A Woman-Hater. Charles Reade
Her next song was encored, and she came off flushed with art and gratified pride. “I have no fears now,” said she, to her Achates, firmly. “I have my barometer; a young lady in the stalls. Oh, such a beautiful creature, with black hair and eyes! She applauds me fearlessly. Her glorious eyes speak to mine, and inspire me. She is happy, she is. I drink sunbeams at her. I shall act and sing 'Le Parlate d'Amor' for her—and you will see.”
Between the acts, who should come in but Ned Severne, and glided into the vacant stall by Zoe's side.
She quivered at his coming near her; he saw it, and felt a thrill of pleasure himself.
“How is 'S. T.'?” said she, kindly.
“'S. T.'?” said he, forgetting.
“Why, your sick friend, to be sure.”
“Oh, not half so bad as he thought. I was a fool to lose an hour of you for him. He was hipped; had lost all his money at rouge et noir. So I lent him fifty pounds, and that did him more good than the doctor. You forgive me?”
“Forgive you? I approve. Are you going back to him?” said she, demurely.
“No, thank you, I have made sacrifices enough.”
And so indeed he had, having got cleaned out of three hundred pounds through preferring gambling to beauty.
“Singers good?” he inquired.
“Wretched, all but one; and she is divine.”
“Indeed. Who is she?”
“I don't know. A gentleman in black came out—”
“Mephistopheles?”
“No—how dare you?—and said a singer that had retired would perform the part of 'Siebel, to oblige; and she has obliged me for one. She is, oh, so superior to the others! Such a heavenly contralto; and her upper notes, honey dropping from the comb. And then she is so modest, so dignified, and so beautiful. She is fair as a lily; and such a queen-like brow, and deep, gray eyes, full of sadness and soul. I'm afraid she is not happy. Once or twice she fixed them on me, and they magnetized me, and drew me to her. So I magnetized her in return. I should know her anywhere fifty years hence. Now, if I were a man, I should love that woman and make her love me.”
“Then I am very glad you are not a man,” said Severne, tenderly.
“So am I,” whispered Zoe, and blushed. The curtain rose.
“Listen now, Mr. Chatterbox,” said Zoe.
Ned Severne composed himself to listen; but Fraulein Graas had not sung many bars before he revolted. “Listen to what?” said he; “and look at what? The only Marguerite in the place is by my side.”
Zoe colored with pleasure; but her good sense was not to be blinded. “The only good black Mephistophe-less you mean,” said she. “To be Marguerite, one must be great, and sweet, and tender; yes, and far more lovely than ever woman was. That lady is a better color for the part than I am; but neither she nor I shall ever be Marguerite.”
He murmured in her ear. “You are Marguerite, for you could fire a man's heart so that he would sell his soul to gain you.”
It was the accent of passion and the sensitive girl quivered. Yet she defended herself—in words, “Hush!” said she. “That is wicked—out of an opera. Fanny would laugh at you, if she heard.”
Here were two reasons for not making such hot love in the stalls of an opera. Which of the two weighed most with the fair reasoner shall be left to her own sex.
The brief scene ended with the declaration of the evil spirit that Marguerite is lost.
“There,” said Zoe, naively, “that is over, thank goodness: now you will hear my singer.”
Siebel and Marta came on from opposite sides of the stage. “See!” said Zoe, “isn't she lovely?” and she turned her beaming face full on Severne, to share her pleasure with him. To her amazement the man seemed transformed: a dark cloud had come over his sunny countenance. He sat, pale, and seemed to stare at the tall, majestic, dreamy singer, who stood immovable, dressed like a velvet youth, yet looking like no earthly boy, but a draped statue of Mercury,
“New lighted on a heaven-kissing hill.”
The blood left his lips, and Zoe thought he was faint; but the next moment he put his handkerchief hastily to his nose, and wriggled his way out, with a rush and a crawl, strangely combined, at the very moment when the singer delivered her first commanding note of recitative.
Everybody about looked surprised and disgusted at so ill-timed an exit; but Zoe, who had seen his white face, was seriously alarmed, and made a movement to rise too, and watch, or even follow him; but, when he got to the side, he looked back to her, and made her a signal that his nose was bleeding, but it was of no great consequence. He even pointed with his finger out and then back again, indicating he should not be long gone.
This re-assured her greatly; for she had always been told a little bleeding of that sort was good for hot-headed young people. Then the singer took complete hold of her. The composer, to balance the delightful part of Marguerite, has given Siebel a melody with which wonders can be done; and the Klosking had made a considerable reserve of her powers for this crowning effort. After a recitative that rivaled the silver trumpet, she flung herself with immediate and electrifying ardor into the melody; the orchestra, taken by surprise, fought feebly for the old ripple; but the Klosking, resolute by nature, was now mighty as Neptune, and would have her big waves. The momentary struggle, in which she was loyally seconded by the conductor, evoked her grand powers. Catgut had to yield to brains, and the whole orchestra, composed, after all, of good musicians, soon caught the divine afflatus, and the little theater seemed on fire with music; the air, sung with a large rhythm, swelled and rose, and thrilled every breast with amazement and delight; the house hung breathless: by-and-by there were pale cheeks, panting bosoms, and wet eyes, the true, rare triumphs of the sovereigns of song; and when the last note had pealed and ceased to vibrate, the pent-up feelings broke forth in a roar of applause, which shook the dome, followed by a clapping of hands, like a salvo, that never stopped till Ina Klosking, who had retired, came forward again.
She courtesied with admirable dignity, modesty, and respectful gravity, and the applause thundered, and people rose at her in clusters about the house, and waved their hats and handkerchiefs at her, and a little Italian recognized her, and cried out as loud as he could, “Viva la Klosking! viva!” and she heard that, and it gave her a thrill; and Zoe Vizard, being out of England, and, therefore, brave as a lioness, stood boldly up at her full height, and, taking her bouquet in her right hand, carried it swiftly to her left ear, and so flung it, with a free back-handed sweep, more Oriental than English, into the air, and it lighted beside the singer; and she saw the noble motion, and the bouquet fly, and, when she made her last courtesy at the wing, she fixed her eyes on Zoe, and then put her hand to her heart with a most touching gesture that said, “Most of all I value your bouquet and your praise.”
Then the house buzzed, and ranks were leveled; little people spoke to big people, and big to little, in mutual congratulation; for at such rare moments (except in Anglo-Saxony) instinct seems to tell men that true art is a sunshine of the soul, and blesses the rich and the poor alike.
One person was affected in another way. Harrington Vizard sat rapt in attention, and never took his eyes off her, yet said not a word.
Several Russian and Prussian grandees sought an introduction to the new singer. But she pleaded fatigue.
The manager entreated her to sup with him, and meet the Grand Duke of Hesse. She said she had a prior engagement.
She went quietly home, and supped with her faithful Ashmead, and very heartily too; for nature was exhausted, and agitation had quite spoiled her dinner.
Joseph Ashmead, in the pride of his heart, proposed a bottle of champagne. The Queen of Song,