When Ghost Meets Ghost. William De Morgan
in a sort of undress uniform, beginning at the top in an equivocal Tam-o'-Shanter hat, sauntered into the cul-de-sac to which Sapps Court was an appendix. He appeared to be unconcerned in human affairs, and indeed independent of Time, Space, and Circumstance. He addressed a creature that was hanging upside down on some railings, apparently by choice.
"What sort of a name does this here archway go by?" said he, without acute curiosity.
"That's Sappses Court," said the creature, remaining inverted. "Say it ain't?" He appeared to identify the uniform he was addressing, and added:—"There ain't a fire down that Court, 'cos I knows and I'm a telling of yer. You'd best hook it." The uniform hooked nothing. Then, in spite of the creature—who proved, right-side-up, to be Michael Ragstroar—shouting after him—"You ain't wanted down that Court!" he entered it deliberately, whistling a song then popular, whose singer wished he was with Nancy, he did, he did, in a second floor, with a small back-door, to live and die with Nancy.
Having identified Sapps, he seemed to know quite well which house he wanted, for he went straight to the end and knocked at No. 7.
"Sakes alive!" said Aunt M'riar, responsive to the knock. "There's no fire here."
"I'm off duty," said the fireman briefly. "I've come to tell you about your young customer at the Hospital."
Aunt M'riar behaved heroically. There was only, to her thinking, one chance in ten that this strange, inexplicable messenger should have brought any other news to their house than that of its darling's death; but that one chance was enough to make her choke back a scream, lest Uncle Mo should have one moment of needless despair. And else—it shot across her mind in a second—might not a sudden escape from despair even be fatal to that weak heart of his? So Aunt M'riar pulled to the door behind her to say, with an effort:—"Is he dead?" The universe swam about outside while she stood still, and something hummed in her head. But through it she heard the fireman say:—"Not he!" as of one endowed with a great vitality, one who would take a deal of killing. When he added:—"He's spoke," though she believed her ears certainly, for she ran back into the kitchen crying out:—"He's spoke, Mo, he's spoke!" she did it with a misgiving that the only interpretation she could see her way to must be wrong—was altogether too good to be true.
Uncle Mo fairly shouted with joy, and this time woke Dolly, who thought it was a calamity, and wept. Fully five minutes of incoherent rejoicing followed, and then details might be rounded off. The fireman had to stand by his engine on the night-shift in an hour's time, but he saw his way to a pipe, and lit it.
"They're always interested to hear the ending-up of things at the Station," said he, to account for himself and his presence, "and I made it convenient to call round at the Ward. The party that took the child from me happened to be there, and knew me again." He, of course—but you would guess this—was Peter Jackson of Engine 67A. He continued:—"The party was so obliging as to take me into the Ward to the bedside. And it was while I was there the little chap began talking. The party asked me to step in and mention it to you, ma'am, or his uncle, seeing it was in my road to the Station." Then Peter Jackson seemed to feel his words needed extenuation or revision. "Not but I would have gone a bit out of the way, for that matter!" said he.
"'Twouldn't be any use my looking round now, I suppose?" said Uncle Mo. Because he always was that restless and fidgety.
"Wait till to-morrow, they said, the party and the nurse. By reason the child might talk a bit and then get some healthy sleep. What he's had these few days latterly don't seem to count." Thus Peter Jackson, and Uncle Moses said he had seen the like. And then all three of them made the place smokier and smokier you could hardly make out across the room.
"Mo's an impatient old cock, you see!" said Mr. Alibone, who seemed to understand Peter Jackson, and vice versa. And Uncle Mo said:—"I suppose I shall have to mark time." To which the others replied that was about it.
"Only whatever did the young child say, mister?" said Aunt M'riar; like a woman's curiosity, to know. But those other two, they was curious underneath-like; only denied it.
"I couldn't charge my memory for certain, ma'am," said Peter Jackson, "and might very easy be wrong." He appeared to shrink from the responsibility of making a report, but all his hearers were agreed that there was no call to cut things so very fine as all that. A rough outline would meet the case.
"If it ran to nonsense in a child," said Uncle Mo—"after all, what odds?" And Aunt M'riar said:—"Meanin' slips through the words sometimes, and no fault to find." She had not read "Rabbi Ben Ezra," so this was original.
Peter Jackson endeavoured to charge his memory, or perhaps more properly, to discharge it. Dave had said first thing when he opened his eyes:—"The worty will be all over the hedge. Let me go to stop the worty." Of course, this had been quite unintelligible to his hearers. However, Mr. Alibone and Uncle Mo were au fait enough of the engineering scheme that had led to the accident, to supply the explanation. Dave's responsibility as head engineer had been on his conscience all through his spell of insensibility, and had been the earliest roused matter of thought when the light began to break.
Besides, it so chanced that testimony was forthcoming to support this view and confirm Dave's sanity. Dolly, who had been awakened by the noise, had heard enough to convey to her small mind that something pleasant had transpired in relation to Dave. Though young, she had a certain decision of character. Her behaviour was lawless, but not unnatural. She climbed out of her wooden crib in Aunt M'riar's bedroom, and slipping furtively down the stair which led direct to the kitchen, succeeded in bounding on to the lap of her uncle; from which, once established, she knew it would be difficult for her aunt to dislodge her. She crowed with delight at the success of this escapade, and had the satisfaction of being, as it were, confirmed in her delinquency by her aunt wrapping a shawl round her. This was partly on the score of the cold draughts in such a high wind, partly as a measure of public decency. She was in time to endorse her uncle's explanation of Dave's speech intelligibly enough, with a due allowance of interpretation.
Closely reported, the substance of her commentary ran as follows—"Dave tooktited the mud when I fessed him the mud in my flock"—this was illustrated in a way that threatened to outrage a sensitive propriety, the speaker's aunt's—"and spooshed up the worty and spooshed up the worty"—this repetition had great value—"and spooshtited the worty back, and then there wasn't no more mud … it was all fessed away in my flock. … All dorn!—ass, it was—all dorn!"—this was in a minor key, and thrilled with pathos—"and Dave dode to fess more where the new mud was, and was took to the Horsetickle and never come back no more. … " At this point it seemed best to lay stress upon the probable return of Dave, much to Dolly's satisfaction; though she would have been better pleased if a date had been fixed.
Our own belief is that Dolly thought the Horsetickle was an institution for the relief of sufferers from accidents occasioned by horses, and that no subsequent experience ever entirely dissipated this impression. The chances are that nine or ten of the small people one sees daily and thinks of as "the children," are laying up, even at this moment, some similar fancy that will last a lifetime. But this is neither here nor there.
What is more to the purpose is that a fortnight later Dave was brought home in a cab—the only cab that is recorded in History as having ever deliberately stood at the entrance to Sapps Court, with intent. Cabs may have stood there in connection with other doorways in the cul-de-sac, but ignoring proudly the archway with the iron post. Dave was carried down the Court by his uncle with great joy, and Michael Ragstroar seized the opportunity to tie himself somehow round the axle of the cab's backwheels, and get driven some distance free of charge.
Dave, as seen by Dolly on his return, was still painfully white, and could not walk. And Dolly might not come banging and smashing down on him like a little elephant, because it would hurt him; so she had to be good. The elephant simile was due to a lady—no doubt well-meaning—who accompanied Dave from the Hospital, and came more than once to see him afterwards. But it was taking a good deal on herself to decide what Dolly ought or ought not to do to Dave.
In those days slumming proper had not set in, and the East End was only known geographically,