THE COLLECTED WORKS OF E. M. DELAFIELD (Illustrated Edition). E. M. Delafield
to Ridgeway's Late Joys. They sing Victorian songs and the audience joins in the choruses.
Am entranced at this prospect and only hope that effect of Amontillado will not have worn off by the time we get there, as should certainly join in choruses, Victorian or otherwise, far better if still under its influence.
J. L. and I depart forthwith into the black-out, and are compelled to cling to one another as we go, and even so do not escape minor collisions with sandbags and kindly expressed, but firm, rebuke from the police for displaying electric-torch beams too freely.
J. L. takes me to nice little restaurant and orders excellent dinner, and then talks to me about Serena.
He is, he admits, practically in despair about Serena. She has charm, she has intelligence, she has brains, she has looks—but would marriage with her be a hundred per cent success?
Can only tell him that I really have no idea, and that very few marriages are a hundred per cent success, but that on the other hand most people would think even seventy-five per cent quite handsome. Is he, if I may ask, engaged to Serena?
Oh dear, no.
Has he—if he doesn't mind my asking—asked Serena to be engaged to him?
Well, yes and no.
Can only look at him in despair, and reflect with no originality whatever that Things have Changed in the last twenty years.
J. L. continues to maunder, but breaks off to ask what I would like to drink, and to hold quite animated discussion about Alsatian wine with the wine-waiter—then relapses into distress and refers to Serena as being at once the Worst and the Best Thing in his life.
Can see that nothing I say will make the slightest impression on him and that I may just as well save myself exertion of thinking by merely looking interested and sympathetic.
This succeeds well until J. L. suddenly bends forward and enquires earnestly whether I don't feel that Serena is too highly-strung to be the ideal wife for a writer. I inform him in return, without hesitation, that the point seems to me quite insignificant and that what really disturbs me is the conviction that writers are too egotistical to make ideal husbands for anybody.
J. L. instantly agrees with me but is evidently quite fatalistic about it and has no intention whatever of reforming.
Can only suggest to him that perhaps we had better start for Late Joys or we shall be late.
He agrees amiably and cheers up more and more as evening progresses—just as well, as I am perfectly enraptured by beautifully-produced performance of the Joys and too much absorbed to pay any attention to him even if suicidal tendencies should develop.
Instead, however, J. L. joins in chorus to "See me Dance the Polka" and "Her Golden Hair was Hanging Down her Back" in unexpectedly powerful baritone, and we drink beer and become gayer and gayer until reluctantly compelled to leave theatre.
November 9th.—Bomb Explosion in Munich Beer-hall reported, apparently timed to coincide with speech by Hitler and to destroy him and numerous Nazi leaders seated immediately beneath spot where bomb was placed. Hitler said to have finished speech twenty minutes earlier than usual, and left Hall just—(from his point of view)—in time.
Hear all this from wireless at 8 A.M. and rush out into the Strand where posters tell me that Hess was amongst those killed, and I buy three newspapers and see that Hess is only reported killed. Can only say that instincts of Christianity and civilisation alike are severely tried, and am by no means prepared to state that they emerge victorious.
Have invited Lady Blowfield to lunch at Club as small return for past hospitality and also with faint hope of her eventually inducing Sir Archibald to suggest war job for me, and proceed there by bus, which fails to materialise for at least twenty minutes and is then boarded by about five hundred more people than it can possibly accommodate.
Situation very reminiscent of 1914 and succeeding years.
Hess resurrected on posters.
Reach Club just before one, am told by hall-porter that my guest has not yet arrived and go to upstairs drawing-room, which is filled with very, very old ladies in purple wool cardigans, and exceedingly young ones in slacks. No golden mean achieved between youth and age, excepting myself.
Small room off drawing-room contains wireless, to which I hasten, and find fearfully distraught-looking member—grey hair all over the place and spectacles on the floor—who glances at me and tells me imperatively to Hush!
I do Hush, to the extent of not daring even to sit down on a chair, and One O'clock News repeats the information that Hitler left Munich Beer-hall exactly fifteen minutes before bomb exploded.
At this, grey-haired member astounds me by wringing her hands—have never seen this done before in real earnest—and emits a sort of frantic wail to the effect that it's dreadful—dreadful! That he should just have missed it by quarter of an hour! Why, oh, why couldn't they have timed it better?
Moral conflict assails me once more at this, since I am undeniably in sympathy with her, but at the same time rather shattered by her unusual outspokenness. No comment fortunately necessary, or even possible, as she desperately increases volume of wireless to bellowing-point, then extinguishes it with equal lack of moderation.
Can see that she is in totally irresponsible frame of mind and feel very sorry for her.
Try to convey this by a look when News is over, and am only to successful as she at once pours out a torrent of rather disconnected phrases, and ends up by asking what my views are.
There will, I assure her, be a revolution in Germany very soon.
She receives this not-very-novel theory with starting eyes and enquires further whether It will come from the top, or from the bottom.
Both, I reply without hesitation, and leave the room before she has time to say more.
Lady Blowfield awaits me—hat with a black feather, very good-looking fur cape, and customary air of permanent anxiety—and we exchange greetings and references—moderate at least in tone—to Munich explosion, Hess being authoritatively declared alive and unhurt on the strength of responsible newspapers seen by Lady Blowfield.
Offer her sherry which she declines—am rather sorry, as I should have liked some myself but feel it now quite out of the question—and we proceed to dining-room.
Has she, I ask, any news about the war other than that which is officially handed out to all of us?
Lady Blowfield at once replies that Gitnik, whom I shall remember meeting, has flown to Paris and that therefore she has not seen him. He is, I shall naturally understand, her chief authority on world affairs—but failing him, Archibald has a certain amount of inside information—in a comparatively small way—and he has said that, in his opinion, the war will begin very soon now.
Am much dejected by this implication, although I—like everybody else—have frequently said myself that It hasn't yet Started.
Has Sir Archibald given any intimation of the place or time selected for the opening of hostilities?
Lady Blowfield shakes her head and says that Holland is in great danger, so is Belgium, so are Finland and Sweden. At the same time it is perfectly certain that Hitler's real objective is England, and he is likely to launch a tremendous air-attack against not only London, but the whole of the country. It is nonsense—wishful thinking, in fact—to suggest that winter will make any difference. Weather will have nothing to do with it. Modern aircraft can afford to ignore all weather conditions.
Has Lady Blowfield any information at all as to when this attack may be expected?
Lady Blowfield—not unreasonably—says that it won't be expected at all.
Conversation, to my relief, is here interrupted by prosaic enquiry from waitress as to our requirements and I urge grapefruit and braised chicken on Lady Blowfield and again suggest drink. Would willingly stand her entire