We Are Not Such Things: A Murder in a South African Township and the Search for Truth and Reconciliation. Литагент HarperCollins USD
rel="nofollow" href="#fb3_img_img_99dacc01-ecf5-56d2-b464-9a4f5d626271.jpg"/>
I was twelve when Amy Biehl was killed, and not up on international news, so I had never heard of her. Now, with no friends in South Africa and only a bit of freelance work trickling in, I had plenty of time to burrow into that Internet rabbit hole. I began to look into the story of the young white scholar attacked by the black mob. The tale had been covered at length, with over 100,000 search results on Google. For days, I read articles and studied images. The murder had been so odd, the fury so misplaced, and the choice of victim so ironic. The story, as it rolled out before me in backlit print, conveniently followed along the country’s timeline for the past nearly two decades: oppression, inequality, activism, protest, race-based violence, imprisonment, freedom, amnesty, reconciliation. Over the years, the headlines themselves traced the arc of recent history:
A BRUTALIZED GENERATION TURNS ITS RAGE ON WHITES
(The New York Times, 1993)
THREE BLACKS FOUND GUILTY OF “RACIST” KILLING
(The Herald, Glasgow, 1994)
SOUTH AFRICANS APOLOGIZE TO FAMILY OF AMERICAN VICTIM
(The New York Times, 1997)
4 SOUTH AFRICAN KILLERS OF U.S. STUDENT GET AMNESTY
(Chicago Tribune, 1998)
BIEHL PARENT, APARTHEID FIGHTER BRIDGE GAP
(The Santa Fe New Mexican, 2004)
IN SOUTH AFRICA, AN IMPROBABLE TALE OF FORGIVENESS
(Los Angeles Times, 2008)
This was a microcosm of South Africa for twenty years, and it was the hopeful story people liked to tell and be told. The oppressed, once driven to wanton disorder, now displayed an unreal spirit of forgiveness. They were led by Mandela himself, who, after twenty-seven years in prison, forgave his oppressors. At his inauguration, his jailer was given VIP seating. The end result was white people and black people who had endured a terrible time locked in an embrace. As far as stories go, Amy Biehl’s was pretty perfect in terms of PR for South Africa, the rainbow nation. And America, with its generous ambassadors in the form of Linda and Peter and martyred activist Amy, didn’t come out too badly either. The whole thing was so peculiar that I couldn’t stop reading about it.
Over dinner, I reported my findings to Sam, who had been fourteen at the time of Amy’s death and eighteen during the Truth and Reconciliation Commission hearings, and so remembered her name and the basics of the story, but not much more. I went over the murder, the particularly undeserving victim, the famed amnesty, the remarkable show of mercy, the close relationship between the mother and the men, who even called Linda Biehl “Grandmother” in Xhosa.
I mentioned it to my conservative in-laws, who didn’t understand why anyone would ever reward their daughter’s killers with a job. Their dinner guests were equally unimpressed by the tale—the general story they knew by heart but the details they only vaguely remembered. One posited that such a gesture might encourage other black folks to kill white girls in order to score jobs, and she could not be dissuaded by the fact that over the course of nearly twenty years, nobody had ever done such a thing. Later that week, as Sam and I sat in the park by the sea, I expounded upon the story again.
“You sound pretty interested in this,” he finally said. “Why don’t you write about it?”
In the following days, I tried to locate a book on the subject, convinced that surely somebody had already covered this singular story at length. Indeed, many journalists had filed reports in all forms of media. There had been documentaries and talk shows. A South African playwright, inspired by Linda Biehl’s act of compassion, had even written a fictionalized account, Mother to Mother, which she then adapted into a one-woman play that toured every few years. But nobody had ever written a book.
So I drafted a letter to Linda, and sent it to an email address at her Cape Town–based foundation. I explained myself: I would like to examine the story of Amy’s life, her death, and what happened after—including your and Mr. Biehl’s forgiveness of and relationship with Easy Nofemela and Ntobeko Peni, and the continued work of the foundation—and to write about it, possibly something book-length. I’d like to explore who Amy was and how she got here, as well as what her life and legacy means for South Africa today, nearly twenty years after her death and the end of apartheid.
Thirteen hours passed and then a little red circle appeared on my mail app: I would be happy to chat … almost 20 years has passed since the event occurred and the story like South Africa is very complicated. You are welcome to call.
Show me a hero and I will write you a tragedy.
—F. SCOTT FITZGERALD
I called Linda Biehl in January 2012, a day after receiving her email. After her husband’s sudden death from colon cancer ten years earlier, Linda had sold her Newport Beach house and had thus far not settled down elsewhere. She kept no permanent residence, and instead hopped around the States, flashing her Delta gold card, crashing with her three surviving children in Florida, Pennsylvania, and California, and helping out with the grandkids—and there were six, divided among the households. Once or twice a year, she bought a ticket to South Africa and went to check up on her foundation. Universities and private organizations sometimes hired her to give a speech on reconciliation. Journalists writing about South Africa or forgiveness or an activist’s murder called her once in a while for a quote.
I’d expected a reticent woman, soft-spoken and probably super-Christian. How else, I wondered, but for a serious devotion to biblical standards with which I was admittedly unfamiliar, could a person so intensely forgive and love those who had so powerfully sinned against her?
“No, I find Christianity to be as hypocritical as anything in the world can be,” Linda said during our first conversation. I hadn’t asked her a thing about religion; Linda had just offered it up.
Linda was an engaging storyteller whose tales were dotted with full names of individuals both grand and obscure. She repeated her favorite stories at length, their details precise and unwavering, before she veered off, and I was left with notebooks full of loops, question marks, and arrows. And though she rarely paused long enough for anyone to interrupt her, I soon found that she would eventually, unaided, answer any question I might have, and more. Simply put, she spoke so much and had presumably been asked the same predictable questions so many times that she ended up covering nearly every relevant topic without being asked.
“Religion has nothing to do with it,” she said during the first conversation.
I wanted to ask: So what does have to do with it? But she was already talking about her fascination with traditional Xhosa beliefs, and about how she once got sick swilling home brew in an unsealed clay mug in the township. She talked about how the white dinner party circuit bored and upset her; she recalled how a wealthy Cape Town hostess had once asked her to lie silently on a reclining chair in the parlor of a mansion and listen to classical music before eating delivery pizza—a misguided attempt at highbrow entertaining.
“I blame sanctions!” she said. Apartheid-era sanctions were imposed on the country by an international community that had, by the 1980s, become increasingly disapproving of the country’s race-based legislation. Sanctions deprived South Africans of Western popular culture, prevented their beloved Springbok rugby and cricket teams from competing internationally, stymied the economy, and forced the elite to make up their own weird interpretations of European-style sophistication. White people tended to be obsessed with Europe and America, and they craved the fancy mores practiced in those far-off lands. But they were separated from them, and could only turn to each other. The result, which endured, seemed to be that a group of people, using rumors passed down from those who had visited abroad, had more or less imagined a collection of styles and manners. The older set still adored frilly and opulent