The Filigree Ball. Green Anna Katharine
my way back to the front of the house and thus to the stairs communicating with the upper floor.
It was on the rug lying at the foot of these stairs that I came upon the first of a dozen or more burned matches which lay in a distinct trail up the staircase and along the floors of the upper halls. As these matches were all burned as short as fingers could hold them, it was evident that they had been used to light the steps of some one seeking refuge above, possibly in the very room where we had seen the light which had first drawn us to this house. How then? Should I proceed or await the coming of the "boys" before pushing in upon a possible murderer? I decided to proceed, fascinated, I think, by the nicety of the trail which lay before me.
But when, after a careful following in the steps of him who had so lately preceded me, I came upon a tightly closed door at the end of aside passage, I own that I stopped a moment before lifting hand to it. So much may lie behind a tightly closed door! But my hesitation, if hesitation it was, lasted but a moment. My natural impatience and the promptings of my vanity overcame the dictates of my judgment, and, reckless of consequences, perhaps disdainful of them, I soon had the knob in my grasp. I gave a slight push to the door and, on seeing a crack of light leap into life along the jamb, pushed the door wider and wider till the whole room stood revealed.
The instantaneous banging of a shutter in one of its windows proved the room to be the very one which we had seen lighted from below. Otherwise all was still; nor was I able to detect, in my first hurried glance, any other token of human presence than a candle sputtering in its own grease at the bottom of a tumbler placed on one corner of, an old-fashioned dressing table. This, the one touch of incongruity in a room otherwise rich if not stately in its appointments, was loud in its suggestion of some hidden presence given to expedients and reckless of consequences; but of this presence nothing was to be seen.
Not satisfied with this short survey,-a survey which had given me the impression of a spacious old-fashioned chamber, fully furnished but breathing of the by-gone rather than of the present—and resolved to know the worst, or, rather, to dare the worst and be done with it, I strode straight into the center of the room and cast about me quickly a comprehensive glance which spared nothing, not even the shadows lurking in the corners. But no low-lying figure started up from those corners, nor did any crouching head rise into sight from beyond the leaves of the big screen behind which I was careful to look.
Greatly reassured, and indeed quite convinced that wherever the criminal lurked at that moment he was not in the same room with me, I turned my attention to my surroundings, which had many points of interest. Foremost among these was the big four-poster which occupied a large space at my right. I had never seen its like in use before, and I was greatly attracted by its size and the air of mystery imparted to it by its closely drawn curtains of faded brocade. In fact, this bed, whether from its appearance or some occult influence inherent in it, had a fascination for me. I hesitated to approach it, yet could not forbear surveying it long and earnestly. Could it be possible that those curtains concealed some one in hiding behind them? Strange to say I did not feel quite ready to lay hand on them and see.
A dressing table laden with woman's fixings and various articles of the toilet, all of an unexpected value and richness, occupied the space between the two windows; and on the floor, immediately in front of a high mahogany mantel, there lay, amid a number of empty boxes, an overturned chair. This chair and the conjectures its position awakened led me to look up at the mantel with which it seemed to be in some way connected, and thus I became aware of a wan old drawing hanging on the wall above it. Why this picture, which was a totally uninteresting sketch of a simpering girl face, should have held my eye after the first glance, I can not say even now. It had no beauty even of the sentimental kind and very little, if any, meaning. Its lines, weak at the best, were nearly obliterated and in some places quite faded out. Yet I not only paused to look at it, but in looking at it forgot myself and well-nigh my errand. Yet there was no apparent reason for the spell it exerted over me, nor could I account in any way for the really superstitious dread which from this moment seized me, making my head move slowly round with shrinking backward looks as that swaying shutter creaked or some of the fitful noises, which grow out of silence in answer to our inner expectancy, drew my attention or appalled my sense.
To all appearance there was less here than below to affect a man's courage. No inanimate body with the mark of the slayer upon it lent horror to these walls; yet sensations which I had easily overcome in the library below clung with strange insistence to me here, making it an effort for me to move, and giving to the unexpected reflection of my own image in the mirror I chanced to pass, a power to shock my nerves which has never been repeated in my experience.
It may seem both unnecessary and out of character for a man of my calling to acknowledge these chance sensations, but only by doing so can I account for the minutes which elapsed before I summoned sufficient self-possession to draw aside the closed curtains of the bed and take the quick look inside which my present doubtful position demanded. But once I had broken the spell and taken the look just mentioned, I found my manhood return and with it my old ardor for clues. The bed held no gaping, chattering criminal; yet was it not quite empty. Something lay there, and this something, while commonplace in itself, was enough out of keeping with the place and hour to rouse my interest and awaken my conjectures. It was a lady's wrap so rich in quality and of such a festive appearance that it was astonishing to find it lying in a neglected state in this crumbling old house. Though I know little of the cost of women's garments, I do know the value of lace, and this garment was covered with it.
Interesting as was this find, it was followed by one still more so. Nestled in the folds of the cloak, lay the withered remains of what could only have been the bridal bouquet. Unsightly now and scentless, it was once a beautiful specimen of the florist's art. As I noted how the main bunch of roses and lilies was connected by long satin ribbons to the lesser clusters which hung from it, I recalled with conceivable horror the use to which a similar ribbon had been put in the room below. In the shudder called up by this coincidence I forgot to speculate how a bouquet carried by the bride could have found its way back to this upstairs room when, as all accounts agree, she had fled from the parlor below without speaking or staying foot the moment she was told of the catastrophe which had taken place in the library. That her wrap should be lying here was not strange, but that the wedding bouquet—
That it really was the wedding bouquet and that this was the room in which the bride had dressed for the ceremony was apparent to the most casual observer. But it became an established fact when in my further course about the room I chanced on a handkerchief with the name Veronica embroidered in one corner.
This handkerchief had an interest apart from the name on it. It was of dainty texture and quite in keeping, so far as value went, with the other belongings of its fastidious owner. But it was not clean. Indeed it was strangely soiled, and this soil was of a nature I did not readily understand. A woman would doubtless have comprehended immediately the cause of the brown streaks I found on it, but it took me several minutes to realize that this bit of cambric, delicate as a cobweb, had been used to remove dust. To remove dust! Dust from what? From the mantel-shelf probably, upon one end of which I found it. But no! one look along the polished boards convinced me that whatever else had been dusted in this room this shelf had not. The accumulation of days, if not of months, was visible from one end to the other of its unrelieved surface save where the handkerchief had lain, and—the greatest discovery yet—where five clear spots just to the left of the center showed where some man's finger-tips had rested. Nothing but the pressure of fingertips could have caused just the appearance presented by these spots. By scrutinizing them closely I could even tell where the thumb had rested, and at once foresaw the possibility of determining by means of these marks both the size and shape of the hand which had left behind it so neat and unmistakable a clue.
Wonderful! but what did it all mean? Why should a man rest his finger-tips on this out-of-the-way shelf? Had he done so in an effort to balance himself for a look up the chimney? No; for then the marks made by his fingers would have extended to the edge of the shelf, whereas these were in the middle of it. Their shape, too, was round, not oblong; hence, the pressure had come from above and—ah! I had it, these impressions in the dust of the shelf were just such as would be made by a person steadying himself for a close look at the old picture. And this accounted also for the overturned chair, and for the handkerchief used as a duster. Some