The Complete Works of Robert Browning: Poems, Plays, Letters & Biographies in One Edition. Robert Browning

The Complete Works of Robert Browning: Poems, Plays, Letters & Biographies in One Edition - Robert  Browning


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sudden engagements, outrageous weather &c., to your heart's content. Nor am I going to except against here and there a little wrong I could get up, as when you imply from my quick impulses and the like. No, my dear friend—for I seem sure I shall have quite, quite time enough to do myself justice in your eyes—Let time show!

      Perhaps I feel none the less sorely, when you 'thank' me for such company as mine, that I cannot avoid confessing to myself that it would not be so absolutely out of my power, perhaps, to contrive really and deserve thanks in a certain acceptation—I might really try, at all events, and amuse you a little better, when I do have the opportunity,—and I do not—but there is the thing! It is all of a piece—I do not seek your friendship in order to do you good—any good—only to do myself good. Though I would, God knows, do that too.

      Enough of this.

      I am much better, indeed,—but will certainly follow your advice should the pain return. And you—you have tried a new journey from your room, have you not?

      Do recollect, at any turn, any chance so far in my favour,—that I am here and yours should you want any fetching and carrying in this outside London world. Your brothers may have their own business to mind, Mr. Kenyon is at New York, we will suppose; here am I—what else, what else makes me count my cleverness to you, as I know I have done more than once, by word and letter, but the real wish to be set at work? I should have, I hope, better taste than to tell any everyday acquaintance, who could not go out, one single morning even, on account of a headache, that the weather was delightful, much less that I had been walking five miles and meant to run ten—yet to you I boasted once of polking and waltzing and more—but then would it not be a very superfluous piece of respect in the four-footed bird to keep his wings to himself because his Master Oceanos could fly forsooth? Whereas he begins to wave a flap and show how ready they are to be off—for what else were the good of him? Think of this—and

      Know me for yours

      R.B.

      For good you are, to those notes—you shall have more,—that is, the rest—on Wednesday then, at 3, except as you except. God bless you.

      Oh, let me tell you—I suppose Mr. Horne must be in town—as I received a letter two days ago, from the contriver of some literary society or other who had before written to get me to belong to it, protesting against my reasons for refusing, and begging that 'at all events I would suspend my determination till I had been visited by Mr. H. on the subject'—and, as they can hardly mean to bring him express from the Drachenfels for just that, he is returned no doubt—and as he is your friend, I take the opportunity of mentioning the course I shall pursue with him or any other friend of yours I may meet,—(and everybody else, I may add—) the course I understand you to desire, with respect to our own intimacy. While I may acknowledge, I believe, that I correspond with you, I shall not, in any case, suffer it to be known that I see, or have seen you. This I just remind you of, lest any occasion of embarrassment should arise, for a moment, from your not being quite sure how I had acted in any case.—Con che, le bacio le mani—a rivederla!

      E.B.B. to R.B.

      Tuesday Morning.

       [Post-mark, June 10, 1845.]

      I must thank you by one word for all your kindness and consideration—which could not be greater; nor more felt by me. In the first place, afterwards (if that should not be Irish dialect) do understand that my letter passed from my hands to go to yours on Friday, but was thrown aside carelessly down stairs and 'covered up' they say, so as not to be seen until late on Saturday; and I can only humbly hope to have been cross enough about it (having conscientiously tried) to secure a little more accuracy another time.—And then, ... if ever I should want anything done or found, ... (a roc's egg or the like) you may believe me that I shall not scruple to ask you to be the finder; but at this moment I want nothing, indeed, except your poems; and that is quite the truth. Now do consider and think what I could possibly want in your 'outside London world'; you, who are the 'Genius of the lamp'!—Why if you light it and let me read your romances, &c., by it, is not that the best use for it, and am I likely to look for another? Only I shall remember what you say, gratefully and seriously; and if ever I should have a good fair opportunity of giving you trouble (as if I had not done it already!), you may rely upon my evil intentions; even though dear Mr. Kenyon should not actually be at New York, ... which he is not, I am glad to say, as I saw him on Saturday.

      Which reminds me that he knows of your having been here, of course! and will not mention it; as he understood from me that you would not.—Thank you! Also there was an especial reason which constrained me, on pain of appearing a great hypocrite, to tell Miss Mitford the bare fact of my having seen you—and reluctantly I did it, though placing some hope in her promise of discretion. And how necessary the discretion is, will appear in the awful statistical fact of our having at this moment, as my sisters were calculating yesterday, some forty relations in London—to say nothing of the right wing of the enemy. For Mr. Horne, I could have told you, and really I thought I had told you of his being in England.

      Last paragraph of all is, that I don't want to be amused, ... or rather that I am amused by everything and anything. Why surely, surely, you have some singular ideas about me! So, till to-morrow,

      E.B.B.

      Instead of writing this note to you yesterday, as should have been, I went down-stairs—or rather was carried—and am not the worse.

      E.B.B. to R.B.

      Friday.

       [Post-mark, June 14, 1845.]

      Yes, the poem is too good in certain respects for the prizes given in colleges, (when all the pure parsley goes naturally to the rabbits), and has a great deal of beauty here and there in image and expression. Still I do not quite agree with you that it reaches the Tennyson standard any wise; and for the blank verse, I cannot for a moment think it comparable to one of the grand passages in 'Oenone,' and 'Arthur' and the like. In fact I seem to hear more in that latter blank verse than you do, ... to hear not only a 'mighty line' as in Marlowe, but a noble full orbicular wholeness in complete passages—which always struck me as the mystery of music and great peculiarity in Tennyson's versification, inasmuch as he attains to these complete effects without that shifting of the pause practised by the masters, ... Shelley and others. A 'linked music' in which there are no links!—that, you would take to be a contradiction—and yet something like that, my ear has always seemed to perceive; and I have wondered curiously again and again how there could be so much union and no fastening. Only of course it is not model versification—and for dramatic purposes, it must be admitted to be bad.

      Which reminds me to be astonished for the second time how you could think such a thing of me as that I wanted to read only your lyrics, ... or that I 'preferred the lyrics' ... or something barbarous in that way? You don't think me 'ambidexter,' or 'either-handed' ... and both hands open for what poems you will vouchsafe to me; and yet if you would let me see anything you may have in a readable state by you, ... 'The Flight of the Duchess' ... or act or scene of 'The Soul's Tragedy,' ... I shall be so glad and grateful to you! Oh—if you change your mind and choose to be bien prié, I will grant it is your right, and begin my liturgy directly. But this is not teazing (in the intention of it!) and I understand all about the transcription, and the inscrutableness of rough copies,—that is, if you write as I do, so that my guardian angel or M. Champollion cannot read what is written. Only whatever they can, (remember!) I can: and you are not to mind trusting me with the cacistography possible to mortal readers.

      The sun shines so that nobody dares complain of the east wind—and indeed I am better altogether. May God bless you, my dear friend.

      E.B.B.

      R.B. to E.B.B.

      [Post-mark, June 14, 1845.]

      When I ask my wise self what I really do remember of the Prize poem, the answer is—both


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