep well. See you tomorrow.’

      Betty hurried forward to claim them and I followed more slowly. The family began filing through a door on the opposite side, presumably to the dining room, while we went towards the hall. I was almost through the doorway when I felt a hand gripping my arm.

      ‘Miss Lock?’

      Celia’s voice, with its little lisp. I turned.

      ‘I need very much to speak to you,’ she whispered.

      ‘Now?’

      ‘No. Tomorrow. Will you meet me and not tell anybody?’

      ‘When?’

      ‘Early, very early. I hardly sleep. Six o’clock in the flower garden.’

      ‘Celia?’

      Mrs Beedle’s voice, sharply, from the drawing room.

      ‘You will, won’t you? Please.’

      I nodded. She put a finger to her lips and turned away. I followed Betty and the children back up the horseshoe staircase, still feeling the pressure of Celia’s fingers on my arm.

       CHAPTER TWELVE

      Later, when the children were in bed and Betty Sims and I were sharing supper in the schoolroom, I asked her where the flower garden was.

      ‘Right-hand side of the house looking out, behind the big beech hedge.’

      She showed no curiosity about why I wanted to know, because by then I’d asked her a lot of other questions about the house and the Mandevilles – all perfectly reasonable for a new governess. She’d been there thirteen years, from a few months before the birth of Master Charles, but her time of service with Lady Mandeville went back longer than that.

      ‘She wasn’t Lady Mandeville then, of course, she was Mrs Pencombe. I came to her as nursemaid when her son Stephen was six years old and she was confined with what turned out to be her daughter Celia.’

      ‘So you’ve known Celia from a baby?’

      I wanted to know everything I could about Celia. It might help me decide how far to trust her.

      ‘From the first breath that she drew.’

      ‘What was she like as a child?’

      ‘Pretty as a picture and sweet winning ways. But headstrong. She was always a child that liked her own way.’

      ‘What happened to Mr Pencombe?’

      ‘He died of congestion to the lungs when Celia was six years old. We thought we’d lose Mrs Pencombe too, from sheer grief. It was a love match, you see. With her looks, she could have married anybody in London.’

      ‘And yet she must have married Sir Herbert quite soon afterwards.’

      Betty put down her slice of buttered bread and gave me a warning look.

      ‘Two years and three months, and I hope you’re not taking it on yourself to criticise her for that.’

      ‘Indeed not.’

      ‘What would anyone have done in her place? Mr Pencombe hadn’t been well advised in the investments he made and he left her with nothing but debts and two children to bring up. She was still a fine-looking woman, but looks don’t last for ever.’

      ‘Did she love Sir Herbert?’

      ‘A woman’s lucky if she marries for love once over. I don’t suppose there’s many manage it twice. May I trouble you to pass the mustard?’

      That was her way of telling me I was on the edge of trespassing. It might also have been a gentle hint that she’d made a comfortable little camp for herself and the children in this great house and that it was kind of her to let me into it. At first I took her achievement for granted and it was only when I began to learn more about the household that I appreciated her quiet cleverness. The fact was that we should not have been enjoying our ham, tea and good fresh bread in the schoolroom at all. For all her long service, Betty as nursery maid was only entitled to a place about halfway down the table in the servants’ hall – well above kitchen maids but a notch below the ladies’ maids. I as governess – stranded somewhere between servant and lady – would have been permitted the lonely indulgence of eating in my own room. Over the years, patient as a mouse making its nest, Betty had built up such a network of little privileges and alliances that the nursery area was hers to command. We had our own tiny kitchen with an oil burner for making warm drinks and a bathroom for the children’s use, grandly equipped with a fixed bath, water closet, piped cold water and cans of hot water carried up twice a day by Tibby, the schoolroom maid. Betty was bosom friends with Sally the bread and pastry cook, so tidbits arrived almost daily from the kitchen, in exchange for Betty’s sewing skills in maintaining Sally’s wardrobe. All this I found out later and was ashamed of my readiness to take its comforts for granted. On that first evening, the tea and candlelight were so soothing I could scarcely keep my eyes open.

      ‘You’re for your bed,’ Betty said. ‘Take that candle up with you, but remember to blow it out last thing. You can sleep in tomorrow, if you like. I’ll see to the children.’

      In spite of my tiredness I must have slept lightly because I was aware of the rhythms of the house under me, like a ship at sea. Until midnight at least the sounds of plates and glasses clinking and the occasional angry voice or burst of laughter came up from the kitchens four floors below, as scullery staff washed up after family dinner. Later, boards creaked on the floor immediately below me as maids shuffled and whispered their way to bed in the dormitory. Then the smaller creakings of bedframes and the sharp smell of a blown-out candle wick. After that there was silence for a few hours, apart from owls hunting over the park and the stable clock striking the hours.

      By four o’clock it was growing light. An hour after that the floorboards below creaked again as the earliest maids dragged themselves back downstairs. I got up too, folded back the bedclothes and put on my green dress and the muslin tucker. There was still nearly an hour to go before my meeting with Celia but I was too restless to stay inside. I tiptoed past the maids’ dormitory so as not to wake the lucky ones who were still snoring and crept on down the dark back stairs, with only the faintest notion of where I was going. I had a dread of going through the wrong doorway and finding myself on the family’s side of the house, onstage and with my lines unlearned. But I need not have worried because it was mostly a matter of keeping bare boards underfoot and travelling on downwards by zigzagging staircases and narrow landings towards the sounds coming from the kitchen.

      The last turn of the staircase brought me into the light, a smell of piss and a glare of white porcelain. Chamber pots, dozens of them, clustered together like the trumpets of convolvulus flowers. They must have been gathered from bedrooms and brought down for emptying. I picked my way carefully through them and out into the courtyard. A kitchen maid was carrying in potatoes, a man chopping kindling, but they took no notice of me. There was an archway with


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