McTeague: A Story of San Francisco. Frank Norris
upon this mud bank; a wrecked and abandoned wharf crawled over it on tottering legs; close in an old sailboat lay canted on her bilge.
But farther on, across the yellow waters of the bay, beyond Goat Island, lay San Francisco, a blue line of hills, rugged with roofs and spires. Far to the westward opened the Golden Gate, a bleak cutting in the sand-hills, through which one caught a glimpse of the open Pacific.
The station at B Street was solitary; no trains passed at this hour; except the distant rag-pickers, not a soul was in sight. The wind blew strong, carrying with it the mingled smell of salt, of tar, of dead seaweed, and of bilge. The sky hung low and brown; at long intervals a few drops of rain fell.
Near the station Trina and McTeague sat on the roadbed of the tracks, at the edge of the mud bank, making the most out of the landscape, enjoying the open air, the salt marshes, and the sight of the distant water. From time to time McTeague played his six mournful airs upon his concertina.
After a while they began walking up and down the tracks, McTeague talking about his profession, Trina listening, very interested and absorbed, trying to understand.
“For pulling the roots of the upper molars we use the cowhorn forceps,” continued the dentist, monotonously. “We get the inside beak over the palatal roots and the cow-horn beak over the buccal roots—that’s the roots on the outside, you see. Then we close the forceps, and that breaks right through the alveolus—that’s the part of the socket in the jaw, you understand.”
At another moment he told her of his one unsatisfied desire. “Some day I’m going to have a big gilded tooth outside my window for a sign. Those big gold teeth are beautiful, beautiful—only they cost so much, I can’t afford one just now.”
“Oh, it’s raining,” suddenly exclaimed Trina, holding out her palm. They turned back and reached the station in a drizzle. The afternoon was closing in dark and rainy. The tide was coming back, talking and lapping for miles along the mud bank. Far off across the flats, at the edge of the town, an electric car went by, stringing out a long row of diamond sparks on the overhead wires.
“Say, Miss Trina,” said McTeague, after a while, “what’s the good of waiting any longer? Why can’t us two get married?”
Trina still shook her head, saying “No” instinctively, in spite of herself.
“Why not?” persisted McTeague. “Don’t you like me well enough?”
“Yes.”
“Then why not?”
“Because.”
“Ah, come on,” he said, but Trina still shook her head.
“Ah, come on,” urged McTeague. He could think of nothing else to say, repeating the same phrase over and over again to all her refusals.
“Ah, come on! Ah, come on!”
Suddenly he took her in his enormous arms, crushing down her struggle with his immense strength. Then Trina gave up, all in an instant, turning her head to his. They kissed each other, grossly, full in the mouth.
A roar and a jarring of the earth suddenly grew near and passed them in a reek of steam and hot air. It was the Overland, with its flaming headlight, on its way across the continent.
The passage of the train startled them both. Trina struggled to free herself from McTeague. “Oh, please! please!” she pleaded, on the point of tears. McTeague released her, but in that moment a slight, a barely perceptible, revulsion of feeling had taken place in him. The instant that Trina gave up, the instant she allowed him to kiss her, he thought less of her. She was not so desirable, after all. But this reaction was so faint, so subtle, so intangible, that in another moment he had doubted its occurrence. Yet afterward it returned. Was there not something gone from Trina now? Was he not disappointed in her for doing that very thing for which he had longed? Was Trina the submissive, the compliant, the attainable just the same, just as delicate and adorable as Trina the inaccessible? Perhaps he dimly saw that this must be so, that it belonged to the changeless order of things—the man desiring the woman only for what she withholds; the woman worshipping the man for that which she yields up to him. With each concession gained the man’s desire cools; with every surrender made the woman’s adoration increases. But why should it be so?
Trina wrenched herself free and drew back from McTeague, her little chin quivering; her face, even to the lobes of her pale ears, flushed scarlet; her narrow blue eyes brimming. Suddenly she put her head between her hands and began to sob.
“Say, say, Miss Trina, listen—listen here, Miss Trina,” cried McTeague, coming forward a step.
“Oh, don’t!” she gasped, shrinking. “I must go home,” she cried, springing to her feet. “It’s late. I must. I must. Don’t come with me, please. Oh, I’m so—so,”—she could not find any words. “Let me go alone,” she went on. “You may—you come Sunday. Good-by.”
“Good-by,” said McTeague, his head in a whirl at this sudden, unaccountable change. “Can’t I kiss you again?” But Trina was firm now. When it came to his pleading—a mere matter of words—she was strong enough.
“No, no, you must not!” she exclaimed, with energy. She was gone in another instant. The dentist, stunned, bewildered, gazed stupidly after her as she ran up the extension of B Street through the rain.
But suddenly a great joy took possession of him. He had won her. Trina was to be for him, after all. An enormous smile distended his thick lips; his eyes grew wide, and flashed; and he drew his breath quickly, striking his mallet-like fist upon his knee, and exclaiming under his breath:
“I got her, by God! I got her, by God!” At the same time he thought better of himself; his self-respect increased enormously. The man that could win Trina Sieppe was a man of extraordinary ability.
Trina burst in upon her mother while the latter was setting a mousetrap in the kitchen.
“Oh, mamma!”
“Eh? Trina? Ach, what has happun?”
Trina told her in a breath.
“Soh soon?” was Mrs. Sieppe’s first comment. “Eh, well, what you cry for, then?”
“I don’t know,” wailed Trina, plucking at the end of her handkerchief.
“You loaf der younge doktor?”
“I don’t know.”
“Well, what for you kiss him?”
“I don’t know.”
“You don’ know, you don’ know? Where haf your sensus gone, Trina? You kiss der doktor. You cry, and you don’ know. Is ut Marcus den?”
“No, it’s not Cousin Mark.”
“Den ut must be der doktor.”
Trina made no answer.
“Eh?”
“I—I guess so.”
“You loaf him?”
“I don’t know.”
Mrs. Sieppe set down the mousetrap with such violence that it sprung with a sharp snap.
CHAPTER 6
No, Trina did not know. “Do I love him? Do I love him?” A thousand times she put the question to herself during the next two or three days. At night she hardly slept, but lay broad awake for hours in her little, gayly painted bed, with its white netting, torturing herself with doubts and questions. At times she remembered the scene in the station with a veritable agony of shame, and at other times she was ashamed to recall it with a thrill of joy. Nothing could have been more sudden, more unexpected, than that surrender of herself. For over a year she had thought that Marcus would some day be her husband. They would be married, she supposed, some time in the future, she did not know exactly when; the matter did not take definite shape in her mind. She liked Cousin Mark very well. And then suddenly this cross-current had set in; this blond giant had appeared, this huge, stolid fellow, with his immense, crude strength. She had not loved him at first, that was certain.