The Filigree Ball. Green Anna Katharine
The illustrations which have appeared in all the papers have already acquainted the general public with its simple facade and rows upon rows of shuttered windows. Even the great square porch with its bench for negro attendants has been photographed for the million. Those who have seen the picture in which the wedding-guests are shown flying from its yawning doorway, will not be especially interested in the quiet, almost solemn aspect it presented as I passed up the low steps and laid my hand upon the knob of the old-fashioned front door.
Not that I expected to win an entrance thereby, but because it is my nature to approach everything in a common-sense way. Conceive then my astonishment when at the first touch the door yielded. It was not even latched.
"So! so!" thought I. "This is no fool's job; some one is in the house."
I had provided myself with an ordinary pocket-lantern, and, when I had convinced Hibbard that I fully meant to enter the house and discover for myself who had taken advantage of the popular prejudice against it to make a secret refuge or rendezvous of its decayed old rooms, I took out this lantern and held it in readiness.
"We may strike a hornets' nest," I explained to Hibbard, whose feet seemed very heavy even for a man of his size. "But I'm going in and so are you. Only, let me suggest that we first take off our shoes. We can hide them in these bushes."
"I always catch cold when I walk barefooted," mumbled my brave companion; but receiving no reply he drew off his shoes and dropped them beside mine in the cluster of stark bushes which figure so prominently in the illustrations that I have just mentioned. Then he took out his revolver, and cocking it, stood waiting, while I gave a cautious push to the door.
Darkness! silence!
Rather had I confronted a light and heard some noise, even if it had been the ominous click to which eve are so well accustomed. Hibbard seemed to share my feelings, though from an entirely different cause.
"Pistols and lanterns are no good here," he grumbled. "What we want at this blessed minute is a priest with a sprinkling of holy water; and I for one—"
He was actually sliding off.
With a smothered oath I drew him back.
"See here!" I cried, "you're not a babe in arms. Come on or— Well, what now?"
He had clenched my arm and was pointing to the door which was slowly swaying to behind us.
"Notice that," he whispered. "No key in the lock! Men use keys but—"
My patience could stand no more. With a shake I rid myself of his clutch, muttering:
"There, go! You're too much of a fool for me. I'm in for it alone." And in proof of my determination, I turned the slide of the lantern and flashed the light through the house.
The effect was ghostly; but while the fellow at my side breathed hard he did not take advantage of my words to make his escape, as I half expected him to. Perhaps, like myself, he was fascinated by the dreary spectacle of long shadowy walls and an equally shadowy staircase emerging from a darkness which a minute before had seemed impenetrable. Perhaps he was simply ashamed. At all events he stood his ground, scrutinizing with rolling eyes that portion of the hall where two columns, with gilded Corinthian capitals, marked the door of the room which no man entered without purpose or passed without dread. Doubtless he was thinking of that which had so frequently been carried out between those columns. I know that I was; and when, in the sudden draft made by the open door, some open draperies hanging near those columns blew out with a sudden swoop and shiver, I was not at all astonished to see him lose what little courage had remained in him. The truth is, I was startled myself, but I was able to hide the fact and to whisper back to him, fiercely:
"Don't be an idiot. That curtain hides nothing worse than some sneaking political refugee or a gang of counterfeiters."
"Maybe. I'd just like to put my hand on Upson and—"
"Hush!"
I had just heard something.
For a moment we stood breathless, but as the sound was not repeated I concluded that it was the creaking of that far-away shutter. Certainly there was nothing moving near us.
"Shall we go upstairs?" whispered Hibbard.
"Not till we have made sure that all is right down here"
A door stood slightly ajar on our left.
Pushing it open, we looked in. A well furnished parlor was before us.
"Here's where the wedding took place," remarked Hibbard, straining his head over my shoulder.
There were signs of this wedding on every side. Walls and ceilings had been hung with garlands, and these still clung to the mantelpiece and over and around the various doorways. Torn-off branches and the remnants of old bouquets, dropped from the hands of flying guests, littered the carpet, adding to the general confusion of overturned chairs and tables. Everywhere were evidences of the haste with which the place had been vacated as well as the superstitious dread which had prevented it being re-entered for the commonplace purpose of cleaning. Even the piano had not been shut, and under it lay some scattered sheets of music which had been left where they fell, to the probable loss of some poor musician. The clock occupying the center of the mantelpiece alone gave evidence of life. It had been wound for the wedding and had not yet run down. Its tick-tick came faint enough, however, through the darkness, as if it too had lost heart and would soon lapse into the deadly quiet of its ghostly surroundings.
"It's it's funeral-like," chattered Hibbard.
He was right; I felt as if I were shutting the lid of a coffin when I finally closed the door.
Our next steps took us into the rear where we found little to detain us, and then, with a certain dread fully justified by the event, we made for the door defined by the two Corinthian columns.
It was ajar like the rest, and, call me coward or call me fool—I have called Hibbard both, you will remember—I found that it cost me an effort to lay my hand on its mahogany panels. Danger, if danger there was, lurked here; and while I had never known myself to quail before any ordinary antagonist, I, like others of my kind, have no especial fondness for unseen and mysterious perils.
Hibbard, who up to this point had followed me almost too closely, now accorded me all the room that was necessary. It was with a sense of entering alone upon the scene that I finally thrust wide the door and crossed the threshold of this redoubtable room where, but two short weeks before, a fresh victim had been added to the list of those who had by some unheard-of, unimaginable means found their death within its recesses.
My first glance showed me little save the ponderous outlines of an old settle, which jutted from the corner of the fireplace half way out into the room. As it was seemingly from this seat that the men, who at various times had been found lying here, had fallen to their doom, a thrill passed over me as I noted its unwieldy bulk and the deep shadow it threw on the ancient and dishonored hearthstone. To escape the ghastly memories it evoked and also to satisfy myself that the room was really as empty as it seemed, I took another step forward. This caused the light from the lantern I carried to spread beyond the point on which it had hitherto been so effectively concentrated; but the result was to emphasize rather than detract from the extreme desolation of the great room. The settle was a fixture, as I afterwards found, and was almost the only article of furniture to be seen on the wide expanse of uncarpeted floor. There was a table or two in hiding somewhere amid the shadows at the other end from where I stood, and possibly some kind of stool or settee; but the general impression made upon me was that of a completely dismantled place given over to moth and rust.
I do not include the walls. They were not bare like the floor, but covered with books from floor to ceiling. These books were not the books of to-day; they had stood so long in their places unnoted and untouched, that they had acquired the color of fungus, and smelt— Well, there is no use adding to the picture. Every one knows the spirit of sickening desolation pervading rooms which have been shut up for an indefinite length of time from air and sunshine.
The elegance of the heavily stuccoed ceiling, admitted to be one of the finest specimens of its kind in Washington, as well as the richness of the carvings ornamenting the mantel of Italian marble rising above