The Notebooks of Leonardo Da Vinci. Complete. Leonardo da Vinci
at f h to d c. The ray of light will be weaker in proportion to its distance from the hole through which it falls.
FIFTH BOOK ON LIGHT AND SHADE
Principles of reflection (203. 204).
203
OF THE WAY IN WHICH THE SHADOWS CAST BY OBJECTS OUGHT TO BE DEFINED.
If the object is the mountain here figured, and the light is at the point a, I say that from b d and also from c f there will be no light but from reflected rays. And this results from the fact that rays of light can only act in straight lines; and the same is the case with the secondary or reflected rays.
204
The edges of the derived shadow are defined by the hues of the illuminated objects surrounding the luminous body which produces the shadow.
On reverberation.
205
OF REVERBERATION.
Reverberation is caused by bodies of a bright nature with a flat and semi opaque surface which, when the light strikes upon them, throw it back again, like the rebound of a ball, to the former object.
WHERE THERE CAN BE NO REFLECTED LIGHTS.
All dense bodies have their surfaces occupied by various degrees of light and shade. The lights are of two kinds, one called original, the other borrowed. Original light is that which is inherent in the flame of fire or the light of the sun or of the atmosphere. Borrowed light will be reflected light; but to return to the promised definition: I say that this luminous reverberation is not produced by those portions of a body which are turned towards darkened objects, such as shaded spots, fields with grass of various height, woods whether green or bare; in which, though that side of each branch which is turned towards the original light has a share of that light, nevertheless the shadows cast by each branch separately are so numerous, as well as those cast by one branch on the others, that finally so much shadow is the result that the light counts for nothing. Hence objects of this kind cannot throw any reflected light on opposite objects.
Reflection on water (206. 207).
206
PERSPECTIVE.
The shadow or object mirrored in water in motion, that is to say in small wavelets, will always be larger than the external object producing it.
207
It is impossible that an object mirrored on water should correspond in form to the object mirrored, since the centre of the eye is above the surface of the water.
This is made plain in the figure here given, which demonstrates that the eye sees the surface a b, and cannot see it at l f, and at r t; it sees the surface of the image at r t, and does not see it in the real object c d. Hence it is impossible to see it, as has been said above unless the eye itself is situated on the surface of the water as is shown below [13].
[Footnote: A stands for ochio [eye], B for aria [air], C for acqua [water], D for cateto [cathetus].—In the original MS. the second diagram is placed below line 13.]
Experiments with the mirror (208-210).
208
THE MIRROR.
If the illuminated object is of the same size as the luminous body and as that in which the light is reflected, the amount of the reflected light will bear the same proportion to the intermediate light as this second light will bear to the first, if both bodies are smooth and white.
209
Describe how it is that no object has its limitation in the mirror but in the eye which sees it in the mirror. For if you look at your face in the mirror, the part resembles the whole in as much as the part is everywhere in the mirror, and the whole is in every part of the same mirror; and the same is true of the whole image of any object placed opposite to this mirror, &c.
210
No man can see the image of another man in a mirror in its proper place with regard to the objects; because every object falls on [the surface of] the mirror at equal angles. And if the one man, who sees the other in the mirror, is not in a direct line with the image he will not see it in the place where it really falls; and if he gets into the line, he covers the other man and puts himself in the place occupied by his image. Let n o be the mirror, b the eye of your friend and d your own eye. Your friend's eye will appear to you at a, and to him it will seem that yours is at c, and the intersection of the visual rays will occur at m, so that either of you touching m will touch the eye of the other man which shall be open. And if you touch the eye of the other man in the mirror it will seem to him that you are touching your own.
Appendix:—On shadows in movement (211. 212).
211
OF THE SHADOW AND ITS MOTION.
When two bodies casting shadows, and one in front of the other, are between a window and the wall with some space between them, the shadow of the body which is nearest to the plane of the wall will move if the body nearest to the window is put in transverse motion across the window. To prove this let a and b be two bodies placed between the window n m and the plane surface o p with sufficient space between them as shown by the space a b. I say that if the body a is moved towards s the shadow of the body b which is at c will move towards d.
212
OF THE MOTION OF SHADOWS.
The motion of a shadow is always more rapid than that of the body which produces it if the light is stationary. To prove this let a be the luminous body, and b the body casting the shadow, and d the shadow. Then I say that in the time while the solid body moves from b to c, the shadow d will move to e; and this proportion in the rapidity of the movements made in the same space of time, is equal to that in the length of the space moved over. Thus, given the proportion of the space moved over by the body b to c, to that moved over by the shadow d to e, the proportion in the rapidity of their movements will be the same.
But if the luminous body is also in movement with a velocity equal to that of the solid body, then the shadow and the body that casts it will move with equal speed. And if the luminous body moves more rapidly than the solid body, the motion of the shadow will be slower than that of the body casting it.
But if the luminous body moves more slowly than the solid body, then the shadow will move more rapidly than that body.
SIXTH BOOK ON LIGHT AND SHADE
The effect of rays passing through holes (213. 214).
213
PERSPECTIVE.
If you transmit the rays of the sun through a hole in the shape of a star you will see a beautiful effect of perspective in the spot where the sun's rays fall.
[Footnote: In this and the following chapters of MS. C the order of the original paging has been adhered to, and is shown in parenthesis. Leonardo himself has but rarely worked out the subject of these propositions. The space left for the purpose has occasionally been made use of for quite different matter. Even the numerous diagrams, most of them very delicately sketched, lettered and numbered, which occur on these pages, are hardly ever explained, with the exception of those few which are here given.]
214
No small hole can so modify the convergence of rays of light as to prevent, at a long distance, the transmission of the true form of the luminous body causing them. It is impossible that rays of light passing through a parallel [slit], should not display the form of the body causing them, since all the effects produced