Strong Motion. Jonathan Franzen
You don’t know whether you’re supposed to laugh or not.”
Louis didn’t mention that he’d made a date for drinks with this woman.
“But anyway, that’s how I met Peter. She’s got a beautiful estate, you probably don’t remember it. We stayed there for a week or something when we were litle. You remember?”
Louis shook his head.
“Neither do I, really. Rita wasn’t on the scene yet. I mean, she was still Grandpa’s secretary. Sometimes I wonder what we’d think of him if he was still alive.”
For the rest of the evening Louis sat in various chairs and Eileen orbited. A plate of food was something towards which she showed no particular sense of responsibility; she left the table and came back; her food was at her mercy. When Louis put his coat on to leave, she awkwardly patted his arm and, still more awkwardly, embraced him. “Take care of yourself, huh?”
He tore himself away. “What do you mean take care of myself? Where do you think I’m going? I’m going two and a half miles.”
She kept her hand on his shoulder until he was out the door. Moments later, as she turned the news on, there was a knock. Louis was standing in the hall, businesslike, looking aside with a frown. “I just remembered something,” he said. “I just remembered the place in Ipswich, Mom’s father’s place. We threw rocks—”
“Oh!” Eileen’s face lit up. “At the horses.”
“We threw rocks at the horses—”
“To save them!”
“To save them from dying. So you remember too. We thought they’d die if they stood still.”
“Yes.”
“That was all.” His round shoulders turned away from her. “See you later.”
In high school Louis had never become so disaffected that he apologized for loving radio. Radio was like a crippled pet or retarded sibling that he always made time for and didn’t mind— didn’t even notice—if people laughed at. When Eileen saw him out walking in distant wastelands he was generally in transit to or from an airconditioned and empty electronics-supply store in some weedy plaza where the only other going concern was a Chinese restaurant in the last of its nine lives, and maybe a depopulated pet store. From the wall of prepackaged ICs and RF connectors and micropots and gator clips and jumpers and variable capacitors he selected components from the top of his wish list and added up the prices in his head, guessing on the sales tax, and handed them to the sad mustached man who preferred to sell stereo systems, and paid for them with the small bills that neighbors had given him for doing low-caste work: wall-washing; brush-clearing; dog-related services. He was ten when he got a crystal diode set, twelve when he built his HeathKit shortwave radio, fourteen when he became WC9HDD, and sixteen when he got his general license. Radio was his thing, his interest. A kid derives a satisfaction that rivals sex or maybe instead connects with it along obscure mental byways when he puts together a few simple metal and ceramic objects—objects he knows to be simple because he has experimentally destroyed many of them with screwdriver and pliers— and connects them to a battery and hears distant voices in his bedroom. There were stray resistors on his bedspread, resistors whose color coding he’d known by heart a year before he learned about sperm and eggs, the afternoon he lost his virginity. “Ouch, what is this?” (It was a 220-ohm metal-film resistor with a gold tolerance band.) Louis also happened to be one of the few ham operators in greater Chicago willing to speak or encode in French, and so when the sunspots were heavy he could be kept busy half the night trading temperature readings and autobiographical data with operators in all the snowed-in corners of Quebec. Which didn’t make him talkative in French class, only bored, since anything he did really well he kept hidden.
He entered Rice University as a prospective double-? major and left it with a degree in French, having in the meantime managed KTRU, the campus station, for three semesters. A week after graduation he went to work for a local C&W station, attending to relatively attractive duties for the abrupt abandoning of which after only eight months he would give no more satisfactory account to Eileen than the question: “Why does anybody quit a job?”
The studios of WSNE, his new employer, were in the western suburb of Waltham, in an office building overlooking one corner of the forty acres devoted to the intersection of Route 128 (“America’s Technology Region”) and the Mass Pike. Louis’s job title was board operator, a peonic position that involved operating the cartridge player, cuing up records, and backtiming the AP network news, but he did this only from six to ten in the morning, because only the morning drive announcer, Dan Drexel, was considered irreplaceable enough to rate his own operator. Louis understood that the remainder of his workday, which ended at 3 p.m., was to be spent on exciting tasks like entering traffic data on a keyboard, transferring agency commercials from reel to cart, writing PSAs, and grading the contest entries with which the station’s dwindling listenership sought to win various worthless gifts. He understood that he would be paid the federal minimum wage.
One reason he had had little competition for the job was that WSNE’s bid for license renewal in June was expected not to be routine. Paychecks were issued with precise instructions about when and when not to attempt to cash them. The insatiable payroll had gotten into the main production studio and torn out the sound equipment and acoustical panels and everything else with resale value, leaving ragged empty rectangles with exposed particle board in the Formica consoles, and butterscotch-colored glue spots on the walls. A new FM college station had bought all of WSNE’s record collection except the juvenile section (the Care Bears’ entire LP oeuvre; the Muppets; the original Disney sound track of Winniethe-Pooh; the Flintstones doing times tables) and the comedy recordings. The grooves of the latter were rapidly being worn smooth by WSNE’s morning News with a Twist programming, which interlarded news and comment with “the funniest routines of all time.”
A man named Alec Bressler owned and operated WSNE. Alec was a Russian émigré of German extraction who in the mid-sixties had allegedly paddled from Kaliningrad to Sweden in a rubber dinghy. The only official duty he gave himself was to tape the daily broadcast editorial, but he was always hovering in the studios, observing with immense satisfaction that electricity was flowing through all the necessary circuits, that this station that belonged to him was actually functioning and transmitting his chosen programs. He was a moderately paunchy fifty, with East-bloc hair, devalued somehow and slow to grow, and skin grayed by a cigarette habit he resisted only to the extent of addicting himself to nicotine lozenges as well. He dressed in thin sweaters and faded, thigh-hugging, too-short pants, each pair of which looked old enough to have come along with him in the legendary dinghy.
Louis soon realized that one of the functions he was expected to serve was to be a private audience for Alec Bressler. “Do you like expressing opinions?” the owner asked him on his second day of work, when he was printing out affidavits for commercial sponsors. “I just expressed a really good one. I commented on a current event. Can you guess which one?”
Louis’s face became guarded, ready to be amused. “Tell me,” he said.
Alec seated himself on the air and groped backwards to pull a chair over. “This horrible plane crash on the weekend. I forget which midwestern state, it starts with ‘I.’ Two hundred nineteen dead, no survivors. Complete dis-in-te-gration of the fuselage. I questioned the nooseworthiness of this event. With all respect to the families of the dead, why do we have to see this on television? We see it last month, why see it again? If people want to see crashes, why don’t we look at Navy missiles and Air Force planes that crash any time we test them. If people want to see death, let’s take the cameras to the hospitals, eh? See how most people die. I told what we can watch instead of network noose which should be boycotted. There’s M*A*S*H, same time, also Cheers and Family Ties and Matt Houston. Better commercials too. Let’s watch these programs. Or let’s read a book, but I didn’t stress that. I say read a book too much.”
“Isn’t this kind of a lost cause?” Louis said.
Alec pressed