The Rise of the Dutch Republic — Complete (1555-66). John Lothrop Motley
condition of the population was prosperous. There were but few poor, and those did not seek but were sought by the almoners: The schools were excellent and cheap. It was difficult to find a child of sufficient age who could not read, write, and speak, at least, two languages. The sons of the wealthier citizens completed their education at Louvain, Douay, Paris, or Padua.
The city itself was one of the most beautiful in Europe. Placed upon a plain along the banks of the Scheld, shaped like a bent bow with the river for its string, it enclosed within it walls some of the most splendid edifices in Christendom. The world-renowned church of Notre Dame, the stately Exchange where five thousand merchants daily congregated, prototype of all similar establishments throughout the world, the capacious mole and port where twenty-five hundred vessels were often seen at once, and where five hundred made their daily entrance or departure, were all establishments which it would have been difficult to rival in any other part of the world.
From what has already been said of the municipal institutions of the country, it may be inferred that the powers of the Estates-general were limited. The members of that congress were not representatives chosen by the people, but merely a few ambassadors from individual provinces. This individuality was not always composed of the same ingredients. Thus, Holland consisted of two members, or branches—the nobles and the six chief cities; Flanders of four branches—the cities, namely, of Ghent, Bruges, Ypres, and the "freedom of Bruges;" Brabant of Louvain, Brussels, Bois le Due, and Antwerp, four great cities, without representation of nobility or clergy; Zeland, of one clerical person, the abbot of Middelburg, one noble, the Marquis of Veer and Vliessingen, and six chief cities; Utrecht, of three branches—the nobility, the clergy, and five cities. These, and other provinces, constituted in similar manner, were supposed to be actually present at the diet when assembled. The chief business of the states-general was financial; the sovereign, or his stadholder, only obtaining supplies by making a request in person, while any single city, as branch of a province, had a right to refuse the grant.
Education had felt the onward movement of the country and the times. The whole system was, however, pervaded by the monastic spirit, which had originally preserved all learning from annihilation, but which now kept it wrapped in the ancient cerecloths, and stiffening in the stony sarcophagus of a bygone age. The university of Louvain was the chief literary institution in the provinces. It had been established in 1423 by Duke John IV. of Brabant. Its government consisted of a President and Senate, forming a close corporation, which had received from the founder all his own authority, and the right to supply their own vacancies. The five faculties of law, canon law, medicine, theology, and the arts, were cultivated at the institution. There was, besides, a high school for under graduates, divided into four classes. The place reeked with pedantry, and the character of the university naturally diffused itself through other scholastic establishments. Nevertheless, it had done and was doing much to preserve the love for profound learning, while the rapidly advancing spirit of commerce was attended by an ever increasing train of humanizing arts.
The standard of culture in those flourishing cities was elevated, compared with that observed in many parts of Europe. The children of the wealthier classes enjoyed great facilities for education in all the great capitals. The classics, music, and the modern languages, particularly the French, were universally cultivated. Nor was intellectual cultivation confined to the higher orders. On the contrary, it was diffused to a remarkable degree among the hard-working artisans and handicraftsmen of the great cities.
For the principle of association had not confined itself exclusively to politics and trade. Besides the numerous guilds by which citizenship was acquired in the various cities, were many other societies for mutual improvement, support, or recreation. The great secret, architectural or masonic brotherhood of Germany, that league to which the artistic and patient completion of the magnificent works of Gothic architecture in the middle ages is mainly to be attributed, had its branches in nether Germany, and explains the presence of so many splendid and elaborately finished churches in the provinces. There were also military sodalities of musketeers, cross-bowmen, archers, swordsmen in every town. Once a year these clubs kept holiday, choosing a king, who was selected for his prowess and skill in the use of various weapons. These festivals, always held with great solemnity and rejoicing, were accompanied bye many exhibitions of archery and swordsmanship. The people were not likely, therefore, voluntarily to abandon that privilege and duty of freemen, the right to bear arms, and the power to handle them.
Another and most important collection of brotherhoods were the so-called guilds of Rhetoric, which existed, in greater or less number, in all the principal cities. These were associations of mechanics, for the purpose of amusing their leisure with poetical effusions, dramatic and musical exhibitions, theatrical processions, and other harmless and not inelegant recreations. Such chambers of rhetoric came originally in the fifteenth century from France. The fact that in their very title they confounded rhetoric with poetry and the drama indicates the meagre attainments of these early "Rederykers." In the outset of their career they gave theatrical exhibitions. "King Herod and his Deeds" was enacted in the cathedral at Utrecht in 1418. The associations spread with great celerity throughout the Netherlands, and, as they were all connected with each other, and in habits of periodical intercourse, these humble links of literature were of great value in drawing the people of the provinces into closer union. They became, likewise, important political engines. As early as the time of Philip the Good, their songs and lampoons became so offensive to the arbitrary notions of the Burgundian government, as to cause the societies to be prohibited. It was, however, out of the sovereign's power permanently to suppress institutions, which already partook of the character of the modern periodical press combined with functions resembling the show and licence of the Athenian drama. Viewed from the stand-point of literary criticism their productions were not very commendable in taste, conception, or execution. To torture the Muses to madness, to wire-draw poetry through inextricable coils of difficult rhymes and impossible measures; to hammer one golden grain of wit into a sheet of infinite platitude, with frightful ingenuity to construct ponderous anagrams and preternatural acrostics, to dazzle the vulgar eye with tawdry costumes, and to tickle the vulgar ear with virulent personalities, were tendencies which perhaps smacked of the hammer, the yard-stick and the pincers, and gave sufficient proof, had proof been necessary, that literature is not one of the mechanical arts, and that poetry can not be manufactured to a profit by joint stock companies. Yet, if the style of these lucubrations was often depraved, the artisans rarely received a better example from the literary institutions above them. It was not for guilds of mechanics to give the tone to literature, nor were their efforts in more execrable taste than the emanations from the pedants of Louvain. The "Rhetoricians" are not responsible for all the bad taste of their generation. The gravest historians of the Netherlands often relieved their elephantine labors by the most asinine gambols, and it was not to be expected that these bustling weavers and cutlers should excel their literary superiors in taste or elegance.
Philip the Fair enrolled himself as a member in one of these societies. It may easily be inferred, therefore, that they had already become bodies of recognized importance. The rhetorical chambers existed in the most obscure villages. The number of yards of Flemish poetry annually manufactured and consumed throughout the provinces almost exceed belief. The societies had regular constitutions. Their presiding officers were called kings, princes, captains, archdeacons, or rejoiced in similar high-sounding names. Each chamber had its treasurer, its buffoon, and its standard-bearer for public processions. Each had its peculiar title or blazon, as the Lily, the Marigold, or the Violet, with an appropriate motto. By the year 1493, the associations had become so important, that Philip the Fair summoned them all to a general assembly at Mechlin. Here they were organized, and formally incorporated under the general supervision of an upper or mother-society of Rhetoric, consisting of fifteen members, and called by the title of "Jesus with the balsam flower."
The sovereigns were always anxious to conciliate these influential guilds by becoming members of them in person. Like the players, the Rhetoricians were the brief abstract and chronicle of the time, and neither prince nor private person desired their ill report. It had, indeed, been Philip's intention to convert them into engines for the arbitrary purposes of his house, but fortunately the publicly organized societies were not the only chambers. On the contrary, the unchartered guilds were the moat numerous and influential. They exercised a vast influence upon the progress of the religious