Tigana. Guy Gavriel Kay
set aside for their use. All the usual amenities were there, and some that were far from usual: Devin couldn’t remember seeing blue wine offered to performers before. An extravagant gesture, that. He wasn’t tempted though; it was too early and he was too much on edge. To calm himself he walked over to Eghano who was lazily drumming, as he always seemed to be, on a tabletop.
Eghano glanced up at him and smiled. ‘It’s just a performance,’ he said in his soft sibilant voice. ‘We do what we always do. We make music. We move on.’
Devin nodded, and forced a smile in return. His throat was dry though. He went to the side-tables, and one of the two hovering servants hastened to pour him water in a gold and crystal goblet worth more than everything Devin owned in the world. A moment later Menico signalled and they went out into the courtyard.
The dancers began it, backed by hidden strings and pipes. No voices. Not yet.
If Aldine and Nieri had burned love candles late last night it didn’t show—or if it did, only in the concentration and intensity of their twinned movements that morning.
Sometimes seeming to pull the music forward, sometimes following it, they looked—with their thin, whitened faces, their blue-grey tunics and the jet-black gloves that hid their palms—truly otherworldly. Which was as Menico had trained his dancers to be. Not inviting or alluring as some other troupes approached this dance of the rites, nor a merely graceful prelude to the real performance, as certain other companies conceived it. Menico’s dancers were guides, cold and compelling, towards the place of the dead and of mourning for the dead. Gradually, inexorably, the slow grave movements, the expressionless, almost inhuman faces imposed the silence that was proper on that restive, preening audience.
And in that silence the three singers and four musicians came forward and began the ‘Invocation’ to Eanna of the Lights who had made the world, the sun, the two moons and the scattered stars that were the diamonds of her diadem.
Rapt and attentive to what they were doing, using all the contrivances of professional skill to shape an apparent artlessness, the company of Menico di Ferraut carried the lords and ladies and the merchant princes of Astibar with them on a ruthlessly disciplined cresting of sorrow. In mourning Sandre, Duke of Astibar, they mourned—as was proper—the dying of all the Triad’s mortal children, brought through Morian’s portals to move on Adaon’s earth under Eanna’s lights for so short a time. So sweet and bitter and short a season of days.
Devin heard Catriana’s voice reaching upwards towards the high place where Alessan’s pipes seemed to be calling her, cold and precise and austere. He felt, even more than he heard, Menico and Eghano grounding them all with their deep line. He saw the two dancers— now statues in a frieze, now whirling as captives in the trap of time—and at the moment that was proper he let his own voice soar with the two syrenyae into the space that had been left for them to fill, in the middle range where mortals lived and died.
So Menico di Ferraut had shaped his approach to the seldom-performed Full Mourning Rites long ago, bringing forty years of art and a full, much-travelled life to the moment that this morning had become. Even as he began to sing, Devin’s heart swelled with pride and a genuine love for the rotund, unassuming leader who had guided them here and into what they were shaping.
They stopped, as planned, after the sixth stage, for their own sake and their listeners’. Tomasso had spoken with Menico beforehand, and the nobles’ progression past Sandre’s bier would now take place upstairs. After, the company would finish with the last three rites, ending on Devin’s ‘Lament’, and then the body would be brought down and the crowd outside admitted with their leaves for the crystal vase.
Menico led them out from the courtyard amid a silence so deep it was their highest possible accolade. They re-entered the room that had been reserved for their use. Caught up in the mood they themselves had created, no one spoke. Devin moved to help the two dancers into the robes they wore between performances and then watched as they paced the perimeter of the room, slender and cat-like in their grace. He accepted a glass of green wine from one of the servants but declined the offered plate of food. He exchanged a glance but not a smile—not now—with Alessan. Drenio and Pieve, the syrenya-players, were bent over their instruments, adjusting the strings. Eghano, pragmatic as ever, was eating while idly drumming the table with his free hand. Menico walked by, restless and distracted. He gave Devin a wordless squeeze on the arm.
Devin looked for Catriana and saw her just then leaving the room through an inner archway. She glanced back. Their glances met for a second, then she went on. Light, strangely filtered, fell from a high unseen window upon the space where she had been.
Devin really didn’t know why he did it. Even afterwards when so much had come to pass, flowing outwards in all directions like ripples in water from this moment, he was never able to say exactly why he followed her.
Simple curiosity. Desire. A complex longing born of the look in her eyes before and the strange, floating place of stillness and sorrow where they now seemed to be. None or some or all of these. He felt as if the world wasn’t quite as it had been before the dancers had begun.
He drained his wine and rose and he went through the same archway Catriana had. Passing through, he too looked back. Alessan was watching him. There was no judgement in the Tregean’s glance, only an intent expression Devin could not understand. For the first time that day he was reminded of his dream.
And because of that, perhaps, he murmured a prayer to Morian as he went on through the archway.
There was a staircase with a high, narrow, stained-glass window on the first-floor landing. In the many-coloured fall of light he caught a glimpse of a blue-silver gown swirling to the left at the top of the stairs. He shook his head, struggling to clear it, to slip free of this eerie, dreamlike mood. And as he did, an understanding slid into place and he muttered a curse at himself.
She was from Astibar. She was going upstairs as was entirely fit and proper to pay her own farewell to the Duke. No lord or newly wealthy merchant was about to deny her right to do so. Not after her singing this morning. On the other hand, for a farmer’s son from Asoli by way of Lower Corte to enter that upstairs room would be sheerest, ill-bred presumption.
He hesitated, and he would have turned back then, had it not been for the memory that was his blessing and his curse and always had been. He had seen the hanging banners from the courtyard. The room where Sandre d’Astibar lay was to the right, not the left, at the top of these stairs.
Devin went up. He took care now, though still not knowing why, to be quiet. At the landing he bore left as Catriana had done. There was a doorway. He opened it. An empty room, long unused, dusty hangings on the walls. Scenes of a hunt, the colours badly faded. There were two exits, but the dust came to his aid now: he could see the neat print of her sandals going towards the door on the right.
Silently Devin followed that trail through the warren of abandoned rooms on the first floor of the palace. He saw sculptures and objects of glass, exquisite in their delicacy, marred by years of overlaid dust. Much of the furniture was gone, much that remained was covered over. The light was dim; most of the windows were shuttered. A great many darkened, begrimed portraits of stern lords and ladies gazed inimically down upon him as he passed.
He bore right and again right, tracing the path of Catriana’s feet, careful to keep from getting too close. She went straight on after that, through the rooms along the outer side of the palace—none that offered onto the crowded balustrades overlooking the courtyard. It was brighter in these rooms. He could hear murmuring voices off to his right and he realized that Catriana was walking around to the far side of the room where Sandre lay in state.
At length he opened a door which proved to be the last. She was alone inside a very large chamber, standing by the side of a huge fireplace. There were three bronze horses on the mantelpiece and three portraits on the walls. The ceiling was gilded in what Devin knew would be gold. Along the outer wall where a line of windows overlooked the street there were two long tables laden with food and drink. This room, unlike the others, had been recently cleaned, but the curtains were still drawn against the morning brightness and the crowd outside.
In