The White Moll. Frank L. Packard
unreal, like one dreaming that one is dreaming. And then, suddenly, she looked at her watch, and the straight little shoulders squared resolutely back. The hallucination, if she chose to call it that, was not yet over! It was twenty minutes of one, and there was still Skarbolov's—and her promise.
She quickened her pace. She did not like this promise that she had made; but, on the other hand, she had not made it either lightly or impulsively. She had no regrets on that score. She would make it again under the same conditions. How could she have done otherwise? It would have been to stand aside and permit a crime to be committed which she was assured was easily within her power to prevent. What excuse could she have had for that? Fear wasn't an excuse. She did not like the thought of entering the back door of a store in the middle of the night like a thief, and, like a thief, taking away that hidden money. She knew she was going to be afraid, horribly afraid—it frightened her now—but she could not let that fear make a moral coward of her.
Her hands clenched at her sides. She would not allow herself to dwell upon that phase of it! She was going to Skarbolov's, and that was all there was to it. The only thing she really had to fear was that she should lose even a single unnecessary moment in getting there. Half past one, Gypsy Nan had said. That should give her ample time; but the quicker she went, the wider the margin of safety.
Her thoughts reverted to Gypsy Nan. What had the woman meant by her last few wandering words? They had nothing to do with Skarbolov's, that was certain; but the words came back now insistently. "Seven-three-nine." What did "seven-three-nine" mean? She shook her head helplessly. Well, what did it matter? She dismissed further consideration of it. She repeated to herself Gypsy Nan's directions for finding the spring of the secret drawer. She forced herself to think of anything that would bar the entry of that fear which stood lurking at the threshold of her mind.
From time to time she consulted her watch—and each time hurried the faster.
It was five minutes past one when, stealing silently along a black lane, and counting against the skyline the same number of buildings she had previously counted on the street from the corner, she entered an equally black yard, and reached the back door of Skarbolov's little store. She felt out with her hands and found the padlock, and her fingers pressed on the link in the chain that Gypsy Nan had described. It gave readily. She slipped it free, and opened the door. There was faint, almost inaudible, protesting creak from the hinges. She caught her breath quickly. Had anybody heard it? It—it had seemed like a cannon shot. And then her lips curled in sudden self-contempt. Who was there to hear it?
She stepped forward, closed the door silently behind her, and drew out her flashlight. The ray cut through the blackness. She was in what seemed like a small, outer storeroom, that was littered with an untidy collection of boxes, broken furniture, and odds and ends of all sorts. Ahead of her was an open door, and, through this, the flashlight disclosed the shop itself. She switched off the light now as she moved forward-there were the front windows, and, used too freely, the light might by some unlucky chance be noticed from the street.
And now, in the darkness again, she reached the doorway of the shop. She had not made any noise. She assured herself of that. She had never known that she could move so silently before—and—and—Yes, she would fight down this panic that was seizing her! She would! It would only take a minute now—just another minute—if—if she would only keep her head and her nerve. That was what Gypsy Nan had said. She only needed to keep her nerve. She had never lost it in the face of many a really serious danger when with her father—why should she now, when there was nothing but the silence and the darkness to be afraid of!
The flashlight went on again, its ray creeping inquisitively now along the rear wall of the shop. It held finally on an escritoire over in the far corner at her right.
Once more the light went out. She moved swiftly across the floor, and in a moment more was bending over the escritoire. And now, with her body hiding the flashlight's rays from the front windows, she examined the desk. It was an old-fashioned, spindle-legged affair, with a nest of pigeonholes and multifarious little drawers. One of the drawers, wider than any of the others, and in the center, was obviously the one to which Gypsy Nan referred. She pulled out the drawer, and in the act of reaching inside, suddenly drew back her hand. What was that? Instinctively she switched off the flashlight, and stood tense and rigid in the darkness.
A minute passed-another. Still she listened. There was no sound—unless—unless she could actually hear the beating of her heart. Fancy! Imagination! The darkness played strange tricks! It—it wasn't so easy to keep one' s nerve. She could have sworn that she had heard some sort of movement back there down the shop.
Angry with herself, she thrust her hand into the opening now and felt hurriedly around. Yes, there it was! Her fingers touched what was evidently a little knob or button. She pressed upon it. There was a faint, answering click. She turned on the flashlight again. What had before appeared to be nothing but one of the wide, pearl inlaid partitions between two of the smaller drawers, was protruding invitingly outward now by the matter of an inch or so. Rhoda Gray pulled it open. It was very shallow, scarcely three-quarters of an inch in depth, but it was quite long enough, and quite wide enough for its purpose! Inside, there lay a little pile of banknotes, banknotes of very large denomination—the one on top was a thousand-dollar bill.
She reached in and took out the money-and then from Rhoda Gray's lips there came a little cry, the flashlight dropped from her hand and smashed to the floor, and she was clinging desperately to the edge of the escritoire for support. The shop was flooded with light. Over by the side wall, one hand still on the electric-light switch, the other holding a leveled revolver, stood a man.
And then the man spoke—with an oath—with curious amazement:
"My God—a woman!"
She did not speak, or stir. It seemed as though not fear, but horror now, held her powerless to move her limbs. Her first swift brain-flash had been that it was one of Gypsy Nan's accomplices here ahead of the appointed time. That would have given her cause, all too much of cause, for fear; but it was not one of Gypsy Nan's accomplices, and, far worse than the fear of any physical attack upon her, was the sense of ruin and disaster that the realization of a quite different and more desperate situation brought her now. She knew the man. She had seen those square, heavy, clamped jaws scores of times. Those sharp, restless black eyes under over-hanging, shaggy eyebrows were familiar to the whole East Side. It was Rorke—"Rough" Rorke, of headquarters.
He came toward her, and halfway across the room another exclamation burst from his lips; but this time it held a jeer, and in the jeer a sort of cynical and savage triumph.
"The White Moll!"
He was close beside her now, and now he snatched from her hand the banknotes that, all unconsciously, she had still been clutching tightly.
"So this is what all the sweet charity's been about, eh?" he snapped. "The White Moll, the Little Saint of the East Side, that lends a helping hand to the crooks to get 'em back on the straight and narrow again! The White Moll-hell! You crooked little devil!"
Again she did not answer. Her mind was clear now, brutally clear, brutally keen, brutally virile. What was there for her to say? She was caught here at one o'clock in the morning after breaking into the place, caught red-handed in the very act of taking the money. What story could she tell that would clear her of that! That she had taken it so that it wouldn't be stolen, and that she was going to give it back in the morning? Was there anybody in the world credulous enough to believe anything like that! Tell Gypsy Nan's story, all that had happened to-night? Yes, she might have told that to-morrow, after she had returned the money, and been believed. But now-no! It would even make her appear in a still worse light. They would credit her with being a member of this very gang to which Gypsy Nan belonged, one in the secrets of an organized band of criminals, who was trying to clear her own skirts at the expense of her confederates. Everything, every act of hers to-night, pointed to that construction being placed upon her story, pointed to duplicity. Why had she hidden the identity of Gypsy Nan? Why had she not told the police that a crime was to be committed, and left it to the police to frustrate it? It would fit in with the story, of course—but the story was the result of having been caught in the act of stealing