Bleak House. Чарльз Диккенс
at breakfast as he had been overnight. There was honey on the table, and it led him into a discourse about bees. He had no objection to honey, he said (and I should think he had not, for he seemed to like it), but he protested against the overweening assumptions of bees. He didn't at all see why the busy bee should be proposed as a model to him; he supposed the bee liked to make honey, or he wouldn't do it—nobody asked him. It was not necessary for the bee to make such a merit of his tastes. If every confectioner went buzzing about the world banging against everything that came in his way and egotistically calling upon everybody to take notice that he was going to his work and must not be interrupted, the world would be quite an unsupportable place. Then, after all, it was a ridiculous position to be smoked out of your fortune with brimstone as soon as you had made it. You would have a very mean opinion of a Manchester man if he spun cotton for no other purpose. He must say he thought a drone the embodiment of a pleasanter and wiser idea. The drone said unaffectedly, "You will excuse me; I really cannot attend to the shop! I find myself in a world in which there is so much to see and so short a time to see it in that I must take the liberty of looking about me and begging to be provided for by somebody who doesn't want to look about him." This appeared to Mr. Skimpole to be the drone philosophy, and he thought it a very good philosophy, always supposing the drone to be willing to be on good terms with the bee, which, so far as he knew, the easy fellow always was, if the consequential creature would only let him, and not be so conceited about his honey!
He pursued this fancy with the lightest foot over a variety of ground and made us all merry, though again he seemed to have as serious a meaning in what he said as he was capable of having. I left them still listening to him when I withdrew to attend to my new duties. They had occupied me for some time, and I was passing through the passages on my return with my basket of keys on my arm when Mr. Jarndyce called me into a small room next his bed-chamber, which I found to be in part a little library of books and papers and in part quite a little museum of his boots and shoes and hat-boxes.
"Sit down, my dear," said Mr. Jarndyce. "This, you must know, is the growlery. When I am out of humour, I come and growl here."
"You must be here very seldom, sir," said I.
"Oh, you don't know me!" he returned. "When I am deceived or disappointed in—the wind, and it's easterly, I take refuge here. The growlery is the best-used room in the house. You are not aware of half my humours yet. My dear, how you are trembling!"
I could not help it; I tried very hard, but being alone with that benevolent presence, and meeting his kind eyes, and feeling so happy and so honoured there, and my heart so full—I kissed his hand. I don't know what I said, or even that I spoke. He was disconcerted and walked to the window; I almost believed with an intention of jumping out, until he turned and I was reassured by seeing in his eyes what he had gone there to hide. He gently patted me on the head, and I sat down.
"There! There!" he said. "That's over. Pooh! Don't be foolish."
"It shall not happen again, sir," I returned, "but at first it is difficult—"
"Nonsense!" he said. "It's easy, easy. Why not? I hear of a good little orphan girl without a protector, and I take it into my head to be that protector. She grows up, and more than justifies my good opinion, and I remain her guardian and her friend. What is there in all this? So, so! Now, we have cleared off old scores, and I have before me thy pleasant, trusting, trusty face again."
I said to myself, "Esther, my dear, you surprise me! This really is not what I expected of you!" And it had such a good effect that I folded my hands upon my basket and quite recovered myself. Mr. Jarndyce, expressing his approval in his face, began to talk to me as confidentially as if I had been in the habit of conversing with him every morning for I don't know how long. I almost felt as if I had.
"Of course, Esther," he said, "you don't understand this Chancery business?"
And of course I shook my head.
"I don't know who does," he returned. "The lawyers have twisted it into such a state of bedevilment that the original merits of the case have long disappeared from the face of the earth. It's about a will and the trusts under a will—or it was once. It's about nothing but costs now. We are always appearing, and disappearing, and swearing, and interrogating, and filing, and cross-filing, and arguing, and sealing, and motioning, and referring, and reporting, and revolving about the Lord Chancellor and all his satellites, and equitably waltzing ourselves off to dusty death, about costs. That's the great question. All the rest, by some extraordinary means, has melted away."
"But it was, sir," said I, to bring him back, for he began to rub his head, "about a will?"
"Why, yes, it was about a will when it was about anything," he returned. "A certain Jarndyce, in an evil hour, made a great fortune, and made a great will. In the question how the trusts under that will are to be administered, the fortune left by the will is squandered away; the legatees under the will are reduced to such a miserable condition that they would be sufficiently punished if they had committed an enormous crime in having money left them, and the will itself is made a dead letter. All through the deplorable cause, everything that everybody in it, except one man, knows already is referred to that only one man who don't know, it to find out—all through the deplorable cause, everybody must have copies, over and over again, of everything that has accumulated about it in the way of cartloads of papers (or must pay for them without having them, which is the usual course, for nobody wants them) and must go down the middle and up again through such an infernal country-dance of costs and fees and nonsense and corruption as was never dreamed of in the wildest visions of a witch's Sabbath. Equity sends questions to law, law sends questions back to equity; law finds it can't do this, equity finds it can't do that; neither can so much as say it can't do anything, without this solicitor instructing and this counsel appearing for A, and that solicitor instructing and that counsel appearing for B; and so on through the whole alphabet, like the history of the apple pie. And thus, through years and years, and lives and lives, everything goes on, constantly beginning over and over again, and nothing ever ends. And we can't get out of the suit on any terms, for we are made parties to it, and MUST BE parties to it, whether we like it or not. But it won't do to think of it! When my great uncle, poor Tom Jarndyce, began to think of it, it was the beginning of the end!"
"The Mr. Jarndyce, sir, whose story I have heard?"
He nodded gravely. "I was his heir, and this was his house, Esther. When I came here, it was bleak indeed. He had left the signs of his misery upon it."
"How changed it must be now!" I said.
"It had been called, before his time, the Peaks. He gave it its present name and lived here shut up, day and night poring over the wicked heaps of papers in the suit and hoping against hope to disentangle it from its mystification and bring it to a close. In the meantime, the place became dilapidated, the wind whistled through the cracked walls, the rain fell through the broken roof, the weeds choked the passage to the rotting door. When I brought what remained of him home here, the brains seemed to me to have been blown out of the house too, it was so shattered and ruined."
He walked a little to and fro after saying this to himself with a shudder, and then looked at me, and brightened, and came and sat down again with his hands in his pockets.
"I told you this was the growlery, my dear. Where was I?"
I reminded him, at the hopeful change he had made in Bleak House.
"Bleak House; true. There is, in that city of London there, some property of ours which is much at this day what Bleak House was then; I say property of ours, meaning of the suit's, but I ought to call it the property of costs, for costs is the only power on earth that will ever get anything out of it now or will ever know it for anything but an eyesore and a heartsore. It is a street of perishing blind houses, with their eyes stoned out, without a pane of glass, without so much as a window-frame, with the bare blank shutters tumbling from their hinges and falling asunder, the iron rails peeling away in flakes of rust, the chimneys sinking in, the stone steps to every door (and every door might be death's door) turning stagnant green, the very crutches on which the ruins are propped