The Rise of the Dutch Republic — Complete (1555-66). John Lothrop Motley
reformation, and the subsequent revolt of the Netherlands. They ridiculed, with their farces and their satires, the vices of the clergy. They dramatized tyranny for public execration. It was also not surprising, that among the leaders of the wild anabaptists who disgraced the great revolution in church and state by their hideous antics, should be found many who, like David of Delft, John of Leyden, and others, had been members of rhetorical chambers. The genius for mummery and theatrical exhibitions, transplanted from its sphere, and exerting itself for purposes of fraud and licentiousness, was as baleful in its effects as it was healthy in its original manifestations. Such exhibitions were but the excrescences of a system which had borne good fruit. These literary guilds befitted and denoted a people which was alive, a people which had neither sunk to sleep in the lap of material prosperity, nor abased itself in the sty of ignorance and political servitude. The spirit of liberty pervaded these rude but not illiterate assemblies, and her fair proportions were distinctly visible, even through the somewhat grotesque garb which she thus assumed.
The great leading recreations which these chambers afforded to themselves and the public, were the periodic jubilees which they celebrated in various capital cities. All the guilds of rhetoric throughout the Netherlands were then invited to partake and to compete in magnificent processions, brilliant costumes, living pictures, charades, and other animated, glittering groups, and in trials of dramatic and poetic skill, all arranged under the superintendence of the particular association which, in the preceding year, had borne away the prize. Such jubilees were called "Land jewels."
From the amusements of a people may be gathered much that is necessary for a proper estimation of its character. No unfavorable opinion can be formed as to the culture of a nation, whose weavers, smiths, gardeners, and traders, found the favorite amusement of their holidays in composing and enacting tragedies or farces, reciting their own verses, or in personifying moral and esthetic sentiments by ingeniously-arranged groups, or gorgeous habiliments. The cramoisy velvets and yellow satin doublets of the court, the gold-brocaded mantles of priests and princes are often but vulgar drapery of little historic worth. Such costumes thrown around the swart figures of hard-working artisans, for literary and artistic purposes, have a real significance, and are worthy of a closer examination. Were not these amusements of the Netherlanders as elevated and humanizing as the contemporary bull-fights and autos-da-fe of Spain? What place in history does the gloomy bigot merit who, for the love of Christ, converted all these gay cities into shambles, and changed the glittering processions of their Land jewels into fettered marches to the scaffold?
Thus fifteen ages have passed away, and in the place of a horde of savages, living among swamps and thickets, swarm three millions of people, the most industrious, the most prosperous, perhaps the most intelligent under the sun. Their cattle, grazing on the bottom of the sea, are the finest in Europe, their agricultural products of more exchangeable value than if nature had made their land to overflow with wine and oil. Their navigators are the boldest, their mercantile marine the most powerful, their merchants the most enterprising in the world. Holland and Flanders, peopled by one race, vie with each other in the pursuits of civilization. The Flemish skill in the mechanical and in the fine arts is unrivalled. Belgian musicians delight and instruct other nations, Belgian pencils have, for a century, caused the canvas to glow with colors and combinations never seen before. Flemish fabrics are exported to all parts of Europe, to the East and West Indies, to Africa. The splendid tapestries, silks, linens, as well as the more homely and useful manufactures of the Netherlands, are prized throughout the world. Most ingenious, as they had already been described by the keen-eyed Caesar, in imitating the arts of other nations, the skillful artificers of the country at Louvain, Ghent, and other places, reproduce the shawls and silks of India with admirable accuracy.
Their national industry was untiring; their prosperity unexampled; their love of liberty indomitable; their pugnacity proverbial. Peaceful in their pursuits, phlegmatic by temperament, the Netherlands were yet the most belligerent and excitable population of Europe. Two centuries of civil war had but thinned the ranks of each generation without quenching the hot spirit of the nation.
The women were distinguished by beauty of form and vigor of constitution. Accustomed from childhood to converse freely with all classes and sexes in the daily walks of life, and to travel on foot or horseback from one town to another, without escort and without fear, they had acquired manners more frank and independent than those of women in other lands, while their morals were pure and their decorum undoubted. The prominent part to be sustained by the women of Holland in many dramas of the revolution would thus fitly devolve upon a class, enabled by nature and education to conduct themselves with courage.
Within the little circle which encloses the seventeen provinces are 208 walled cities, many of them among the most stately in Christendom, 150 chartered towns, 6,300 villages, with their watch-towers and steeples, besides numerous other more insignificant hamlets; the whole guarded by a belt of sixty fortresses of surpassing strength.
XIV.
Thus in this rapid sketch of the course and development of the Netherland nation during sixteen centuries, we have seen it ever marked by one prevailing characteristic, one master passion—the love of liberty, the instinct of self-government. Largely compounded of the bravest Teutonic elements, Batavian and Frisian, the race ever battles to the death with tyranny, organizes extensive revolts in the age of Vespasian, maintains a partial independence even against the sagacious dominion of Charlemagne, refuses in Friesland to accept the papal yoke or feudal chain, and, throughout the dark ages, struggles resolutely towards the light, wresting from a series of petty sovereigns a gradual and practical recognition of the claims of humanity. With the advent of the Burgundian family, the power of the commons has reached so high a point, that it is able to measure itself, undaunted, with the spirit of arbitrary rule, of which that engrossing and tyrannical house is the embodiment. For more than a century the struggle for freedom, for civic life, goes on; Philip the Good, Charles the Bold, Mary's husband Maximilian, Charles V., in turn, assailing or undermining the bulwarks raised, age after age, against the despotic principle. The combat is ever renewed. Liberty, often crushed, rises again and again from her native earth with redoubled energy. At last, in the 16th century, a new and more powerful spirit, the genius of religious freedom, comes to participate in the great conflict. Arbitrary power, incarnated in the second Charlemagne, assails the new combination with unscrupulous, unforgiving fierceness. Venerable civic magistrates; haltered, grovel in sackcloth and ashes; innocent, religious reformers burn in holocausts. By the middle of the century, the battle rages more fiercely than ever. In the little Netherland territory, Humanity, bleeding but not killed, still stands at bay and defies the hunters. The two great powers have been gathering strength for centuries. They are soon to be matched in a longer and more determined combat than the world had ever seen. The emperor is about to leave the stage. The provinces, so passionate for nationality, for municipal freedom, for religious reformation, are to become the property of an utter stranger; a prince foreign to their blood, their tongue, their religion, their whole habits of life and thought.
Such was the political, religious, and social condition of a nation who were now to witness a new and momentous spectacle.
THE RISE OF THE DUTCH REPUBLIC
JOHN LOTHROP MOTLEY, D.C.L., LL.D.
1855 MOTLEY'S HISTORY OF THE NETHERLANDS, PG EDITION, VOLUME 3.
PHILIP THE SECOND IN THE NETHERLANDS