The Complete Poems of Robert Browning - 22 Poetry Collections in One Edition. Robert Browning

The Complete Poems of Robert Browning - 22 Poetry Collections in One Edition - Robert  Browning


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Was made of intersecting cedar beams?

       Worn now with gaps so large, there blew cold streams

       Of air quite from the dungeon; lay your ear

       Close and ‘t is like, one after one, you hear

       In the blind darkness water drop. The nests

       And nooks retain their long ranged vesture-chests

       Empty and smelling of the iris root

       The Tuscan grated o’er them to recruit

       Her wasted wits. Palma was gone that day,

       Said the remaining women. Last, he lay

       Beside the Carian group reserved and still.

      The Body, the Machine for Acting Will,

       Had been at the commencement proved unfit;

       That for Demonstrating, Reflecting it,

       Mankind — no fitter: was the Will Itself

       In fault?

      His forehead pressed the moonlit shelf

       Beside the youngest marble maid awhile;

       Then, raising it, he thought, with a long smile,

       “I shall be king again!” as he withdrew

       The envied scarf; into the font he threw

       His crown

      Next day, no poet! “Wherefore?” asked

       Taurello, when the dance of Jongleurs, masked

       As devils, ended; “don’t a song come next?”

       The master of the pageant looked perplexed

       Till Naddo’s whisper came to his relief.

       “His Highness knew what poets were: in brief,

       “Had not the tetchy race prescriptive right

       “To peevishness, caprice? or, call it spite,

       “One must receive their nature in its length

       “And breadth, expect the weakness with the strength!”

       — So phrasing, till, his stock of phrases spent,

       The easy-natured soldier smiled assent,

       Settled his portly person, smoothed his chin,

       And nodded that the bull-bait might begin.

      SORDELLO BOOK THE THIRD.

       Table of Contents

      And the font took them: let our laurels lie!

       Braid moonfern now with mystic trifoly

       Because once more Goito gets, once more,

       Sordello to itself! A dream is o’er,

       And the suspended life begins anew;

       Quiet those throbbing temples, then, subdue

       That cheek’s distortion! Nature’s strict embrace,

       Putting aside the past, shall soon efface

       Its print as well — factitious humours grown

       Over the true — loves, hatreds not his own —

       And turn him pure as some forgotten vest

       Woven of painted byssus, silkiest

       Tufting the Tyrrhene whelk’s pearl-sheeted lip,

       Left welter where a trireme let it slip

       I’ the sea, and vexed a satrap; so the stain

       O’ the world forsakes Sordello, with its pain,

       Its pleasure: how the tinct loosening escapes,

       Cloud after cloud! Mantua’s familiar shapes

       Die, fair and foul die, fading as they flit,

       Men, women, and the pathos and the wit,

       Wise speech and foolish, deeds to smile or sigh

       For, good, bad, seemly or ignoble, die.

       The last face glances through the eglantines,

       The last voice murmurs, ‘twixt the blossomed vines,

       Of Men, of that machine supplied by thought

       To compass self-perception with, he sought

       By forcing half himself — an insane pulse

       Of a god’s blood, on clay it could convulse,

       Never transmute — on human sights and sounds,

       To watch the other half with; irksome bounds

       It ebbs from to its source, a fountain sealed

       Forever. Better sure be unrevealed

       Than part revealed: Sordello well or ill

       Is finished: then what further use of Will,

       Point in the prime idea not realized,

       An oversight? inordinately prized,

       No less, and pampered with enough of each

       Delight to prove the whole above its reach.

       “To need become all natures, yet retain

       “The law of my own nature — to remain

       “Myself, yet yearn … as if that chestnut, think,

       “Should yearn for this first larch-bloom crisp and pink,

       “Or those pale fragrant tears where zephyrs stanch

       “March wounds along the fretted pinetree branch!

       “Will and the means to show will, great and small,

       “Material, spiritual, — abjure them all

       “Save any so distinct, they may be left

       “To amuse, not tempt become! and, thus bereft,

       “Just as I first was fashioned would I be!

       “Nor, moon, is it Apollo now, but me

       “Thou visitest to comfort and befriend!

       “Swim thou into my heart, and there an end,

       “Since I possess thee! — nay, thus shut mine eyes

       “And know, quite know, by this heart’s fall and rise,

       “When thou dost bury thee in clouds, and when

       “Out-standest: wherefore practise upon men

       “To make that plainer to myself?”

      Slide here

       Over a sweet and solitary year

       Wasted; or simply notice change in him —

       How eyes, once with exploring bright, grew dim

       And satiate with receiving. Some distress

       Was caused, too, by a sort of consciousness

       Under the imbecility, — nought kept

       That down; he slept, but was aware he slept,

       So, frustrated: as who brainsick made pact

       Erst with the overhanging cataract

       To deafen him, yet still distinguished plain

       His own blood’s measured clicking at his brain.

      To finish. One declining Autumn day —

       Few birds about the heaven chill and grey,

       No wind that cared trouble the tacit woods —

       He sauntered home complacently, their moods

       According, his and nature’s. Every spark

      


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