City of Djinns. William Dalrymple

City of Djinns - William  Dalrymple


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on us, we are dependent on him.’

      As if in deliberate subversion of the Mahatma’s message, Mr Lal held in his hands the Times of India, open at its sports page. The paper formed a barrier between Mr Lal and the asylumful of supplicants who were bobbing up and down in front of him, holding out chits of paper, arching their hands in a gesture of namaste or wobbling their turbans from side to side in mute frustration. A Punjabi lady sat weeping in a corner, repeating over and over again: ‘But I have a letter from the Minister of State for Communications … but I have a letter … a letter …’ Menials passed silently to and fro through the door, carrying files and sheaves of xeroxes. Behind Mr Lal, placed there for apparently purely decorative purposes, sat a dead computer.

      When Mr Lal eventually deigned to lower his paper—which he did with infinite slowness, folding it into perfect quarters—he rang a bell and ordered one of his peons to bring him a cup of tea.

      ‘Right,’ he said, looking up for the first time. ‘Who’s first?’

      A hundred hands were raised, but one voice stood out: ‘I am.’

      The speaker pushed himself forward, holding together his bulging dhoti with one hand. He was an enormously fat man, perhaps seventy years old, with heavy plastic glasses and grey stubble on his chin.

      ‘My name is Sunil Gupta—please call me Sunny.’ He strode forward and grabbed Mr Lal by the hand, shaking it with great verve.

      ‘I am a nationalist,’ said Mr Gupta. ‘A nationalist and a freedom fighter. I am also an independent candidate in the forthcoming municipal elections. My election office will be opposite Western Court, adjacent to the paan shop. I want a temporary telephone connection, and would be most grateful if you could expedite.’ He stroked his belly. ‘Early action would be highly appreciated.’

      ‘Have you already applied for a connection?’ asked Mr Lal.

      ‘No, gentleman,’ said Sunny Gupta. ‘This is what I am doing now.’

      ‘First applications Room 101. Next, please.’

      ‘But,’ said Mr Gupta. ‘I have to maintain contact with my constituents. I need a phone immediately. I would be very grateful if you would expedite a VVIP connection without delay.’

      ‘Are you a member of the Lok Sabha?’

      ‘No. I …’

      ‘In that case you must contact Mr Dharam Vir …’

      ‘Gentleman, please listen …’

      ‘… in Room 101.’

      With a great flourish, Mr Gupta pulled a much-pawed piece of paper from his waistcoat pocket. ‘Gentleman,’ he said. ‘Please be looking here. This is my manifesto.’

      Across the top of the piece of paper, in huge red letters, was blazoned the slogan: A NATIONALIST TO THE CORE AND A FREEDOM FIGHTER. Mr Gupta straightened his glasses and read from the charter:

      ‘I was a Founder Member cum Chairman of the Religious and Social Institute of India, Patna Branch …’

      Mr Lal was meanwhile studying the application of the weeping Punjabi lady. He read it twice and, frowning, initialled it at the top right-hand corner: ‘See Mr Sharma for countersignature. Room 407.’

      The woman broke down in a convulsion of grateful sobs. Beside her Mr Gupta was still in full flood:

      ‘… I am ex-member of the Publicity Committee of the All-India Congress I, Bhagalpur division. Ex-Joint Secretary of the Youth Congress Committee, Chote Nagpur, Bihar. I am a poet and a journalist. A war hero from the 1965 Indo-Pak war, Jaisalmer sector …’

      ‘Madam,’ continued Mr Lal. ‘Please make payment with Mr Surwinder Singh, accounts, Room 521.’

      ‘… I was the founder editor of Sari, the Hindi monthly for women and Kalidasa, the biannual literary journal of Patna. I have donated five acres of land for the Chote Nagpur Cow Hospital. Four times I have been jailed by the Britishers for services to Mother Bharat.’

      ‘If you think it is bad now,’ said Mr Lal, taking my application. ‘You should see this office on Fridays. That’s the busiest time.’

      I left Mr Lal’s office at noon. By four-thirty I had queued inside a total of nine different offices, waiting in each for the magic letter, seal, signature, counter-signature, demand note, restoration order or receipt which would, at some stage in the far distant future, lead to my being granted a telephone.

      ‘Phone will be connected within two months,’ said Mr Lal as he shook my hand, the obstacle course completed. ‘Two months no problem. Or maybe little longer. Backlog is there.’

      Mr Gupta was still sitting at the back of Mr Lal’s office. He was quiet now, though still tightly clutching at his election manifesto. I gave him a sympathetic wave as I left.

      ‘To think,’ he said, ‘that I was in British prison seven times with Gandhiji for this.’

      At his desk, Mr Lal had returned to the sports page of the Times of India.

      Although parts of the city still preserved the ways of the Mughal period or even the early Middle Ages, Delhi was nevertheless changing, and changing fast.

      Mr Gupta’s world—the cosy world of the Freedom Struggle, of homespun Congress Socialism and the Non-aligned Movement—all of it was going down; driving around New Delhi you could almost feel the old order crumbling as you watched, disappearing under a deluge of Japanese-designed Maruti cars, concrete shopping plazas and high-rise buildings. Satellite dishes now outnumber the domes of the mosques and the spires of the temples. There was suddenly a lot of money about: no longer did the rich go up to Simla for the summer; they closed their apartments and headed off to London or New York.

      The most visible change was in the buildings. When I first saw Delhi it was still a low-rise colonial capital, dominated by long avenues of white plaster Lutyens bungalows. The bungalows gave New Delhi its character: shady avenues of jamun and ashupal trees, low red-brick walls gave on to hundreds of rambling white colonial houses with their broken pediments and tall Ionic pillars.

      One of my strongest memories from my first visit was sitting in the garden of one of the bungalows, a glass to hand, with my legs raised up on a Bombay Fornicator (one of those wickerwork planter’s chairs with extended arms, essential to every colonial veranda). In front lay a lawn dotted with croquet hoops; behind, the white bow-front of one of this century’s most inspired residential designs. Over the rooftops there was not a skyscraper to be seen. Yet I was not in some leafy suburb, but in the very centre of New Delhi. Its low-rise townscape was then unique among modern capitals, a last surviving reminder of the town planning of a more elegant age.

      Now, perhaps inevitably, it was gradually being destroyed: new structures were fast replacing the bungalows; huge Legoland blocks were going up on all the arterial roads radiating from Connaught Circus. The seventeenth-century salmon-pink observatory of Rajah Man Singh—the Jantar Mantar—lay dwarfed by the surrounding high-rise towers that seemed purpose-built to obscure its view of the heavens. Over the great ceremonial way which led from Lutyens’s Viceroy’s House to India Gate now towered a hideous glass and plastic greenhouse called the Meridien Hotel.

      Other, still more unsympathetic blocks were already planned. On Kasturba Gandhi Marg (originally Curzon Road) only two of the old Italianate villas still survived, and one of these was in severe disrepair. Its plaster was peeling and its garden lay untended and overgrown. In front of its gate stood a huge sign:

      A PROJECT FROM THE HOUSE OF EROS

       ULTRAMODERN DELUXE MULTISTOREYED

       RESIDENCE APTS.

      COMPLETION DATE 1994.

      It was said that not one private Lutyens bungalow would survive undemolished by the turn of the century.

      There were other changes, too. The damburst of western goods and ideas that were now pouring into


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