Bleak House. Чарльз Диккенс
glad to see you, Watt!" says Mrs. Rouncewell. "You are a fine young fellow. You are like your poor uncle George. Ah!" Mrs. Rouncewell's hands unquiet, as usual, on this reference.
"They say I am like my father, grandmother."
"Like him, also, my dear—but most like your poor uncle George! And your dear father." Mrs. Rouncewell folds her hands again. "He is well?"
"Thriving, grandmother, in every way."
"I am thankful!" Mrs. Rouncewell is fond of her son but has a plaintive feeling towards him, much as if he were a very honourable soldier who had gone over to the enemy.
"He is quite happy?" says she.
"Quite."
"I am thankful! So he has brought you up to follow in his ways and has sent you into foreign countries and the like? Well, he knows best. There may be a world beyond Chesney Wold that I don't understand. Though I am not young, either. And I have seen a quantity of good company too!"
"Grandmother," says the young man, changing the subject, "what a very pretty girl that was I found with you just now. You called her Rosa?"
"Yes, child. She is daughter of a widow in the village. Maids are so hard to teach, now-a-days, that I have put her about me young. She's an apt scholar and will do well. She shows the house already, very pretty. She lives with me at my table here."
"I hope I have not driven her away?"
"She supposes we have family affairs to speak about, I dare say. She is very modest. It is a fine quality in a young woman. And scarcer," says Mrs. Rouncewell, expanding her stomacher to its utmost limits, "than it formerly was!"
The young man inclines his head in acknowledgment of the precepts of experience. Mrs. Rouncewell listens.
"Wheels!" says she. They have long been audible to the younger ears of her companion. "What wheels on such a day as this, for gracious sake?"
After a short interval, a tap at the door. "Come in!" A dark-eyed, dark-haired, shy, village beauty comes in—so fresh in her rosy and yet delicate bloom that the drops of rain which have beaten on her hair look like the dew upon a flower fresh gathered.
"What company is this, Rosa?" says Mrs. Rouncewell.
"It's two young men in a gig, ma'am, who want to see the house—yes, and if you please, I told them so!" in quick reply to a gesture of dissent from the housekeeper. "I went to the hall-door and told them it was the wrong day and the wrong hour, but the young man who was driving took off his hat in the wet and begged me to bring this card to you."
"Read it, my dear Watt," says the housekeeper.
Rosa is so shy as she gives it to him that they drop it between them and almost knock their foreheads together as they pick it up. Rosa is shyer than before.
"Mr. Guppy" is all the information the card yields.
"Guppy!" repeats Mrs. Rouncewell, "MR. Guppy! Nonsense, I never heard of him!"
"If you please, he told ME that!" says Rosa. "But he said that he and the other young gentleman came from London only last night by the mail, on business at the magistrates' meeting, ten miles off, this morning, and that as their business was soon over, and they had heard a great deal said of Chesney Wold, and really didn't know what to do with themselves, they had come through the wet to see it. They are lawyers. He says he is not in Mr. Tulkinghorn's office, but he is sure he may make use of Mr. Tulkinghorn's name if necessary." Finding, now she leaves off, that she has been making quite a long speech, Rosa is shyer than ever.
Now, Mr. Tulkinghorn is, in a manner, part and parcel of the place, and besides, is supposed to have made Mrs. Rouncewell's will. The old lady relaxes, consents to the admission of the visitors as a favour, and dismisses Rosa. The grandson, however, being smitten by a sudden wish to see the house himself, proposes to join the party. The grandmother, who is pleased that he should have that interest, accompanies him—though to do him justice, he is exceedingly unwilling to trouble her.
"Much obliged to you, ma'am!" says Mr. Guppy, divesting himself of his wet dreadnought in the hall. "Us London lawyers don't often get an out, and when we do, we like to make the most of it, you know."
The old housekeeper, with a gracious severity of deportment, waves her hand towards the great staircase. Mr. Guppy and his friend follow Rosa; Mrs. Rouncewell and her grandson follow them; a young gardener goes before to open the shutters.
As is usually the case with people who go over houses, Mr. Guppy and his friend are dead beat before they have well begun. They straggle about in wrong places, look at wrong things, don't care for the right things, gape when more rooms are opened, exhibit profound depression of spirits, and are clearly knocked up. In each successive chamber that they enter, Mrs. Rouncewell, who is as upright as the house itself, rests apart in a window-seat or other such nook and listens with stately approval to Rosa's exposition. Her grandson is so attentive to it that Rosa is shyer than ever—and prettier. Thus they pass on from room to room, raising the pictured Dedlocks for a few brief minutes as the young gardener admits the light, and reconsigning them to their graves as he shuts it out again. It appears to the afflicted Mr. Guppy and his inconsolable friend that there is no end to the Dedlocks, whose family greatness seems to consist in their never having done anything to distinguish themselves for seven hundred years.
Even the long drawing-room of Chesney Wold cannot revive Mr. Guppy's spirits. He is so low that he droops on the threshold and has hardly strength of mind to enter. But a portrait over the chimney-piece, painted by the fashionable artist of the day, acts upon him like a charm. He recovers in a moment. He stares at it with uncommon interest; he seems to be fixed and fascinated by it.
"Dear me!" says Mr. Guppy. "Who's that?"
"The picture over the fire-place," says Rosa, "is the portrait of the present Lady Dedlock. It is considered a perfect likeness, and the best work of the master."
"Blest," says Mr. Guppy, staring in a kind of dismay at his friend, "if I can ever have seen her. Yet I know her! Has the picture been engraved, miss?"
"The picture has never been engraved. Sir Leicester has always refused permission."
"Well!" says Mr. Guppy in a low voice. "I'll be shot if it ain't very curious how well I know that picture! So that's Lady Dedlock, is it!"
"The picture on the right is the present Sir Leicester Dedlock. The picture on the left is his father, the late Sir Leicester."
Mr. Guppy has no eyes for either of these magnates. "It's unaccountable to me," he says, still staring at the portrait, "how well I know that picture! I'm dashed," adds Mr. Guppy, looking round, "if I don't think I must have had a dream of that picture, you know!"
As no one present takes any especial interest in Mr. Guppy's dreams, the probability is not pursued. But he still remains so absorbed by the portrait that he stands immovable before it until the young gardener has closed the shutters, when he comes out of the room in a dazed state that is an odd though a sufficient substitute for interest and follows into the succeeding rooms with a confused stare, as if he were looking everywhere for Lady Dedlock again.
He sees no more of her. He sees her rooms, which are the last shown, as being very elegant, and he looks out of the windows from which she looked out, not long ago, upon the weather that bored her to death. All things have an end, even houses that people take infinite pains to see and are tired of before they begin to see them. He has come to the end of the sight, and the fresh village beauty to the end of her description; which is always this: "The terrace below is much admired. It is called, from an old story in the family, the Ghost's Walk."
"No?" says Mr. Guppy, greedily curious. "What's the story, miss? Is it anything about a picture?"
"Pray tell us the story," says Watt in a half whisper.
"I don't know it, sir." Rosa is shyer than ever.
"It is not related to visitors; it is almost forgotten," says the housekeeper, advancing. "It has never been more than a family anecdote."
"You'll