Quo Vadis. Henryk Sienkiewicz
the heads of senators and knights, with features, as it were, rigid and exhausted from living. The many-tongued population repeated aloud their names, with the addition of some term of praise or ridicule. Among the unordered groups pushed from time to time, advancing with measured tread, parties of soldiers, or watchers, preserving order on the streets. Around about, the Greek language was heard as often as Latin.
Vinicius, who had not been in the city for a long time, looked with a certain curiosity on that swarm of people and on that Forum Romanum, which both dominated the sea of the world and was flooded by it, so that Petronius, who divined the thoughts of his companion, called it “the nest of the Quirites—without the Quirites.” In truth, the local element was well-nigh lost in that crowd, composed of all races and nations. There appeared Ethiopians, gigantic light-haired people from the distant north, Britons, Gauls, Germans, sloping-eyed dwellers of Lericum; people from the Euphrates and from the Indus, with beards dyed brick color; Syrians from the banks of the Orontes, with black and mild eyes; dwellers in the deserts of Arabia, dried up as a bone; Jews, with their flat breasts; Egyptians, with the eternal, indifferent smile on their faces; Numidians and Africans; Greeks from Hellas, who equally with the Romans commanded the city, but commanded through science, art, wisdom, and deceit; Greeks from the islands, from Asia Minor, from Egypt, from Italy, from Narbonic Gaul. In the throng of slaves, with pierced ears, were not lacking also freemen—an idle population, which Cæsar amused, supported, even clothed—and free visitors, whom the ease of life and the prospects of fortune enticed to the gigantic city; there was no lack of venal persons. There were priests of Serapis, with palm branches in their hands; priests of Isis, to whose altar more offerings were brought than to the temple of the Capitoline Jove; priests of Cybele, bearing in their hands golden ears of rice; and priests of nomad divinities; and dancers of the East with bright head-dresses, and dealers in amulets, and snake-tamers, and Chaldean seers; and, finally, people without any occupation whatever, who applied for grain every week at the storehouses on the Tiber, who fought for lottery-tickets to the Circus, who spent their nights in rickety houses of districts beyond the Tiber, and sunny and warm days under covered porticos, and in foul eating-houses of the Subura, on the Milvian bridge, or before the “insulæ” of the great, where from time to time remnants from the tables of slaves were thrown out to them.
Petronius was well known to those crowds. Vinicius’s ears were struck continually by “Hic est!” (Here he is). They loved him for his munificence; and his peculiar popularity increased from the time when they learned that he had spoken before Cæsar in opposition to the sentence of death issued against the whole “familia,” that is, against all the slaves of the prefect Pedanius Secundus, without distinction of sex or age, because one of them had killed that monster in a moment of despair. Petronius repeated in public, it is true, that it was all one to him, and that he had spoken to Cæsar only privately, as the arbiter elegantiarum whose æsthetic taste was offended by a barbarous slaughter befitting Scythians and not Romans. Nevertheless, people who were indignant because of the slaughter loved Petronius from that moment forth. But he did not care for their love. He remembered that that crowd of people had loved also Britannicus, poisoned by Nero; and Agrippina, killed at his command; and Octavia, smothered in hot steam at the Pandataria, after her veins had been opened previously; and Rubelius Plautus, who had been banished; and Thrasea, to whom any morning might bring a death sentence. The love of the mob might be considered rather of ill omen; and the sceptical Petronius was superstitious also. He had a twofold contempt for the multitude—as an aristocrat and an æsthetic person. Men with the odor of roast beans, which they carried in their bosoms, and who besides were eternally hoarse and sweating from playing mora on the street-corners and peristyles, did not in his eyes deserve the term “human.” Hence he gave no answer whatever to the applause, or the kisses sent from lips here and there to him. He was relating to Marcus the case of Pedanius, reviling meanwhile the fickleness of that rabble which, next morning after the terrible butchery, applauded Nero on his way to the temple of Jupiter Stator. But he gave command to halt before the book-shop of Avirnus, and, descending from the litter, purchased an ornamented manuscript, which he gave to Vinicius.
