The Greatest Crime Novels of Frank L. Packard (14 Titles in One Edition). Frank L. Packard
suddenly. Well, granted all that! What did it matter now? They would but hunt a myth! Between them and himself now there stood the Tocsin’s note. “The way is clearing…. I am very happy to-night.” She would not have written that unless she were very sure. To-morrow, perhaps, and Smarlinghue, and the Gray Seal, and Larry the Bat would have passed forever out of existence, and there would be only Jimmie Dale, and she, and love—and a phantom left behind in the underworld against whom the underworld and this evil genius of crime might pit their wits to their hearts’ content!
There was an uplift upon him, a sense of freedom so great that it seemed actually physical as well as mental. Peril, danger, the strain of the dual life until the nerves were worn raw, the constant anxiety for her safety—all were gone now. “It is the beginning of the end … the way is clearing”—she had written that tonight. And it meant that, refusing, as she had said, to let him come into the shadows again, she had won through—alone. It brought a little, curious pang of disappointment to him that he should share now only in the reward; but the pang was swallowed up in that it brought him a deeper knowledge of her unselfish love, her splendid courage, and—he could find no other word—her wonderfulness.
Jimmie Dale’s fingers stole into the side pocket of his coat to play again in a curiously caressing way with the little torn fragments of her note—and touched again the piece of paper that the Pippin had dropped. He took it out mechanically, and read it over once more. One sentence seemed suddenly to have become particularly ominous—“if he squeals go the limit.” He knew nothing as to the authorship of those words, but from what he knew of the Pippin there was a certain ugliness to the word “limit” that he did not like. The “limit” with the Pippin might mean—anything.
He thrust the paper back into his pocket, and sat for a moment staring amusingly at his whisky glass. Well, why not? Before half past ten, the message said; and it was scarcely ten o’clock yet. In view of the Tocsin’s note, he had intended returning to the Sanctuary, resuming his own proper character, and, either at the St. James Club, or at his home, wait for further word from her. There was, indeed, nothing else that he could do—and Melinoff’s, for that matter, was on the way from Bristol Bob’s to the Sanctuary. Yes, why not? If the Pippin was up to any dirty work, or even if the two of them, Melinoff and the Pippin, were in it together, and the word “squeal” implied that Melinoff was to be held strictly up to his full share of some mutual villainy should he show any inclination to waver, it might not be an altogether unfitting exit from the stage if the Gray Seal should make his final bow to the underworld by playing a role in the Pippin’s little drama, whatever that drama might prove to be!
Yes, why not! He passed Melinoff’s place in any event, and there was no reason why he should remain any longer here in Bristol Bob’s. The second glass of whisky followed the first—into the cuspidor. Again the threadbare sleeve was drawn across the thin, distorted lips, and, pushing back his chair, Jimmie Dale rose from the table and made his way out into the street.
Chapter XX.
The Old-clothes Shop
Ten minutes later, still in the heart of the East Side, Jimmie Dale reached his destination, and paused on the edge of the sidewalk, ostensibly to light a cigarette while he looked tentatively around him, before the entrance to a courtyard that ran in behind a row of cheap and shabby tenements. He shook his head, as he tossed the match away. It was still early; there were too many people about, to say nothing of the group of half-naked children playing in the gutter under the street lamp in front of the courtyard entrance, and “Smarlinghue” was far too well known a character in that section of the Bad Lands to warrant him in taking any chances. If anything was wrong in Melinoff’s dingy little place behind there, if anything had transpired, or was about to transpire that would ultimately, say, invite the attention of the police, it might prove extremely awkward—for Smarlinghue—should it be remembered that he had entered there! There was a better way—a much better way, and one that was exceedingly simple. It would hardly occasion any comment, even if he were noticed, if he entered one of the tenements, where, with probably a dozen families living in as many rooms, one could come and go at all hours without question or hindrance.
He moved slowly along, and, out of the radius of the street lamp now and away from the children, paused again, this time before the last tenement in the row that the front of the courtyard in the rear. For the moment there were no pedestrians in the immediate neighbourhood, and Jimmie Dale, stepping through the tenement doorway, gained the narrow, unlighted hall within. He stopped here, hugged close against the wall, to listen, and, hearing or seeing nothing to disturb him, moved forward again, silently, without a sound, along the hall. There must be, he knew, a rear exit to the courtyard behind. Yes—here it was! He had halted again, this time before a door. He tried it, found it unlocked, opened it, stepped outside, and closed the door behind him.
It was dark out here in the courtyard, and objects were only faintly discernible; but there were few localities in that neighbourhood with which Jimmie Dale, either as Smarlinghue, or in the old days as Larry the Bat, was not intimately acquainted. To call it a courtyard hardly described the place. It was more an open backyard common to the row of tenements, and rather narrow and confined in space at that. It was dirty, cluttered with rubbish, and across it, facing the rear of the tenements, was a small building that many years ago had been, possibly, a stable or an outhouse belonging to some private and no doubt pretentious dwelling, which long since now, with the progress northward of the city, had been supplanted by the crowded, poverty-stricken, and anything but pretentious tenements. This outhouse had been to a certain extent remodelled, and to a certain extent made habitable, and as long as any one could remember Melinoff with his old-clothes shop had been its tenant.
Jimmie Dale began to make his way cautiously across the yard, wary of the tin cans and general rubbish which an inadvertent step might metamorphose most effectively into a decidedly undesirable advertisement of his presence. There was no light that he could see in Melinoff’s at all; and he frowned now in a puzzled way. Had the Pippin been and gone; or was he, Jimmie Dale, ahead of the Pippin? The Pippin would have had ample time, of course, to get here, for he, Jimmie Dale, had probably remained in Bristol Bob’s a good half hour after the Pippin had left. In that case, then, Melinoff must have gone away with the Pippin again—that would account for there being no light. But, on the other hand, if the Pippin had not yet arrived, and Melinoff expected the visit, it was most curious that the place was in darkness!
And then Jimmie Dale smiled a little mockingly at himself. His deductions would perhaps have been of infinitely more value if he had first waited to make sure of the premise on which they were based! As a matter of fact, there was a light! He had reached the front of the little place, and peering cautiously through the window could make out, across the black interior, a thread of light that came through the crack of a closed door, and from what was, evidently, another room in the rear.
Jimmie Dale’s fingers closed on the heavy, cumbersome, old-fashioned door latch, pressed it down noiselessly, and exerted a little tentative pressure on the door itself. It was locked. A minute passed in absolute silence, as a little steel instrument was inserted in the lock—and then the door swung inward and was dosed again, and Jimmie Dale, rigid and motionless, stood inside.
He was listening now for some sound, the sound of voices, or the sound of movement from that lighted room. There was nothing. Jimmie Dale’s lips tightened suddenly. It was very curious! There was an “upstairs” to the place, such as it was, but if Melinoff was up there alone, or with the Pippin, they were up there in the dark unless they were in the rear upstairs room; in which case they could not, in view of the ramshackle nature of the building, have made the slightest movement without making themselves heard from where he stood.
From his pocket Jimmie Dale produced a flashlight. The ray played once, as though with queer, diffident curiosity, about him, swept once more in a circuit around the room, swiftly, in an almost startled way this time—and there was darkness again. And, instead of the flashlight, Jimmie Dale’s automatic was in his hand now, and he