THE COLLECTED WORKS OF E. M. DELAFIELD (Illustrated Edition). E. M. Delafield
cheering her up. She rejects all intoxicants, however, and sips cold water.
What, she wishes to know, am I doing with my time? Am I writing anything? Archibald, no later than the day before yesterday, wished to know whether I was writing anything in particular, and whether I realised how useful I could be in placing before the public points which it was desirable for them to know.
Feel more hopeful at this, and ask what points?
There is, replies Lady Blowfield, the question of Root Vegetables. English housewives do not make the best use of these, in cooking. An attractive pamphlet on the subject of Root Vegetables might do a lot just now.
Can only suppose that I look as unenthusiastic as I feel, since she adds, with rather disappointed expression, that if I don't care about that, there is a real need, at the moment, for literature that shall be informative, helpful, and at the same time amusing, about National Economy. How to avoid waste in the small household, for instance.
Tell her that if I knew how to avoid waste in the small household, I should find myself in a very different position financially from that in which I am at present, and Lady Blowfield then shifts her ground completely and suggests that I should Read It Up.
She will send me one or two little booklets, if I like. I have the honesty to admit in reply that I have, in the past, obtained numbers of little booklets, mostly at Women's Institutes, and have even read some of them, but cannot feel that the contents have ever altered the course of my days.
Ah, says Lady Blowfield darkly, perhaps not now, but when the war is over—though heaven alone knows when that may be—then I shall realise how difficult mere existence is going to be, and that all life will have to be reorganised into something very, very different from anything we have ever known before. Have frequently thought and said the same thing myself, but am nevertheless depressed when I hear it from Lady Blowfield. (This quite unreasonable, especially as I hold definite opinion that entire readjustment of present social system is desirable from every point of view.)
Shall we, I next suggest with an air of originality, try and forget about the war and talk about something entirely different? Lady Blowfield, though seeming astonished, agrees and at once asks me if by any chance I know of a really good kitchen-maid—she believes they are easier to find now—as hers is leaving to be married.
(If this is part of Lady Blowfield's idea of preparing for entirely reorganised scheme of life, can only say that it fails to coincide with mine.)
Am compelled to admit that I am a broken reed indeed as regards kitchen-maids, and enquire whether Lady Blowfield has seen George and Margaret.
No, she says, who are George and Margaret? Do I mean Daisy Herrick-Delaney and poor dear Lord George?
Explain what I do mean.
She has not seen George and Margaret and does not sound, even after I have assured her that it is very amusing, as if she either wished or intended to do so.
Fortunately recollect at this stage that the Blowfields are friends of Robert's married sister in Kenya—whom I have only met twice and scarcely know—and we discuss her and her children—whom I have never met at all—for the remainder of luncheon.
Coffee subsequently served in library is excellent and Lady Blowfield compliments me on it, and says how rare it is to find good coffee, and I agree whole-heartedly and feel that some sort of rapprochement may yet take place between us.
If so, however, it must be deferred to another occasion, as Lady Blowfield looks at her watch, screams faintly, and asserts that her Committee will be expecting her at this very moment and she must Fly.
She does fly—though not rapidly—and I retire to Silence Room with every intention of writing out brief, but at the same time complete, synopsis of new novel.
Two members are already seated in Silence Room, hissing quietly at one another, but lapse into frustrated silence at my entrance.
Sit down at writing-table with my back to them but can feel waves of resentment still emanating towards me.
Tell myself quite firmly that this is Great Nonsense, and that anyway they can perfectly well go and talk somewhere which isn't a Silence Room, and that I really must give my mind to proposed synopsis.
Do so, for what seems like three weeks.
Customary pen-and-ink drawings result and lead me to wonder, without much conviction, whether I have perhaps mistaken my vocation and should have done better as black-and-white artist. Brief dream ensues of myself in trousers, smock and large black bow, figuring in Bohemian life on the rive gauche at the age of twenty-two. Have just been escorted by group of enthusiastic fellow students to see several of my own works of art exhibited at the Salon, when recollections of Robert and the children—cannot say why or how—suddenly come before me, and I realise that all are quite unsuitable figures in scene that Fancy has depicted.
Revert once more to synopsis.
Cannot imagine why concentration should prove next door to impossible, until instinct tells me that psychic atmosphere is again distinctly hostile, and that the hissing members are probably wishing I would drop down dead.
Look cautiously round for them, and see that one is sleeping heavily and the other has completely disappeared.
(How? Have not heard door either open or shut. Have evidently concentrated better than I supposed. But on what? Answer comes there none.)
Inspiration, without a word of warning, descends upon me and I evolve short and rather flippant topical article which may reasonably be expected to bring me in a small sum of money, fortunately payable in guineas, not pounds.
Am highly elated—frame of mind which will undoubtedly undergo total eclipse on re-reading article in type—and return to Buckingham Street. Remember quite a long while afterwards that projected synopsis is still non-existent.
Find flat occupied, on my arrival, by Serena—face a curious shade of green—who says that she feels rather like death and has leave of absence for an hour in order to get into the fresh air. This she has evidently elected to do by putting on electric fire, shutting the window, boiling the kettle and drinking quantities of very strong tea.
Commiserate with her, and suggest that conditions under which she is serving the country are both very strenuous and extremely unhygienic and that she may shortly be expected to break down under them.
Serena says Yes, she quite agrees.
Then what about trying something else?
Yes, replies Serena, but what? Everybody she knows, practically, is trying to Get Into Something, and everybody is being told that, whilst everybody is urgently needed, nobody can be given any work at the moment. Quite highly qualified persons are, she asserts, begging and imploring to be allowed to scrub floors and wash dishes without pay, but nobody will have them.
Am obliged to admit that this is only too true.
And there is another thing, says Serena. The moment—the very moment—that she leaves her A.R.P., there will be an air-raid over London. Then she will have had all these weeks and weeks of waiting about for nothing, and will just have to cower in a basement like everybody else while old Granny Bo-Peep is getting all the bombs.
Assure Serena that while I know what she means—which I do—it seems to me an absolute certainty that Granny Bo-Peep will succeed in getting well into the middle of whatever calamity may occur, and in getting out of it again with unimpaired spirits and increased prestige.
I therefore suggest that Serena may put her out of her calculations altogether.
Serena—surely rather exasperatingly?—declares that she wasn't really thinking what she was saying, and Granny Bo-Peep doesn't come into it at all.
Then what does?
Serena's only reply is to weep.
Am very sorry for her, tell her so, give her a kiss, suggest