“Here is a gift for thee,” said he.
“Thanks!” answered Vinicius. Then, looking at the title, he inquired, “ ‘Satyricon’? Is this something new? Whose is it?”
“Mine. But I do not wish to go in the road of Rufinus, whose history I was to tell thee, nor of Fabricius Veiento; hence no one knows of this, and do thou mention it to no man.”
“Thou hast said that thou art no writer of verses,” said Vinicius, looking at the middle of the manuscript; “but here I see prose thickly interwoven with them.”
“When thou art reading, turn attention to Trimalchion’s feast. As to verses, they have disgusted me, since Nero is writing an epic. Vitelius, when he wishes to relieve himself, uses ivory fingers to thrust down his throat; others serve themselves with flamingo feathers steeped in olive oil or in a decoction of wild thyme. I read Nero’s poetry, and the result is immediate. Straightway I am able to praise it, if not with a clear conscience, at least with a clear stomach.”
When he had said this, he stopped the litter again before the shop of Idomeneus the goldsmith, and, having settled the affair of the gems, gave command to bear the litter directly to Aulus’s mansion.
“On the road I will tell thee the story of Rufinus,” said he, “as proof of what vanity in an author may be.”
But before he had begun, they turned in to the Vicus Patricius, and soon found themselves before the dwelling of Aulus. A young and sturdy “janitor” opened the door leading to the ostium, over which a magpie confined in a cage greeted them noisily with the word, “Salve!”
On the way from the second antechamber, called the ostium, to the atrium itself, Vinicius said—“Hast noticed that thee doorkeepers are without chains?” “This is a wonderful house,” answered Petronius, in an undertone. “Of course it is known to thee that Pomponia Græcina is suspected of entertaining that Eastern superstition which consists in honoring a certain Chrestos. It seems that Crispinilla rendered her this service—she who cannot forgive Pomponia because one husband has sufficed her for a lifetime. A one-man Woman! To-day, in Rome, it is easier to get a half-plate of fresh mushrooms from Noricum than to find such. They tried her before a domestic court—”
“To thy judgment this is a wonderful house. Later on I will tell thee what I heard and saw in it.”
Meanwhile they had entered the atrium. The slave appointed to it, called atriensis, sent a nomenclator to announce the guests; and Petronius, who, imagining that eternal sadness reigned in this severe house, had never been in it, looked around with astonishment, and as it were with a feeling of disappointment, for the atrium produced rather an impression of cheerfulness. A sheaf of bright light falling from above through a large opening broke into a thousand sparks on a fountain in a quadrangular little basin, called the impluvium, which was in the middle to receive rain falling through the opening during bad weather; this was surrounded by anemones and lilies. In that house a special love for lilies was evident, for there were whole clumps of them, both white and red; and, finally, sapphire irises, whose delicate leaves were as if silvered from the spray of the fountain. Among the moist mosses, in which lily-pots were hidden, and among the bunches of lilies were little bronze statues representing children and water-birds. In one corner a bronze fawn, as if wishing to drink, was inclining its greenish head, grizzled, too, by dampness. The floor of the atrium was of mosaic; the walls, faced partly with red marble and partly with wood, on which were painted fish, birds, and griffins, attracted the eye by the play of colors. From the door to the side chamber they were ornamented with tortoise-shell or even ivory; at the walls between the doors were statues of Aulus’s ancestors. Everywhere calm plenty was evident, remote from excess, but noble and self-trusting.
Petronius, who lived with incomparably greater show and elegance, could find nothing which offended his taste; and had just turned to Vinicius with that remark, when a slave, the velarius, pushed aside the curtain separating the atrium from the tablinum, and in the depth of the building appeared Aulus Plautius approaching hurriedly.
He was a man nearing the evening of life, with a head whitened by hoar frost,