The Complete Poems of Robert Browning - 22 Poetry Collections in One Edition. Robert Browning

The Complete Poems of Robert Browning - 22 Poetry Collections in One Edition - Robert  Browning


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Of Otho, “my own Este shall supplant

       “Your Este,” come to pass. The sire led in

       A son as cruel; and this Ecelin

       Had sons, in turn, and daughters sly and tall

       And curling and compliant; but for all

       Romano (so they styled him) throve, that neck

       Of his so pinched and white, that hungry cheek

       Proved ‘t was some fiend, not him, the man’s-flesh went

       To feed: whereas Romano’s instrument,

       Famous Taurello Salinguerra, sole

       I’ the world, a tree whose boughs were slipt the bole

       Successively, why should not he shed blood

       To further a design? Men understood

       Living was pleasant to him as he wore

       His careless surcoat, glanced some missive o’er,

       Propped on his truncheon in the public way,

       While his lord lifted writhen hands to pray,

       Lost at Oliero’s convent.

      Hill-cats, face

       Our Azzo, our Guelf Lion! Why disgrace

       A worthiness conspicuous near and far

       (Atii at Rome while free and consular,

       Este at Padua who repulsed the Hun)

       By trumpeting the Church’s princely son?

       — Styled Patron of Rovigo’s Polesine,

       Ancona’s march, Ferrara’s… ask, in fine,

       Our chronicles, commenced when some old monk

       Found it intolerable to be sunk

       (Vexed to the quick by his revolting cell)

       Quite out of summer while alive and well:

       Ended when by his mat the Prior stood,

       ‘Mid busy promptings of the brotherhood,

       Striving to coax from his decrepit brains

       The reason Father Porphyry took pains

       To blot those ten lines out which used to stand

       First on their charter drawn by Hildebrand.

      The same night wears. Verona’s rule of yore

       Was vested in a certain Twenty-four;

       And while within his palace these debate

       Concerning Richard and Ferrara’s fate,

       Glide we by clapping doors, with sudden glare

       Of cressets vented on the dark, nor care

       For aught that ‘s seen or heard until we shut

       The smother in, the lights, all noises but

       The carroch’s booming: safe at last! Why strange

       Such a recess should lurk behind a range

       Of banquet-rooms? Your finger — thus — you push

       A spring, and the wall opens, would you rush

       Upon the banqueters, select your prey,

       Waiting (the slaughter-weapons in the way

       Strewing this very bench) with sharpened ear

       A preconcerted signal to appear;

       Or if you simply crouch with beating heart,

       Bearing in some voluptuous pageant part

       To startle them. Nor mutes nor masquers now;

       Nor any… does that one man sleep whose brow

       The dying lamp-flame sinks and rises o’er?

       What woman stood beside him? not the more

       Is he unfastened from the earnest eyes

       Because that arras fell between! Her wise

       And lulling words are yet about the room,

       Her presence wholly poured upon the gloom

       Down even to her vesture’s creeping stir.

       And so reclines he, saturate with her,

       Until an outcry from the square beneath

       Pierces the charm: he springs up, glad to breathe,

       Above the cunning element, and shakes

       The stupor off as (look you) morning breaks

       On the gay dress, and, near concealed by it,

       The lean frame like a half-burnt taper, lit

       Erst at some marriage-feast, then laid away

       Till the Armenian bridegroom’s dying day,

       In his wool wedding-robe.

      For he — for he,

       Gate-vein of this hearts’ blood of Lombardy,

       (If I should falter now) — for he is thine!

       Sordello, thy forerunner, Florentine!

       A herald-star I know thou didst absorb

       Relentless into the consummate orb

       That scared it from its right to roll along

       A sempiternal path with dance and song

       Fulfilling its allotted period,

       Serenest of the progeny of God —

       Who yet resigns it not! His darling stoops

       With no quenched lights, desponds with no blank troops

       Of disenfranchised brilliances, for, blent

       Utterly with thee, its shy element

       Like thine upburneth prosperous and clear.

       Still, what if I approach the august sphere

       Named now with only one name, disentwine

       That undercurrent soft and argentine

       From its fierce mate in the majestic mass

       Leavened as the sea whose fire was mixt with glass

       In John’s transcendent vision, — launch once more

       That lustre? Dante, pacer of the shore

       Where glutted hell disgorgeth filthiest gloom,

       Unbitten by its whirring sulphur-spume —

       Or whence the grieved and obscure waters slope

       Into a darkness quieted by hope;

       Plucker of amaranths grown beneath God’s eye

       In gracious twilights where his chosen lie, —

       I would do this! If I should falter now!

      In Mantua territory half is slough,

       Half pinetree forest; maples, scarlet oaks

       Breed o’er the river-beds; even Mincio chokes

       With sand the summer through: but ‘t is morass

       In winter up to Mantua walls. There was,

       Some thirty years before this evening’s coil,

       One spot reclaimed from the surrounding spoil,

       Goito; just a castle built amid

       A few low mountains; firs and larches hid

       Their main defiles, and rings of vineyard bound

       The rest. Some captured creature in a pound,

       Whose artless wonder quite precludes distress,

       Secure beside in its own loveliness,

       So peered with airy head, below, above,

       The castle at


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